Holocaust
Psappha, Phillips, Hallé St Peter’s, Manchester online review - Turnage world premiereFriday, 30 April 2021
Manchester’s Psappha have been proudly flying the flag of new and radical music right through the year of lockdown, and last night’s livestream, with two-and-a-half world premieres, one of them by Mark-Anthony Turnage, showed they haven’t given up... Read more... |
Persian Lessons review - confusing Holocaust dramaSaturday, 23 January 2021
This is an odd film, made even odder by a caption near the beginning, which claims it is "inspired by true events" but doesn’t elaborate. Produced in Belarus, it’s a Holocaust drama based on a novella by the veteran East German screenwriter/director... Read more... |
The Flying Lovers of Vitebsk, Bristol Old Vic/Kneehigh/Wise Children online review – ravishing vision of Chagall's early lifeSaturday, 05 December 2020
One of Marc Chagall’s last commissions was for a stained-glass window in Chichester Cathedral, which channelled his characteristically exuberant spirituality into a response to the verse from Psalm 150, “Let everything that has breath praise the... Read more... |
Blu-ray: The Painted BirdTuesday, 17 November 2020
Václav Marhoul’s The Painted Bird (Nabarvené ptáče in Czech) comes with a lot of baggage, a critics’ screening at the 2019 Venice Festival punctuated by mass walkouts but finishing with a ten-minute standing ovation. Then there’s the supposedly... Read more... |
Little Wars, Union Theatre online review - richly emotional, but formulaicTuesday, 03 November 2020
Feuds make good theatre. I mean, look at the furious 1970s spat between playwright Lillian Hellman and critic Mary McCarthy. Yikes. So far, I’ve counted three recent stage versions: in 2002 there was Nora Ephron’s Imaginary Friends, followed in 2014... Read more... |
Rose, Hope Mill Theatre online review - a performer at her peakThursday, 10 September 2020
Solo plays and performances are, of necessity, the theatrical currency of the moment, whether across an entire season at the Bridge Theatre or last week at the Old Vic in the too briefly glimpsed Three Kings, starring a rarely-better Andrew Scott.... Read more... |
'I loved being a dresser': Sir Ronald Harwood, Oscar-winning writer, dies at 85Wednesday, 09 September 2020
Ronald Harwood, who has died at the age of 85, was best known for his play about tending to the needs of the larger-than-life actor-manager Donald Wolfit. The Dresser, adapted by Harwood, went on to become a great film success starring Tom Courtenay... Read more... |
Alex Halberstadt: Young Heroes of the Soviet Union review - a familial history of the twentieth centurySaturday, 08 August 2020
Since the collapse of the Soviet Union, there has been a collective examination of its past, with Nobel Prize-winner Svetlana Alexievich at the helm. Young Heroes of the Soviet Union looks back at the USSR through the lens of the personal, much like... Read more... |
DVD/Blu-ray: Distant JourneyTuesday, 26 May 2020
Czech director Alfréd Radok’s Distant Journey (Daleká cesta) has an unprecedented place in the history of cinema of the Holocaust. Initially released in March 1949, it has been called the first fictional treatment of the Jewish experience during the... Read more... |
'You’re Jewish. With a name like Neumann, you have to be'Monday, 24 February 2020
It was during my first week at Tufts University in America, when I was 17, that I was told by a stranger that I was Jewish. As I left one of the orientation talks, I was approached by a slight young man with short brown hair and intense eyes. He... Read more... |
Confronting Holocaust Denial with David Baddiel, BBC Two review - grappling with the incomprehensibleTuesday, 18 February 2020
It’s all in the timing. Here was David Baddiel beginning a stand-up turn at a gig in Finchley. A Holocaust survivor gets to heaven, and God asks for a Holocaust joke. God says that his joke isn't funny, and the survivor replies “Well, I guess you... Read more... |
Leopoldstadt, Wyndham's Theatre review - Stoppard at once personal and accessibleFriday, 14 February 2020
It’s not uncommon for playwrights to begin their careers by writing what they know, to co-opt a frequently quoted precept about authorial inspiration. So it’s among the many fascinations of Leopoldstadt that Tom Stoppard, at the age of 82, should... Read more... |
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