“Badass” – as applied to dynamic women – and “girl power” may be the kinds of exhausted clichés that are reductive in the #MeToo and Time’s Up era, but the new Charlie’s Angels movie revitalises the attitude they describe in a way that’s neither condescending nor retrogressive. Hunger Games actor Elizabeth Banks’s second feature as a director, and the first she’s written, is a pleasurably larky action rollercoaster that makes the most of its lowballed feminism. The three crime-busting warriors this time work for the European branch of the LA-based Charles Townsend Detective Agency. Read more ...

Professor Punch (Damon Herriman) was once famed throughout the lands as a masterful puppeteer, performing shows night after night with his dutiful wife Judy (Mia Wasikowska). Now, they have been relegated to the provinces. Specifically, the backwash of Seaside, Judy’s hometown far from the coast (as the prologue informs us), where they are raising their baby. They live amidst the daily stoning of presumed witches, and the paranoid grumblings of the small-minded citizenry. As odd couples go, they couldn’t be less well-suited. Punch is a philandering alcoholic with a short-fused temper. Judy on Read more ...

Permission tells the story of Afrooz, the captain of Iran's National Futsal Team, who is stopped from joining her team at the Asia Cup Final because of the last minute whim of her estranged husband. It is based on Iranian football player Niloufar Ardalan, who in 2015 missed the Iran v Japan final of the Asia Games in Malaysia when her sports journalist husband Mahdi Toutounchi, enforced the right given to him by Islamic shar'ia law to prevent her from leaving the country.This second feature from director Soheil Beiraghi, described in his own Read more ...

Tahliah Barnett has been having a rough old time of it. There was that doomed celebrity romance (Robert Pattinson) and some health issues (I’m not entirely sure if we need to know about her operation to have fibroids removed) but suffering, as we are all aware, is the fuel of creativity. Unclassifiable but leaning towards the classical, fka twigs’ gut-wrenching, soul-bearing second album – her first since the Mercury Prize nominated LP1 – showcases her soprano vocals against bare, eerie arrangements which will without  doubt never be played in a club. Upbeat this is not; but Read more ...

Elf Lyons’ new show, Love Songs To Guinea Pigs, has moved away from her usual slapstick and absurdist mimicry into new realms of traditional stand up. She cites the reason as being unable to do mime on the radio, but there’s a more serious reason for the switch.After ChifChaff, her Edinburgh show last year, and a string of shows involving ballet, hula hooping and ice skating, the comic found herself in bed, paralysed from the waist down. What came next was corrective spinal surgery, adoption of two guinea pigs, a bout of depression, a break up, and a return to the stage.Her personal Read more ...

October 5th in the United States is a day for righteous rage. In 2016 it marked the release of the infamous "Access Hollywood" tape in which Donald Trump made his now-infamous “grab them by the pussy” comment. In 2017, it was the date the New York Times published their first story on Hollywood king-pin producer Harvey Weinstein. In 2018 it was the date on which the Senate saw fit to advance Brett Kavanaugh’s nomination to the Supreme Court.Jodi Kantor and Megan Twohey’s work concerns Weinstein, but is bookended by Trump and Kavanaugh. She Said tells the story of their investigation for Read more ...

Newly arrived from a much-lauded stint at the Sherman Theatre, Cardiff, Rachel O'Riordan has undertaken to make "work of scale by women" during her time as artistic director of the Lyric. What better place to start than with Ibsen's once-shocking heroine, her story reimagined by prolific playwright Tanika Gupta? Ibsen's understanding of the fears and frustrations of women in the Nineteenth Century stood out among writers and thinkers of his time and modern women writers are likely to warm to him. Stef Smith's version of A Doll's House, offering three manifestations of Nora and bringing her Read more ...

You will doubtless have seen the protestors who dress as Gilean handmaids to protest anti-abortion legislation from Texas to Missouri. They model their costumes on those of the television adaptation of The Handmaid’s Tale: tight white bonnets and red smocks. They appear at courthouses and state capitols as a warning from the near-future or a fiction which feels ever more like the present – and the truth. Thirty-five years and much hype later, Atwood has given us a sequel, The Testaments. “Dear Readers,” she wrote recently on social media, “Everything you’ve ever asked me Read more ...

“Thank you for making us so fucking special!” It’s the end the set and both adjectives are appropriate. “Yes I had to say fucking special,” Peaches yells, combative and loved. The audience howls back. The Royal Festival Hall is hardly a natural environment for anarchic art-punk scuzz but Peaches knows how to work her crowd. She’s played here before and saw Grace Jones perform live, after all.When she crashed into the mainstream with The Teaches of Peaches, she was already a few records off obscurity. Years on and she’s still offering up obscenity, snark and attitude with abandon. Up Read more ...

In the late 1950s, a photo technician from Salford suddenly became “the most famous teenager in Britain”. Shelagh Delaney was 19 when she sent the script of A Taste of Honey to the radical director Joan Littlewood. Within a matter of weeks, in May 1958, Theatre Royal Stratford East had staged it – sensationally, to a welcome that mixed bouquets and brickbats. The fearless youngster from the cosmopolitan slum neighbourhood of Ordsall had already begun “to change the way working-class women are treated and represented in Britain”. With its two generations of single mothers, its relaxed Read more ...

What’s the next level above national treasure? We’ll need a name for it by the end of All Woman, Kathy Burke’s new Channel 4 documentary. With a big heart and a foul mouth, she’s travelled the country trying to define 21st century womanhood – an incredibly tall order for three hour-long shows, but episode one proved she’s more than up for the task.The first concept under Burke’s watchful eye was beauty, and where better to start than former Love Island contestant Megan Barton-Hanson? The two shared a sympathetic conversation about the pressures young girls face to conform to beauty standards Read more ...

Frank Turner’s compendium of extraordinary female lives, from the “impudence” of a Byzantine princess to his mum via Mata Hari, is admirably ambitious and historically intriguing. The arena-playing folk-punk digs deeper into factual byways than he has any career need to, insisting on his own wayward course. “Jenny Bingham’s Ghost” sympathetically revives the 17th century landlady who poisoned and cooked abusive men and was condemned as a witch, and draws idealistic threads to the agreeably seedy rock dive on the site of her tavern, Camden Underworld, and its ongoing role as “a sanctuary for Read more ...