sat 16/02/2019

horror

The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.América ★★★★ A heart-warming document of love across the...

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Crucible of the Vampire review - Neil Morrissey meets lesbian vampires, subtly

Ghosts of previous B-movies flit through this low-budget lesbian vampire flick. Part Hammer horror, J-horror, Witchfinder General and The Wicker Man, it is ultimately about a young woman in a very large house full of unpleasant people out for her...

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Velvet Buzzsaw review - an acerbic takedown of the LA art scene

Sitting somewhere between Ruben Östlund’s The Square and Final Destination, Dan Gilroy’s Velvet Buzzsaw is a satirical supernatural thriller that goes for the jugular of the LA art scene.We open at the Art Basel Miami Beach, where art snobs with fat...

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Suspiria review - kindly, slow-motion grand guignol

The first Suspiria was a sensation, and spectacularly, monomaniacally new. Its young heroine Susie Bannon’s ride from an innately hostile airport through eldritch woods in which a panicked girl ran from her destination, the Markos Academy of Dance,...

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Overlord review - nightmares in Normandy

The trailer for Overlord promises havoc, horror, evil, madness, terror and rage, and to be fair it delivers on most of those. From the fantasy factory of producer JJ Abrams, it’s the ghastly story of an alternative D-Day, in which American...

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Chilling Adventures of Sabrina, Netflix review - girl power goes supernatural

Not to be confused with Nineties supernatural sitcom Sabrina the Teenage Witch, Netflix’s new incarnation of the high-schooler with infernal powers is a ghoulish thrill-ride which boldly surfs the dark side, with a pronounced feminist and gay slant...

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Possum review - mind-infecting homage to 1970s horror

Matthew Holness clearly knows a thing or two about low-budget British horror from the early 1970s. In TV comedy Garth Marenghi’s Darkplace he was as merciless as he was affectionate in ripping the genre apart. His debut feature as writer-director is...

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Matthew Holness: 'I wanted to make a modern silent horror film'

Watching Matthew Holness’ debut feature Possum, you’d be forgiven in thinking he was a tortured soul. Lead character Phillip (played by Sean Harris, pictured below) is a lean marionette of a man, prone to horrific flights of fantasy involving a...

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Little Shop of Horrors, Regent's Park Open Air Theatre review - monstrously entertaining

The resplendent partnership of Alan Menken and Howard Ashman – which produced Disney hits Aladdin, Beauty and the Beast and The Little Mermaid – first took root with this 1982 Off-Broadway musical, based on a low-budget Sixties film, about a...

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The Turn of the Screw, ENO, Regent's Park Open Air Theatre review - one dimension, not four

Opera and music theatre have set the birds shrilling in Regent's Park before in the shape of Gershwin's Porgy and Bess – a very forgettable production – and Sondheim's Into the Woods – much better, and a score which can give any 20th century opera a...

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Revenge - a blood-soaked joy

Deep in an unnamed desert, a violent and psychedelic retribution is sought. The aptly named Revenge is a brutally rewarding experience, bringing classic horror and exploitation tropes kicking and screaming into the 21st century. It is the debut...

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The Woman in White, BBC One review - camp Victoriana

The BBC excels at a very particular kind of drama, namely one where production values overawe dramatic content. Its version of The Woman in White (BBC One) proves no exception. Our hero is Walter, a bemused sappy painter played by ex-Eastender Ben...

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