digital technology
josh.spero
The thought of watching a filmed play is enough to make even the hardiest theatregoer flee screaming down the aisle. Recording the stage has a poor history, causing even the nimblest staging to seem thudding and deep performances transparent. But that was before Digital Theatre came along.Set up in late 2008 by theatre director Robert Delamere (Julius Caesar at the Manchester Royal Exchange, The Crucible at the Sheffield Crucible, among many others) and TV and radio producer Thomas Shaw, Digital Theatre films plays in front of their audience, edits them and offers them for download for £8.99 Read more ...
gerard.gilbert
If I wanted to be solipsistic about this, I could say that the opening episode of The Virtual Revolution, the new BBC Two series about the changes wrought by the internet, is also the story of theartsdesk.com. It certainly felt personal at times. But then we print journalists, now launched together into cyberspace, are but one (very important, naturally) sub-atomic particle of what is variously described here as "the fastest change since the Industrial Revolution" and "the most exciting development since Gutenberg".That Gutenberg remark was made by disenchanted Twitterer Stephen Fry – just Read more ...
Jasper Rees
Appointment-to-view content. That’s what they’re calling it. Not drama. Not soap. Content. Which you have to make an appointment to view. Although you actually don’t because it’s all on the iPlayer but let's let that pass. Here I am on BBC Switch, 8.10 sharp, for the Beeb’s first online daily soap, The Cut.Well, they've got the name right. I hit the button on the dot and the music cuts in. And then cuts out again. Ignore it, I think. Minor glitch. The system will sort itself. Which it does in six seconds. Back comes the music. Cut. Didn’t like the theme tune anyway. That little timer icon is Read more ...