farce
Mathias Énard: The Annual Banquet of the Gravediggers' Guild review - a man of infinite deathSaturday, 09 December 2023
"Death, as a general statement, is so easy of utterance, of belief", wrote Amy Levy, "it is only when we come face to face with it that we find the great mystery so cruelly hard to realise; for death, like love, is ever old and ever new". In Mathias... Read more... |
Oh What A Lovely War, Southwark Playhouse review - 60 years on, the old warhorse can still bare its teethMonday, 27 November 2023
In Annus Mirabilis, Philip Larkin wrote,"So life was never better than In nineteen sixty-three (Though just too late for me) – Between the end of the "Chatterley" ban And the Beatles' first LP."That might be the only point... Read more... |
La Cage Aux Folles, Regent's Park Open Air Theatre review - 40 years on, the drag show still entertains and educatesWednesday, 16 August 2023
Forty years ago, the world was very different for gay men. AIDS was devastating their communities, especially in the big cities where hard-won enclaves of acceptance were being hollowed out, one sunken-eyed friend after another. Media screamed “Gay... Read more... |
Tony Williams: Cole the Magnificent - fantastical tale blends myth, poetry and comedyTuesday, 15 August 2023
Cole the Magnificent is a picaresque, fantastical tale of the life (or lives) of a man, Cole, following his adventures as he progresses through a mythical pre-Norman Britain, from adolescence to old age, and beyond. It is episodic and poetic, by... Read more... |
Edinburgh Fringe 2023 reviews: The Grand Old Opera House Hotel / YOU ARE GOING TO DIETuesday, 15 August 2023
The Grand Old Opera House Hotel, Traverse Theatre ★★★The Traverse Theatre’s biggest, most lavish production for the 2023 festival is bold, colourful and joyful. It’s also, however, a somewhat patchy creation. Aaron (a gangly, gormless Ali... Read more... |
The Unfriend, Criterion Theatre review - dark comedy is (largely) audience-unfriendlySaturday, 21 January 2023
We all have that friend. The person you met on holiday and couldn’t shake off. You added each other on Facebook, but they posted so much you’ve quietly unfollowed them. You can’t quite bring yourself to unfriend them, though. In The Unfriend, a new... Read more... |
The Tempest, Shakespeare's Globe review - occasional gales of laughter drown out subtletySaturday, 06 August 2022
Alexei Sayle, in his angry young man phase, once said that you can always tell when you’re watching a Shakespeare comedy, because NOBODY'S LAUGHING. That’s not entirely true, of course, but sometimes a director has to go looking for the LOLs and... Read more... |
The Comeback, Noël Coward Theatre review - frantic farce with touches of vaudevilleMonday, 14 December 2020
Ben Ashenden and Alex Owen together form The Pin, a sketch duo who have won much critical acclaim and full houses in the Edinburgh Fringe shows. They have also added a huge social media following in 2020 with their lockdown skits spoofing the new... Read more... |
Edinburgh Fringe 2019 review: Crocodile FeverThursday, 08 August 2019
Chekhov famously pronounced that if you’re going to bring a gun on stage, you’ve got to use it. Is the same true for a chainsaw? To discover the answer, just head along to Meghan Tyler’s wild, over-the-top, gruesome Crocodile Fever at the... Read more... |
Noises Off, Lyric Hammersmith review - farce doesn't catch fireWednesday, 03 July 2019
Michael Frayn's Noises Off is a modern classic, a backstage sex farce that pokes affectionate fun at a profession he loves. And now Jeremy Herrin, one of our most accomplished directors, revives it for Lyric Hammersmith, where the play was premiered... Read more... |
The Glass Piano, Print Room at The Coronet review – fascinating story undermined by absurdismThursday, 02 May 2019
Often the greatest works of dramatic absurdism spring from the worst extremes of human experience, whether it’s Ionesco’s Rhinoceros responding to fascism, or Havel’s The Garden Party satirising the irrational cruelties of Prague’s Soviet occupiers... Read more... |
Keith? A Comedy, Arcola Theatre review - Molière mined for Brexit-era laughsThursday, 21 February 2019
Breathe in the love and breathe out the bullshit. After the Arcola Theatre's founder and artistic director Mehmet Ergen read Keith? A Comedy, a wild spin on the quasi-ubiquitous (these days, anyway) Tartuffe by the critic and writer Patrick Marmion... Read more... |
- 1 of 5
- ››
