mon 28/09/2020

French horn

theartsdesk Q&A: horn player Sarah Willis

Horn player Sarah Willis joined the Berlin Philharmonic in 2001. She juggles her position with spells of teaching, interviewing soloists and conductors for the Berlin Philharmonic's Digital Concert Hall and hosting an online series of Horn Hangouts...

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Classical CDs Weekly: Franck, Holger Falk, Ursula Paludan Monberg

 Franck: Psyché, Le Chasseur maudit, Les Éolides RCS Voices, Royal Scottish National Orchestra/Jean-Luc Tingaud (Naxos)Franck by Franck: Symphony in D Minor, Ce qu’on entend sur la montagne Orchestre Philharmonique de Radio France/Mikko Franck...

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Watkins, Clayton, Philharmonia, Salonen, RFH review - a rainbow cornucopia

Horns fanfared, coasted and chorused through yet another Philharmonia winner of a concert to match the impressive planning of its Weimar season last year and no doubt a plan close to the heart of principal conductor Esa-Pekka Salonen, who started...

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Fibonacci Sequence, Conway Hall review - characterful chamber music for winds

Most classical concert reviews focus on prominent orchestras and opera companies at major venues. But beyond the likes of the Barbican and the Royal Opera House, there are whole strata of musical life where smaller scale ensembles and amateur choirs...

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Classical CDs Weekly: Borgström, Shostakovich, Tchaikovsky, Alec Frank-Gemmill

 Borgström: Violin Concerto, Shostakovich: Violin Concerto No. 1 Eldbjørg Hemsing (violin), Wiener Symphoniker/Olari Elts (BIS)Hjalmar Borgström sounds like the name of a BBC Four gumshoe, a melancholy detective solving crimes in downtown...

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Radically different: Horn player Anneke Scott on The Prince Regent's Band

The Prince Regent’s Band was formed in 2013 and, like very many chamber ensembles, was created when a group of us found that we shared a number of interests in common. The musicians that make up the ensemble are all specialist historic brass players...

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theartsdesk Q&A: Horn-player Alec Frank-Gemmill

Traditional musical formats rarely suit the individual talent, but the highly-motivated player always finds a way. I first got to talk to Alec Frank-Gemmill in the very sociable surroundings of the Pärnu Festival in Estonia, a gathering most...

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Classical CDs Weekly: Chopin, Glass, Alec Frank-Gemmill

 Chopin: Mazurkas Ivana Gavric (Edition Classics)Ivana Gavric suggests that Chopin’s Mazurkas are “short, poignant, diary entries”, and her performances remind us how the greatest composers are never constrained when writing miniatures. As with...

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Frank-Gemmill, SCO, Manze, Queen's Hall, Edinburgh

March 2017 is MacMillan month in Scotland – well, in Glasgow at least, with certain events spilling over into Edinburgh and other cities too. It’s not as if we don’t already get to hear quite a bit of Sir James’s music north of the border, but it’s...

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Jim Rattigan's Pavillon, Seven Arts, Leeds

French horn players active in jazz are thin on the ground: there’s the long-deceased John Graas, and composer and polymath Gunther Schuller’s career took in collaborations with Miles Davis and Dizzy Gillespie. Unlike most brass instruments, the horn...

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BBC Young Musician 2016

What makes a musical performance? The final of Young Musician 2016 presented five judges with this philosophical teaser to ponder. For the previous 90 minutes three contestants with three radically contrasting styles of delivery cleared every bar in...

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'Paul said he would like orchestral instruments. John couldn’t be bothered'

A decade ago I was sent to interview George Martin and his son Giles about Love, the remarkable remix of the Beatles catalogue which they created for Cirque du Soleil’s Beatles show in Las Vegas. After the interview proper, in which both talked...

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