England
Sarah Kent
I interviewed Don McCullin in 1983 and the encounter felt like peering into a deep well of darkness. The previous year he’d been in Beirut photographing the atrocities carried out by people on both sides of the civil war and his impeccably composed pictures were being published as a book. Some of these photographs are included in Tate Britain’s survey of his 60-year career, one of the darkest but most compelling exhibitions you are ever likely to see. There’s the group of young musicians approaching the body of a Palestinian girl lying prone in a bombed out street – celebrating her death Read more ...
Sir Trevor Nunn
So here we are with another edition of IQ, and the subject this week is theatre. Question one: which actor originated several leading roles in the plays of George Bernard Shaw, including Marchbanks in Candida, Dubedat in The Doctor's Dilemma, and Jack Tanner in Man and Superman? Answer: Harley Granville Barker. Question two: which writer originated the use of the Royal Court Theatre in Sloane Square as a home for new plays and rediscovered classics? Answer: Harley Granville Barker. Question three: which activist/essayist campaigned for a National Theatre to be an ensemble playing in Read more ...
Matt Wolf
All may be true but not much is of interest in this Kenneth Branagh-directed film that casts an actor long-steeped in the Bard as a gardening-minded Shakespeare glimpsed in (lushly filmed) retirement. Seemingly conceived in order to persuade filmgoers of the man from Stratford's greatness (does that really need reiterating?), the movie benefits from the inestimable presence of Judi Dench and Ian McKellen, the latter in a sizzling cameo that briefly lifts proceedings to a different level. But Ben Elton's eye-rolling script pays homage to the Bard's "beautiful poetry" one time too many and Read more ...
Tim Cumming
With books including Mountains of the Mind, The Wild Places, The Old Ways and Landmarks, Robert MacFarlane has established himself as one of the leading writers on landscape in the English language, continuing a literary tradition that contains talents as diverse as John Muir, Robinson Jeffers, Edward Thomas and Laurie Lee. His 2017 collaboration with the artist Jackie Morris on a large-format book of poems for children called The Lost Words: A Spell Book has now been adapted for stage, with Morris creating brand new art works for a UK tour, beginning on Friday 8 February at Snape Maltings, Read more ...
Marina Vaizey
A picture is worth more than a thousand words, never more so than with the photographs of Don McCullin. The octogenarian photographer’s black-and-white imagery made the Sunday Times colour supplement the talk of international media in the 1970s. McCullin, a North Londoner born and bred, travelled the world’s war zones before coming home 35 years ago to a Somerset world of landscapes and still-lifes, whilst still periodically going off to new conflicts, most recently to Syria and Yemen. With a major retrospective opening at Tate Britain this week, Adrian Sibley’s film followed him as he once Read more ...
Tim Cumming
Last spring, Imagining Ireland took a fresh, shamrock-free look at contemporary Ireland’s cultural scene, with spoken word and alt-folk mixing with indie rock and jazz, classical, gospel and rap, with the line-up led by Bell X1’s Paul Noonan and Lisa Hannigan.One year on, and Imagining Ireland returns, but with a new brief – to examine the Irish life in England – and a new line-up. And for contemporary Irish folk fans, this line-up will be your ticket to heaven – led by The Gloaming’s genius fiddler Martin Hayes and sean nos singer Iarla O'Lionaird, alongside two of the best younger singers Read more ...
Marina Vaizey
When they were children the interviewees in this film – the last survivors – were taken away in incomprehensible circumstances, on their way to be murdered for who they were, in Germany and places further east. A handful of the few thousands who reached the UK after 1945, now octogenarians and nonagenarians, bore witness in this incredibly painful, profoundly necessary programme.In spite of the sheen of normality as we met these elderly people in their apparently comfortable homes, it was almost unbearable to watch. What some of the survivors asked even now was what could they do with their Read more ...
Kieron Tyler
When Shirley Collins appears at The Roundhouse next week, it will be 50 years since she last played there. On 30 May 1969, she and her sister Dolly were on a bill promoting their then label Harvest Records. When she plays there on 31 January, she is the main event. After her comeback album Lodestar was issued in November 2016, the knowledge that Shirley is the most important voice of traditional English music has been reinforced.Lodestar was released 37 years after her last full-length album, 1979’s Shirley & Dolly Collins set For as Many as Will. The – as she puts it – “long layoff Read more ...
Tom Birchenough
There’s a stark power to Jack Gamble’s production of DH Lawrence’s The Daughter-in-Law, which has transferred to the Arcola’smain stage after an acclaimed opening run in the venue’s downstairs studio last May. It still plays with a concentrated darkness in this larger space, heightened by the colloquial vigour of Lawrence’s language (wonderful phrasings like "th' racket an' tacket o' children"), and the heady dialect of the Nottinghamshire mining area where he grew up; you don’t assimilate it immediately, but it certainly grows on you with its sinewy expressiveness.There’s as little Read more ...
Matt Wolf
The scintillating, commercially bold season of Pinter one-acts at the theatre bearing his name plays a particular blinder with Pinter Five (★★★★★), from which I emerged keen to engage with its mystery and breadth of feeling all over again. Pinter Six (★★★) is worth seeing, as well, and may pay added dividends for those who didn't catch its author's world premiere of his brilliantly spiky play Celebration in 2000 – a production unlikely to be bettered anytime soon. But those keen to savour the esoteric will be richly rewarded by what director Patrick Marber's triptych in Pinter Read more ...
Matt Wolf
It's been 40 years since The Double Dealer last had a major airing (indeed, perhaps any airing) in London, so on the basis of novelty value alone, the Orange Tree's end-of-year offering is worth our attention. But as always with Restoration comedy, Congreve's 1693 story of romantic skulduggery and misalliance poses a basic problem: how do you make sense of a byzantine plot characteristic of the genre? Selina Cadell, the fine actress here turning once again to directing, meets the matter head-on with a newly added prologue telling us not to fret it and by then ramping up the physicality and Read more ...
Adam Sweeting
You wouldn’t turn to Jimmy McGovern for a drawing-room comedy, but there’s no doubting his gift for seizing big issues and turning into them raw, bleeding chunks of drama. You’re either for him or against him, but if you’re against him he’d love to grab you by the throat and shake you into seeing it his way.In Care, McGovern (with co-writer Gillian Juckes, whose first-hand experiences inspired the story) took aim at the way the NHS and social services treat the elderly and the incapacitated. The set-up was simple but devastating. Mary (Alison Steadman) had been taking her two granddaughters Read more ...