digital technology
Edinburgh Fringe 2023 reviews: Distant Memories of the Near Future / Soldiers of TomorrowFriday, 25 August 2023
Distant Memories of the Near Future, Summerhall ★★★★About three decades into the future, love has been "solved" – with (what else?) an algorithm, and a healthy splash of AI. It’s so successful, in fact, that states worldwide officially... Read more... |
Edinburgh Fringe 2023 reviews: Stuntman / Beautiful Evil Things / What You See When Your Eyes Are Closed...Tuesday, 08 August 2023
Stuntman, Summerhall ★★★★★Masculinity and violence are hot subjects for theatrical examination – and dance theatre two-hander Stuntman from Scottish company Superfan is far from the only Fringe show that investigates them this year. What... Read more... |
Cuckoo, Royal Court review - slow, superficial and unfunnySaturday, 15 July 2023
Historically, the Royal Court is the venue for cutting-edge new writing – you know, the kind of plays that have something urgent to say about contemporary life. Like what? Well, let’s see, something important to say about digital alienation, climate... Read more... |
Tom Dale Company, The Place review - immersive and genre-bustingWednesday, 29 March 2023
With all the talk – and, frankly, fear – around AI and the increasing dominance of the digital world, it’s fascinating to see what dance has to say about it.Although choreographers have been playing with avatars and movement sensors for a couple of... Read more... |
Truth's a Dog Must to Kennel, Battersea Arts Centre review - King Lear goes virtualThursday, 02 March 2023
Has theatre’s time passed? In Tim Crouch’s latest 70-minute show, first staged at the Royal Lyceum Theatre in Edinburgh last year and now at Battersea Arts Centre (BAC) in south London, the nature of live performance is interrogated by this... Read more... |
BBC Philharmonic, Kaziboni, Manchester review - music of the future?Tuesday, 01 November 2022
Is Artificial Intelligence pointing the way to musical composition in the future? The BBC Philharmonic, conductor Vimbayi Kaziboni and colleagues at the Royal Northern College of Music made a case for it in this concert.The highlight of the... Read more... |
Science Fiction: Voyage to the Edge of the Imagination, Science Museum review - travel to a galaxy not so far awayWednesday, 26 October 2022
Scenes that stay in the mind: Arnold Schwarzenegger as the Terminator peeling back the skin on his forearm to reveal the gleaming machinery within; a beady-eyed, new-born Alien bursting from John Hurt’s abdomen; that all-species bar in Star Wars;... Read more... |
Amalie Smith: Thread Ripper review - the tangled web we weaveWednesday, 03 August 2022
Sitting in the park on a hot summer’s day, life began to imitate art. I had been soaking up the sun’s now overpowering rays for over an hour and was beginning to feel its radiating effects.Golden green filaments of grass moved back, the trees swayed... Read more... |
Philip Ball: The Book of Minds review - thinking about the boxFriday, 17 June 2022
Years ago, one of the leading mathematicians in the country tried to explain to me what his real work was like. When he was on the case, he said, he could be doing a range of other things – having his morning shave, making coffee, walking to a... Read more... |
Prehistoric Planet, Apple TV+ review - David Attenborough presents life on earth, 66 million years agoThursday, 26 May 2022
With Jurassic World: Dominion due in June, which will mark the end of the “Jurassic” movie franchise, here’s Apple TV’s alternative, science-based history of dinosaurs and their world. It’s produced by Jon Favreau, a key player in the Marvel... Read more... |
Stuart Jeffries: Everything, All the Time, Everywhere - How We Became Post-Modern review - entertaining origin-story for the world of todayTuesday, 02 November 2021
In his 1985 essay “Not-Knowing”, the American writer Donald Barthelme describes a fictional situation in which an unknown “someone” is writing a story.“From the world of conventional signs,” Barthelme writes, laying out for the reader this story... Read more... |
Sam Riviere: Dead Souls review – whip-smart literary satire with a techno tingeThursday, 13 May 2021
In 1992 Martin Amis published a story, “Career Move”, in which the writers of sensational screenplays with titles like Decimator and Offensive from Qasar 13 read their work to empty rooms in shabby pubs. Meanwhile, wealthy and fêted poets pen verses... Read more... |
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