digital technology
CD: Holly Herndon - PROTOWednesday, 08 May 2019
To consider the third album from experimental composer Holly Herndon solely as a piece of music is to miss the point. PROTO is part artwork, part research project, on which Herndon teams up with collaborators both human and inhuman to discover... Read more... |
10 Questions for Candice Edmunds of Theatre Company Vox MotusThursday, 14 March 2019
“When we graduated we were seeing lot of theatre as a literary form,” explains Candice Edmunds of the theatre company Vox Motus, “But we were really excited by it as a visual form and everything we make, from our earliest scratch pieces up to Flight... Read more... |
Videogames: Design/Play/Disrupt, V&A review - gaming for allThursday, 27 September 2018
Design/Play/Disrupt at the V&A covers a wide variety of games that are spearheading the gaming world at the moment. It takes a closer look at eight of the most innovative and different games that have changed the world of gaming in the last five... Read more... |
Far Cry 5 review – forget the story and just go with the flowMonday, 02 April 2018
Civilisation is under threat from a bunch of religious rednecks, and it’s your job as the new Deputy Sheriff of fictional Hope County to right the wrongs of a year-long silent coup initiated by Eden’s Gate, a fanatical doomsday cult, intent on... Read more... |
Ready Player One review - Spielberg goes back to the futureThursday, 29 March 2018
Suddenly Steven Spielberg movies are plopping off the production line like Ford Fiestas or Cadburys Creme Eggs. It seems like only seconds ago that we were greeting The BFG and the breast-beating earnestness of The Post, and now the director comes... Read more... |
Andrew O'Hagan: The Secret Life review – troubling tales from the online undergroundSunday, 18 June 2017
Imagine that you come across a story by a journalist who, writing for the Daily Mail or The Sun, steals the identity of a real young man from a poor neighbourhood of south-east London. He had died of an overdose, aged 20, in 1984. Not knowing... Read more... |
CD: Gorillaz - HumanzSaturday, 22 April 2017
For some of us Blur were an irritant during the 1990s rather than one of the decade’s premier bands. However, once Gorillaz arrived it was impossible to ignore Damon Albarn’s outrageous talent any longer. His golden touch ensured his cartoon group... Read more... |
Artist Tyler Mallison: 'I don’t think about materials as being merely visible objects or things'Saturday, 25 March 2017
Artist and curator Tyler Mallison has chosen the world’s most generic title for his current exhibition. It's called New Material, and the surprising thing one discovers is that the hackneyed "new" really can be quite fresh. Sculpture and painting... Read more... |
WarcraftFriday, 03 June 2016
The Warcraft series of "massively multiplayer online role-playing games" (or MMORPG if you must) has apparently amassed over 100 million users since it all began with Warcraft: Orcs & Humans in 1994. Ergo, turning it into a 3D multiplex-buster... Read more... |
Digital demands: time for artists to speak up?Wednesday, 11 May 2016
Galloping technological change, collapsing incomes and a climate of violence facilitated by anonymity are just a few of the challenges facing creative artists in today's digitally driven world. What can be done to put all this right? The man to ask... Read more... |
CD: Orlando Voorn - In My WorldMonday, 21 March 2016
Once upon a time, techno was the future, and Orlando Voorn was right at the heart of building that future. The Dutchman was in early on the late-1980s wave of Detroit electronic production – in which small groups of black Americans surrounded by... Read more... |
theartsdesk Q&A: Choreographer Wayne McGregorMonday, 27 October 2014
How do you know Wayne McGregor? Dance-goers with long memories might remember Wayne McGregor as the wunderkind who founded his own company and became resident choreographer at The Place aged just 22. Lovers of contemporary dance will be familiar... Read more... |
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