fri 21/09/2018

ENO

Paul Bunyan, ENO, Wilton's Music Hall review - talent cabined and confined

It's Britten outside-in time for English National Opera. Regent's Park Open Air Theatre, which played host earlier this year to an only partially convincing production of his 1950s masterpiece The Turn of the Screw, would have been the perfect...

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The Turn of the Screw, ENO, Regent's Park Open Air Theatre review - one dimension, not four

Opera and music theatre have set the birds shrilling in Regent's Park before in the shape of Gershwin's Porgy and Bess – a very forgettable production – and Sondheim's Into the Woods – much better, and a score which can give any 20th century opera a...

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Acis and Galatea, English National Opera, Lilian Baylis House review - Handel for the hashtag generation

If you go to ENO’s Acis and Galatea expecting a grassy knoll draped decoratively with a Watteau shepherdess or two then you may be disappointed. Launched in 2017, the company’s reliably punchy Studio Live strand (stripped-back, small-scale, off-site...

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The Marriage of Figaro, English National Opera review - sassy, probing and splendidly cast

One year to Brexit, a seemingly endless winter chill and Londoners need soul food, badly. I prescribe an evening of total immersion in The Marriage of Figaro. ENO’s second revival of Fiona Shaw’s sassy, probing production (with revival director...

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A Midsummer Night's Dream, ENO review - shiveringly beautiful Britten

“What angel wakes me from my flowery bed?” Hang on a minute, Tytania, there are no flowers. Instead, as Britten’s ominously low strings slither and tremble up and down the scale, the curtain rises on a huge, near-acidic emerald green hilly slope...

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Iolanthe, English National Opera review - bright and beautiful G&S for all

Very well, so ENO's latest Gilbert and Sullivan spectacular was originally to have been The Gondoliers directed by Richard Jones and conducted by Mark Wigglesworth. But that Venetian fantasia has already been seen at the Coliseum in recent years,...

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Best of 2017: Opera

It may not have been the best year for eye-popping productions; even visionary director Richard Jones fell a bit short with a tame-ish Royal Opera Bohème, though his non-operatic The Twilight Zone is something else. Instead there's been time to...

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The Nutcracker, English National Ballet review - a thoroughly enchanting performance

The familiar doesn’t have to get old. Last night at the Coliseum there were children in the boxes, adults in the circle and grandparents in the stalls. Seasonal favourite Tchaikovsky’s Nutcracker brings all ages to the ballet — as well as...

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Marnie, English National Opera review – hyped new opera doesn’t hit the heights

The great and good of the London music scene were gathered at English National Opera last night for the unveiling of American Wunderkind Nico Muhly’s new opera, Marnie. Although it was commissioned by the Met in New York, somehow ENO managed to...

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Aida, English National Opera review - heroine almost saves a dismal day

If the best is the enemy of the good, then the excellent is also the enemy of the "meh". And if you can stomach Verdi's Aida, go and see English National Opera’s new production for its central performance by Latonia Moore. In what’s become her...

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Carousel, London Coliseum review - 'Katherine Jenkins is game, Boe out-acted by wig'

“Then I’ll kiss her so she’ll know.” At the sound of his ringing voice, the girls part to reveal him standing there, a hapless monument of rumpled charm. The audience relaxes in pleasure as an easeful actor joyfully shows what you can do with a...

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Partenope, English National Opera

It's time again for surrealist charades at the nothing-doing mansion. Christopher Alden's Handel is back at ENO, making inconsequentiality seem wondrous. Christian Curnyn's conducting sets the tone, with orchestral playing as light as air, and a new...

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