Debussy
Fleming, BBCSO, Oramo, BarbicanSaturday, 06 February 2016
Renée Fleming recently announced her imminent retirement from the opera stage. But she has no plans to stop performing, and will instead devote her time to recitals and concerts. Yesterday’s excellent performance with the BBC Symphony Orchestra... Read more... |
Classical CDs Weekly: Debussy, Tippett, Heinz HolligerSaturday, 30 January 2016
Debussy: Starry Night – Préludes Book 1 and Other Works Michael Lewin (piano) (Sono Luminus)Michael Lewin's earlier Debussy anthology was excellent, and this second volume also hits the spot. In the first set of Préludes, Lewin gets just about... Read more... |
Mitchell, Atkins, Johnston, Queen's Hall, EdinburghTuesday, 19 January 2016
It was a simple yet beautifully elegant way for the Scottish Chamber Orchestra to kick off its 2016 chamber concerts: a recital for flute, viola and harp, with Debussy’s beguiling Sonata as the centrepiece, and other contrasting music for the same... Read more... |
Rana, CBSO, Gražinytė-Tyla, Symphony Hall BirminghamMonday, 11 January 2016
As pianist Beatrice Rana ran up the final bars of Schumann’s Piano Concerto, the conductor Mirga Gražinytė-Tyla turned to her soloist and simply beamed. As well she might. Rana is an artist whose advance publicity belies the seriousness and... Read more... |
Pelléas et Mélisande, LSO, Rattle, BarbicanSunday, 10 January 2016
Debussy’s Pelléas et Mélisande is a drama played out in shadow. Shine too bright, too unyielding a directorial light on it, and the delicate dramatic fabric – all unspokens and unspeakables – frays into air. Just over a year ago, director David... Read more... |
Sacre, Sasha Waltz and Guests, Sadler's WellsFriday, 13 November 2015
What dancemaker wouldn't want to tackle Le Sacre du Printemps (The Rite of Spring) at some point? Just as the Stravinsky score changed music, the original Ballets Russes production changed dance - and was then, conveniently, so completely forgotten... Read more... |
Kovacevich, Argerich, Wigmore HallTuesday, 03 November 2015
“People think when a person becomes old, he has to become serene,” declared that great pianist Claudio Arrau in his mid-seventies. “That’s absurd. The expressive intensity is, I feel, much stronger, much more concentrated in my playing than years... Read more... |
Pelléas et Mélisande, English Touring OperaFriday, 02 October 2015
Shorn of several scenes, characters, and a large portion of the orchestra, the question was always whether English Touring Opera’s Pelléas et Mélisande was going to thrive in its new intimacy and intensity or shatter with the pressure. The answer... Read more... |
Prom 45: Leonskaja, RPO, DutoitThursday, 20 August 2015
Drawing an audience of five and a half thousand in to listen intently is harder than pushing out into the vasts of the Albert Hall. Yet it’s what seems to work best in this unpredictable space, and last night masterful veterans Elisabeth Leonskaja... Read more... |
Pelléas et Mélisande, Welsh National OperaSaturday, 30 May 2015
Debussy completed only one opera (though he started plenty), but it’s the most perfect work imaginable, not only in sheer musical refinement and narrative precision, but in psychological penetration and above all in that exact grasp of the... Read more... |
Robbins/MacMillan Triple Bill, Royal BalletSaturday, 30 May 2015
Last night at the Royal Ballet was, emphatically, laser-free. The combination of Afternoon of a Faun (1953) and In the Night (1970) by the great American choreographer Jerome Robbins, with a repeat of Kenneth MacMillan's 1965 Song of the Earth,... Read more... |
Ehnes, Armstrong, Wigmore HallWednesday, 27 May 2015
Violinists either fathom the elusive heart and soul of Elgar’s music or miss the mark completely. Canadian James Ehnes, one of the most cultured soloists on the scene today, is the only one I’ve heard since Nigel Kennedy to make the Violin Concerto... Read more... |
