mon 24/01/2022

ENO

The Valkyrie, English National Opera review - fitfully flickering flames

That the ever-decreasing circles of Richard Jones’s first Wagner Ring instalment for English National Opera ended in a no-show for the fire that should have made former Valkyrie supreme Brünnhilde proof against all but a fearless hero – Westminster...

Read more...

HMS Pinafore, English National Opera review - shipshape classic comedy craft

Yes, it was bound to be HMS Laugh-a-minute, given Cal “One Man, Two Guvnors” McCrystal’s ENO comedy riffs on an already funny early G&S classic, but what does this tight little craft have to say to Little England today?That a British sailor’s “...

Read more...

'Rest now, you God': remembering bass-baritone Norman Bailey (1933-2021)

Few singers really change your life. Norman Bailey did that for me [writes David Nice of theartsdesk]. The occasion wasn't my first experience of a Wagner opera, but it was the first time I'd been to a performance of his great human comedy Die...

Read more...

Messiah highlights, English National Opera, BBC Two review – short-cut sorrow and redemption

Well, it wasn’t quite Messiah, but it was a source of joy. In ENO’s end-of-lockdown staging, BBC Two’s transmission of Handel’s resurrection song delivered a scant 54 minutes of music from the Coliseum on Easter Saturday. In contrast, two ancient...

Read more...

Mozart's Requiem, English National Opera, BBC Two review - strong and direct act of remembrance

It must have felt very strange to Mark Wigglesworth that he returned to the London Coliseum under such unanticipated circumstances. ENO’s shortest-lived but also (many of us think) best Music Director campaigned from the start for direct...

Read more...

The Marriage of Figaro, English National Opera review - energised attitudes, lower-level humanism

So Susanna and Figaro got married on Saturday, just before the entire Almaviva household and its home, the London Coliseum, went into quarantine. Let's at least celebrate the fact that these splendid singer-actors, with youth especially on the five...

Read more...

Luisa Miller, English National Opera review - Verdi in translation makes a stylish comeback

Those who booed the production team last night - there was nothing but generous cheering for singers, conductor and orchestra - might reflect that this was at least regietheater, that singular brand of not-all-bad director's opera in Germany, with...

Read more...

theartsdesk Q&A: soprano Elizabeth Llewellyn

Could English National Opera be about to right the wrong done to a national treasure? Elizabeth Llewellyn was Brixton born - with what she calls a usual childhood, recorders and chime bars at primary school, followed by special opportunities at a...

Read more...

theartsdesk Q&A: Director Sir Jonathan Miller

Doctor, writer, sculptor, curator, comedian, presenter and director, Sir Jonathan Miller (1934-2019) was one of the mighty cultural and intellectual omnivores of our age. To those of a musical or theatrical bent, however, Miller was above all one of...

Read more...

Orphée, English National Opera review – through a screen darkly

Like almost everything that it touches these days, English National Opera’s autumn season of shows rooted in the Orpheus myth has enjoyed a fairly mixed reception. The company’s programme of visits to the Underworld concludes with another high-risk...

Read more...

The Mask of Orpheus, English National Opera review - amorphous excess

Advance publicity overstated the case for The Mask of Orpheus. "Iconic"? Only to academics and acolytes, for British audiences haven't had a chance to see a production since ENO's world premiere run in 1986. "Masterpiece"? Sitting there after the...

Read more...

Orpheus in the Underworld, English National Opera review – ENO goes to hell

Maybe some British opera houses just don’t get operetta. Without wit, lightness and snappy pace, cudgelling us with desperate relevance, the frothiest works crash to earth stone cold dead. There have been disasters elsewhere, too, though...

Read more...
Subscribe to ENO