wed 19/06/2019

Germany

Kozhukhin, RPO, Petrenko, RFH review - more cultured than electrifying

With two German giants roaring - Brahms in leonine mode, Richard Strauss more with tongue in armour-plated cheek - it could have all been too much. Not in the eloquent hands of the Royal Philharmonic Orchestra's Music Director Designate, Vasily...

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Das Rheingold, Longborough Festival Opera review - more Wagnerian excellence in a Gloucestershire barn

The whole raison d’être of the Longborough Festival was always the performance of its founder Martin Graham’s beloved Wagner. So it’s perfectly natural that the twelfth anniversary of the start of the festival’s original Ring cycle should be marked...

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First Person: Conductor Maxime Pascal on Stockhausen at the Southbank Centre

Stockhausen stands alongside Monteverdi and Beethoven as a composer who exploded the understanding of his art. Stockhausen deeply changed the relationship between space, time and music; there’s a human, intimate dimension to his composition, and he...

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Fiona MacCarthy: Walter Gropius review - a master of modernism

The centenary of the founding of the Bauhaus (literally, “Building House”) art school is on us, prompting publications and exhibitions worldwide. Subtitled “Visionary Founder of the Bauhaus”, Fiona MacCarthy’s revelatory biography of the figure...

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The Aftermath review - it looks great but it lacks bite

Is it time for the rebirth of the old-fashioned wartime weepie? If so, this time next year The Aftermath will be dragging a clanking heap of statuettes round Hollywood, attached to the rear bumper of its 1940s army staff car. If not…A cynical person...

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Bon Voyage, Bob, Tanztheater Wuppertal Pina Bausch, Sadler's Wells review - interminable ennui

It's a decade since Pina Bausch sadly died, and during that time her company has kept her memory alive by revisiting her amazingly rich legacy. Inevitably, though, the time would come for them to embark on a new phase; but how? The unique mix of...

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Q&A Special: Actor Bruno Ganz on playing Hitler

There is nothing quite like the Iffland-Ring in this country. The property of the Austrian state, for two centuries it has been awarded to the most important German-speaking actor of the age, who after a suitable period nominates his successor and...

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Bach B minor Mass, BBCSO, Butt, Barbican review - large-scale losses and a few gains

Practitioners of musical authenticity and scholarly research, so guarded and protective of their territory in the early days, now like to spread the love around. So if an amateur choir of 100-plus like the BBC Symphony Chorus, celebrating its 90th...

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DVD/Blu-ray: Rosa Luxemburg

Barbara Sukowa won Best Actress at Cannes in 1986 for her title role in Margarethe von Trotta’s Rosa Luxemburg, and the power of her performance looks every bit as engaging and insistent today. A century after Luxemburg’s death (she was...

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The Last Survivors, BBC Two review - living on

When they were children the interviewees in this film – the last survivors – were taken away in incomprehensible circumstances, on their way to be murdered for who they were, in Germany and places further east. A handful of the few thousands who...

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Die Walküre, LPO, Jurowski, RFH review - love shines out

Harpers on the undeniably offensive aspect of Wagner the man might question attending a concert performance of his second Ring opera on World Holocaust Day. Fortunately there's nothing anti-semitic to be found anywhere in Die Walküre. As embodied by...

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Albums of the Year 2018: Helena Hauff - Qualm

The cliché of hard times making for good culture is a distinctly dodgy, even dangerous, one. But there's no doubting at all that the era of Trump, Brexit and all the rest has added an urgency particularly to underground culture, which is leading...

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