sat 25/05/2019

conductors

First Person: Conductor Maxime Pascal on Stockhausen at the Southbank Centre

Stockhausen stands alongside Monteverdi and Beethoven as a composer who exploded the understanding of his art. Stockhausen deeply changed the relationship between space, time and music; there’s a human, intimate dimension to his composition, and he...

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British Paraorchestra: The Nature of Why, Brighton Festival 2019 review - it's a happening!

The Nature of Why is not so much a concert as a multi-discipline happening. To assess it is to relate a human experience rather than just an aesthetic appreciation of the new orchestral work by Goldfrapp’s Will Gregory which is at its heart. On the...

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A Previn treasury

In a way, he was a second Bernstein. Only 11 years Lenny's junior, and living to the much riper age of 89 – his 90th birthday would have been on 6 April – André Previn was a film composer and arranger at the start of his 70-plus-year career, a jazz...

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Classical CDs Weekly: Couperin, Dutilleux, Rossini

 Couperin: Les Nations Réunies & autres sonades La Simphonie du Marais/Hugo Reyne (Musiques à la Chabotterie)François Couperin was one of the baroque era’s greatest keyboard composers. Did he write any orchestral music? Er, no. Though...

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Classical CDs Weekly: Beethoven, Strauss, La Symphonie de Poche, Temple Church Choir

 Beethoven: Symphony No 3, Strauss: Horn Concerto No 1 Pittsburgh Symphony Orchestra/Manfred Honeck, William Caballero (horn) (Reference Recordings)Funny how one's first experience of encountering a piece can still cast a shadow decades on; I...

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Sophie Bevan, Philharmonia, Rouvali, RFH review - an Alpine blaze

With eyes swivelled towards who'll take over from Esa-Pekka Salonen as the Philharmonia's Principal Conductor in 2021, two of the strongest possibilities are to be found within the orchestra's masthead of associates. Another Finn, Santtu-Matias...

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CBSO, Leleux, Birmingham Town Hall review - oboe extraordinaire

There’s always a special atmosphere when the City of Birmingham Symphony Orchestra returns to Birmingham Town Hall, and it’s not just because of the building’s Greek Revival beauty: the gilded sunburst on the ceiling, or the towering, intricately...

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Kremer, CBSO, Wellber, Symphony Hall Birmingham review - supercharged Dvořák

A shrewd orchestra maintains a strong subs bench. One of the major discoveries in Birmingham during the interregnum between Andris Nelsons’s premature departure and the appointment of Mirga Gražinytė-Tyla was the young Israeli conductor Omer Meir...

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Like a baton out of hell: Conductors at the 2018 Proms

Discreetly poking his camera through one of the red curtains around the Albert Hall, chief Proms photographer Chris Christodoulou gets the action shots others would kill for. They're of orchestras, a mixed roster of soloists and what this year...

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Prom 16, Elder, Hallé – reason yoked to magic on one enchanted evening

Beguiling echoes, patterns and symmetries accompanied the Hallé on this Proms journey through the enchanted forests of orchestral sound. Those mellow but irresistible horns that began the evening with the ethereal chug of the pilgrim’s hymn from the...

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Ariadne auf Naxos, Opera Holland Park - stylish staging, world-class singing

"When the new god approaches, we surrender, struck dumb". Especially if, for the singer of those words, popular entertainer Zerbinetta, the “new god” takes the shape of same-sex love. Director and designer Antony McDonald locates the real “mystery...

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Prom 1, BBCSO, Oramo review – spectacular First Night of the Proms

The First Night of the Proms is always a tricky one to programme, bringing together themes of the season, perhaps a new work and, most importantly, a grand finale. This year’s Prom No. 1 ticked all the boxes, and without feeling like pick-n-mix. It...

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