tue 29/09/2020

disco

Album: Róisín Murphy - Róisín Machine

This is a musical homecoming for Róisín Murphy, both geographically and figuratively. She may have been raised in Dublin and spent her gig-going adolescence in Manchester, but Sheffield is where she began her life as a clubber and performer – and it...

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Everything: The Real Thing Story, BBC Four review - brilliant but long overdue

This documentary is bittersweet viewing on quite a number of levels. First, it’s got all the glory and tragedy of the most compelling music stories: a Liverpool band struggling from humble beginnings, trying to find an identity, fraternity and...

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Album: Dua Lipa - Future Nostalgia

Dua Lipa's self-titled debut was unmistakably the sound of a musician feeling their way. It had all the flavours of trap, tropical house, autotune and Lana Del Ray-ish triphop introspection you'd expect on a 2017 pop record. The multi-billion-stream...

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Album: Baxter Dury - The Night Chancers

“I’m not your fucking friend,” intones Baxter Dury as recent single “I’m Not Your Dog” begins. As opening salvos go, it’s right up there with the best of them, full of sneering hostility and fiery intent. As an introduction, it’s a writer’s hook –...

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Album: Sink Ya Teeth - Two

Norwich is not the first place most people think of as a hub of riveting music but it’s where female duo Sink Ya Teeth hail from. Consisting of bassist Gemma Cullingford and singer Maria Uzor - with both throwing synth into the pot where necessary...

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theartsdesk on Vinyl 56: Kreator, Lee "Scratch" Perry, Disney, Twin Atlantic, Elton John, Buddy Rich and more

Welcome to the biggest plastic reviews party on earth. Now that vinyl is steadily successful as niche musical medium, some have rightly been considering its environmental impact. Perhaps the best overview is given by Kyle Devine’s feature in the...

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Album: La Roux - Supervision

10 years ago, a wave of exciting femme-pop was cresting, women taking the reins with singular visions; the results were shiny, personally honest, inventive and ebullient, from Gaga to Adele and beyond. A leading light was La Roux, a duo fronted by...

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Madonna, London Palladium review - a fiesta of the surreal and the fiercely fabulous

The first time I heard Madonna, I was 8 years old at a school disco. Horrified parents, who came to pick us up as we jumped up and down yelling along to “Like A Virgin” in a fluorescent flurry of topknots, puffer skirts and lace gloves, subsequently...

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theartsdesk on Vinyl 52: Yardbirds, Fad Gadget, Spoon, Cate le Bon, Cabaret Voltaire and more

Welcome to the latest edition of theartsdesk on Vinyl, the monthly online musical resource that knows no genre boundaries as it treks through every release on plastic that it can find. This time round we’ve everything from death metal to obscure...

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Nile Rodgers and Chic, Royal Festival Hall review – great band, shame about the sound

There is every reason to celebrate Nile Rodgers. For his contribution to music as arranger, producer and performer over more than four decades. And also not least because he’s still around and still performing: he has, after all, pulled through...

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CD: Fujiya & Miyagi – Flashback

Over the past two decades, Brighton’s Fujiya & Miyagi have managed, without fanfare or fuss, to amass an enviable back catalogue of linear, krautrock driven grooves dresses in slinky, drop-shouldered pop melodies. It’s a formula that has...

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CD: Carly Rae Jepsen - Dedicated

Carly Rae Jepsen is a brilliant pop star. Her music pure and unashamed radio pop, full of the excitement of living and loving, but her status with her audience and relationship with them are a bit more like what you'd expect from a cult indie act....

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