electropop
Thomas H. Green
Onstage at The Old Market in Hove, New York’s Mykki Blanco has been waving around a knot of garlic bulbs as if it were a wand or occult aspergillum. At some point during Blanco’s punchy rendition of 2016 single “Loner”, or possibly the dizzier “Summer Fling”, they transfer it to the flies of their trousers, let it hang there, all mischief. They explain that this is the result of the band becoming obsessed with “a mad coven of witches in Italy”.Whatever, it certainly adds to the freeform conviviality. Blanco (pictured left) no longer adopts a draggy look. The non-binary MC first enters wearing Read more ...
Thomas H. Green
Dubstar didn’t really fit the niche where the 1990s put them. Signed to Food Records, original home of Blur, they were lumped in with Britpop but their music was always closer to the thoughtful electronic pop of Saint Etienne, and they also had – and have – something in common with Pet Shop Boys. Their new album, their fifth and second since reuniting a few years back, is permeated with a wistful sadness, pinpointed by smartly prosaic lyrics and sweetly doleful orchestration.Two is produced by Stephen Hague, who was at the desk for their first two albums, producing all those songs that Read more ...
Harry Thorfinn-George
Soft Cell, the duo consisting of Marc Almond and Dave Ball, announced they were calling it quits in 2018. The two sold out shows at the 02 in London were supposed to be their swan song, waving goodbye to their Soft Cell days. But as their eponymous Eighties single hinted, waving goodbye is often paired with a hello. In 2020 they embarked on a nationwide tour, playing their classic 1981 album Non-Stop Erotic Cabaret in its entirety. This wasn’t just a nostalgia tour though. Brand new songs made it onto the setlist as well, like “Bruises On My Illusions”, “Heart Like Chernobyl “and “Nostalgia Read more ...
Thomas H. Green
Spring is in the air and vinyl is, as always, on the turntable here at theartsdesk on Vinyl. We’ve been ploughing through all the latest releases and reissues, played loud on a large sound system, each evaluated as fully as possible. Below you’ll find 7000 words to pick through and locate what sounds good to you. Unrestricted by genre, all musical life is here. Dive in!VINYL OF THE MONTHJames Domestic Carrion Repeating (Amok/TNS)Suffolk-based James Scott is in more bands than there’s space to list here, most notably punk outfit The Domestics. His solo debut is a complete treat that deserves Read more ...
Barney Harsent
Returning with their first new music in almost a decade, EDM supergroup Swedish House Mafia (the producer-DJ trio Steve Angello, Axwell and Sebastian Ingros) deliver their debut album with a sense of vaulting ambition and anything-is-possible belief. In their own words, Paradise Again is a “sonic adventure” to a “new world, a world of free thoughts, limitless ideas and space for progression.”There are, if we’re being generous, two ideas on Paradise Again. The first is one that anyone familiar with their oeuvre will already be well acquainted with: big, showy, glitter-gun production that Read more ...
Thomas H. Green
“You know you’ll always be my best friend” and “There’s no-one else who gets me quite like you” run a couple of the lyrics to “Happy New Year”, the opening song from Norwich duo Let’s Eat Grandma’s third album. And the whole is laced with love songs from band members Rosa Walton and Jenny Hollingworth to each other, not romantic love, but songs passionately, poetically affirming their long friendship.Two Ribbons is a celebratory synth-pop explosion but also laced with bittersweetness. It has a key back-story. Let’s Eat Grandma appeared six years ago, aged only 16, Norfolk schoolgirls firing Read more ...
Thomas H. Green
The fourth Ibibio Sound Machine album is produced by Hot Chip (who also contribute musically). However, fans will not hear a drastic step away from their last album, 2019’s Doko Mien. Instead, it has the feel of a logical progression, albeit with just that bit more techno-pop heft in places, and a subtle flavour of the Eighties. Business-as-usual, then? Maybe, but Ibibio Sound Machine’s Afro-inventive business-as-usual stands out brightly from the competition.The London-based band, fronted by Eno Williams, who sings in both English and Ibibio, a southern Nigerian language, open proceedings Read more ...
Thomas H. Green
Charli XCX is the pop stars’ pop star. Working with everyone from K-pop megastars BTS to US rapper Lil Yachty to indie-rockers Vampire Weekend, her career arc has a meta aspect, initially personified by her joyously electro-punky second album Sucker, but then given addition human warmth by her COVID lockdown openness. Terms such as “hyper-pop” and “avant-pop” are sometimes used to differentiate her output, but why reinvent the wheel. Her fifth album is pop, pure and simple, well-crafted sonically snappy 2022 pop.The subject matter throughout is love and sex, infidelity and longing, but the Read more ...
Alfred Quantrill
Born in the bedroom of keyboard player Charles de Boisseguin, bathed in a sleek, quintessentially French tradition of electro-pop, L’Impératrice materialised on the darkened stage at the O2 Shepherds Bush, with glowing hearts beating in unison on their chests. The beat quickened into a single tone to lead into “Off to the Side”, leaping from an intimate, near whispered opening to a snappy, electric chorus.Postponed three times, the gig was initially advertised as the London leg of a world tour for the group’s “Matahari” debut album from 2019. It became instead an adrenaline-fuelled romp Read more ...
Katie Colombus
Norwegian artist Jenny Hval is a novelist as well as a singer-songwriter, and her new album certainly has a literary approach to music making.Classic Objects is made of up little stories set to music - standalone units of narrative outside of the usual verse and chorus structure. They’re not quite the made-up fables of folk but not quite a straight up representation of reality either, meandering between real life observation and constructed philosophical sketches.The title track, “Year of Love” introduces a theme which flows through the album – the analysis of a musician during a time when Read more ...
Thomas H. Green
Since exploding to fame a decade ago with the single “Pompeii” and its parent album Bad Blood, Bastille have maintained impressive success on both sides of the Atlantic. To this writer’s ears, the bombast of their early music was off-putting, and the voice of songwriter and frontman Dan Smith unpleasant. Their fourth album contains a good chunk of more-ish electro-pop, but I can’t handle the cuts with horrible Eighties stadium choruses, major key cheese, and showboating by that breathy, whooping, and very particular voice. Overall, though, Give Me the Future feels like a grower, especially if Read more ...
Thomas H. Green
Danish pop star MØ is as well known for her collaborations as her own music. Shining brighter than all of them is the globe-slaying, 24 carat dance craze "Lean On” from 2015, created with Major Lazer and DJ Snake, and, for a few years, Spotify’s most-streamed song.MØ has, however, also steadily maintained her own career, her attitude and personality usually carving through the pop gloss that surrounds her work. Her latest album, her third, is, she reckons, a return to darker, more honest songwriting. She now says she’s unsure whether 2018’s Forever Neverland stayed “true” to herself. Indeed, Read more ...