electronica
joe.muggs
Detroit techno music is important. Any student of the club music of the modern age knows this. The sound that fermented among the majority black population of the decaying industrial city in the late 1970s and early 1980s, as disco's last remnants fused with the avant-garde experiments of Europeans who were first getting their hands on synthesisers and drum machines, went on to change the world. It seeded the UK's rave explosion, jungle, drum'n'bass and all the electronic experiments that came after. It created a futurist aesthetic, which managed to be somehow both optimistic and dystopian, Read more ...
Barney Harsent
Honestly, you wait years for a lengthy project to come to fruition, then two turn up at once. However, while The Avalanches had to contend with people tapping their watches and sighing wearily, The Earlies’ John Mark Lapham had only his own clock to watch. The measured pace and unhurried approach are reflected in the languorous song spectres he presents here.Starting out life as an idea for his short-lived 4AD outfit, the Late Cord, the project soon outgrew its shell and ended up a huge collaborative effort which sees turns from, among a Hollywood-sized cast, Sara Lowe (the Earlies), Swans’ Read more ...
Barney Harsent
Dance music has, for millions of people, become synonymous with the very worst that the human race has to offer. Preening, vain, beach-body bumholes dancing like everyone’s watching, while keeping half an eye on their camera, making sure than the framing is right, no matter that they’ve got everything else wrong.Yep, wrong. Because dance music – at its core and at its best – is about losing oneself, about transcendence. Always has been. From Bach to basement clubs, there’s power in the pulse. It's the trigger to a communion that goes way beyond hearing and can transport and transform the Read more ...
Barney Harsent
The weight of expectation can be a terrible thing to bear. When Since I Left You, The Avalanches’ patchwork party debut, was released in 2000, there was no sense of how long it had taken to make, just a collective intake of breath at the dense layers and intricate detail. Plundering anything and everything in their bid to create this delightful decoupage, it was the sheer scale of the band’s collective imagination that thrilled. How could any follow-up possibly compare?Listening to their long-awaited comeback Wildflower, which has been 16 years in the making, it sounds like they've not given Read more ...
Katie Colombus
I’m going to be honest, Metronomy isn’t really my bag. Perhaps I’m not hipster or highbrow enough, but I just don’t get their jam. I feel a bit like Jon at the beginning of Lenny Abrahamsson’s Frank – slightly bewildered by the depths of the intellectual pop he’s witnessing, recognising the genius in there somewhere, but somehow on the outside of the super-cool in-crowd.To me, Metronomy are basically saying “huh, yeah, it is all a big joke, like the lyrics are so simple but they’re funny and witty, but the fact that you’re laughing at them makes you the joke, unless you’re laughing Read more ...
joe.muggs
A few beers down, in the middle of a crowd listening to music you love, you tend not to think of the latest news story as your highest priority. But Britain's relationship to Europe weighs heavy on the mind these days, and when the news of the violent attack on Jo Cox started filtering through as we danced under the Catalan sun on Thursday afternoon, it threw the nature of Sónar festival into relief.Unlike a lot of international music events, which can often be little more than monocultural awaydays for Brits and/or Germans seeking hedonism in the sun, Sónar is both proudly reflective of its Read more ...
Lisa-Marie Ferla
How does Hannah Georgas’s 98-year-old grandmother feel about her collaborations with Graham Walsh, her two-time producer better known as part of Canadian electronic quartet Holy Fuck? It is, one suspects, one of a few aspects of this rich, immersive record that the Evelyn of its title might raise an eyebrow at – but in its themes of family, longing, loyalty and resilience, particularly on the gorgeous not-quite-title track, there’s plenty for her to be proud of.It was obvious from their work together on her 2013 self-titled album that Walsh had a knack for drawing out the unexpected from Read more ...
Barney Harsent
I looked around at the grime-flecked warehouse and surveyed the brick parquet floor. Even the dappled sunlight and birdsong couldn’t soften the realisation – or the ground, for that matter. “We’re going to struggle to get a tent peg in this,” I said to our travelling companions. Then, taking command of the situation, I boldly stated what we were all thinking: “I don’t think this is a campsite. I think this is a Jewsons.”We were on our way to Colebrook Lakes, the site of the Alfresco Festival, a brand-new, family-friendly affair in Tunbridge Wells, Kent. Apparently home to the Read more ...
Heidi Goldsmith
The foyer of Brighton Dome for Brighton Festival director Laurie Anderson’s Song Conversation would have had a PR executive flummoxed; from punks in their 20s licking the rim of a plastic pint to a hobbling couple clutching programmes. The breadth of audience is surely a testament to Anderson’s unique career of performances combining pop melodies with countercultural performance art. As the seemingly ceaseless passings of pop eccentrics litter our newsfeeds, it’s a relief to see the former NASA artist-in-residence and “O! Superman” composer alive and electronic.The performance is a Read more ...
joe.muggs
Skepta (aka Joseph Adenuga Jr) and James Blake provide a fascinating parallel as voices of the UK's “generation bass”. Both are from north London, and both have come from a grounding in the subsonic undercurrents of London's early 21st century underground genres – Skepta mainly in grime, Blake in dubstep, although each reached into the other's scene a little via early collaborations – and both have risen to international success, in particular becoming influential on the American mainstream.Skepta has attracted the patronage of premiere league US hip hop stars, particularly Drake, A$AP Read more ...
joe.muggs
Canadian singer/producer Jessy Lanza's records – and this one more than ever – can feel like they're mapping an alternative history, one where populist and leftfield electronic music were never separate. Two aspects dominate her sound: her crisp, clear pop vocal, and a palpable love of the sonorities of drum machines. Through every song you can hear echoing a history of electro, from its roots in Suicide, Yellow Magic Orchestra, Giorgio Moroder and Kraftwerk, on the one hand through eighties pop, new wave, Madonna, Prince and Timbaland, and on the other through the underground Detroit techno Read more ...
Kieron Tyler
Denmark is casting a shadow in a way it has not done before. The international success of Copenhagen’s Lukas Graham is unprecedented. While Aqua, The Ravonettes, Efterklang and Trentemøller are amongst the great Danes who have made international waves musically, Graham has trumped them all to become a surprise world-wide bestseller with the single “7 Years”. Whether or not his brand of streamlined pop appeals – theartsdesk declared that “7 Years’” parent album has a “shiny plasticity that carries no real weight” – it has helped generate interest in the music of Graham’s home country which has Read more ...