conceptual art
judith.flanders
Louise Bourgeois died last year at nearly 100, a revered figure: survivor of the Surrealist movement into the 21st century, a pioneer of autobiographical expression, whose fame came only late in life. Tracey Emin, by contrast, found fame early, coming to the attention of the general public in Charles Saatchi’s Sensation show at the Royal Academy while she was still in her thirties. Both, however, work a single-mindedly autobiographical vein – indeed, open their veins figuratively to pour their lives into their art. The idea of a collaborative work, therefore, seems natural.Bourgeois created Read more ...
josh.spero
It is probably a worrying sign when the computer games of your youth become the historical butt of a conceptual art joke. Digital artist Cory Arcangel, who appropriates video-game technology, repurposes and redesigns it, has installed 14 10-pin bowling computer games in the Barbican's Curve gallery, and if you remember the earliest, an Atari, you're almost certainly as obsolescent as it is.The Curve is a perfect space for this piece: the games are projected onto its long, high, smooth wall, the images 20 feet high, so you seamlessly trace the evolution of these bowling games as you wind Read more ...
judith.flanders
Who could not love Martin Creed? The tweed-encased harumphers of the world adore him, because they can say, “That’s not art,” and, “My cat could do that,” and have an all-round wonderful time. Conceptualists have it easy: what could be more fun than his Turner Prize-winning Work No 227, a light going on and off in a room? And lovers of abstract art love him because his work is just there. “Take it or leave it,” it seems to say. And they love him because, well, because his work is lovable.
Creed’s new show is in two of Hauser & Wirth’s new galleries on Savile Row – you have to go Read more ...
judith.flanders
The show opens with his iconic 1991 piece, My Hands are My Heart, a double photograph of Orozco’s naked torso. In the first photograph his hands clutch a hidden object at chest-height; in the second the hands splay open to present to the viewer a piece of clay, now impressed with his fingermarks in the shape of a heart. In two simple images, Orozco encapsulates the artist’s act of creation, and then of offering the creation to the viewer. It is simple, and touching in its simplicity.Much of his work relies on this type of essentialism: he uses found materials, recycled objects, to make Read more ...
judith.flanders
One of the best things about a Cindy Sherman show is you never know what you’re going to get. And in this exhibition, of a new series of "Untitled" images, what you get is very surprising indeed. Sherman's photographs are not about her, but they are always her. Sherman has always used herself – or "herself", a manipulated, redacted representation – as the canvas on which she works. This time, however, the canvas itself has changed.For the first time, instead of framed photographs, Sherman has produced gigantic photographic murals, murals that take up two rooms of the 18th-century house Read more ...
Sarah Kent
Simon Starling’s wonderfully eccentric exhibition Never the Same River (Possible Futures, Probable Pasts) will inevitably mean more to those who have visited the Camden Arts Centre regularly over the years. Places gradually acquire a patina of memories that accumulate layer on layer and infiltrate one’s perceptions in the present moment. Travelling round London, I encounter my past at every corner – the Slade where I spent many hours drinking coffee before being gripped with ambition to become an artist, University College Hospital where I gave birth, the house where I discovered how hard it Read more ...
fisun.guner
It’s the time of year when Tate Britain unveils its much-anticipated, artist-designed Christmas tree. Over the years, we’ve had Fiona Banner decorating hers with unpainted Airfix models of fighter planes, while Sarah Lucas hung hers with stuffed tights instead of baubles. Tacita Dean vied between tradition and Minimalism with a simple arrangement of beeswax candles, while both Mark Wallinger and Julian Opie decided to forego the fir tree altogether: Wallinger opted for a bare, spindly aspen decked with mass-produced Catholic rosary beads, while, true to his cartoon/Ikea aesthetic, Opie’s Read more ...
fisun.guner
Fashion and conceptual art come together, sometimes awkwardly, often provocatively, in the Royal Academy’s third and final annual GSK Contemporary exhibition. Instead of celebrating glamour and excess, designers and artists – as well as those, such as Helen Storey (1) and Hussein Chalayan, who have successfully made a fashion to art crossover - take on big themes: cultural and personal identity, conformity and freedom, globalisation and the environment. The exhibition explores the shifting concerns that have preoccupied these practitioners over the past five decades.Storey addresses the Read more ...
fisun.guner
Camera-less photography isn’t, as some might think, a 20th-century invention, discovered by experimental Modernists such as Moholy-Nagy and Man Ray. Thomas Wedgwood, before the invention of the camera and at the very beginning of the 19th century, made paintings on glass and placed these in contact with pieces of paper and leather which had been rendered light sensitive with chemical treatments. Where the painted areas blocked the light, the image left its trace. Unfortunately, since Wedgwood lacked knowledge of how to fix the images, the results vanished almost as soon as they appeared.From Read more ...
igor.toronyilalic
A metallic shower rained down upon us as five percussionists of the BBC Scottish Symphony Orchestra's percussion sextet unleashed the meteoric potential of five huge metal thundersheets on our unsuspecting ears, and percussionist number six, a pianist, encouraged her muzzled instrument (a metal brace lying across its stringed body) to gnash away rhythmically and to dance amid the downpour. 1939 was when John Cage came up with this breathtakingly original, endlessly exhilarating work, First Construction (in Metal), that opened this late-night Prom. It was the most invigorating 10 minutes I've Read more ...
mark.hudson
It’s not often you find yourself in an art gallery with the business end of a bullwhip whizzing inches from your nose. Wielded by a disconcertingly slight, black-haired woman who can barely be half its length, the terrifying instrument defines the dimly lit space with its whirling undulations and earsplitting crack, sending the gaggle of spectators cowering into adjacent rooms. Why there is also a grand piano present is probably only entirely known to the unnamed artist who brought this trickily titled exhibition into being.If there’s plenty to object to in the cult of the branded art figure Read more ...
fisun.guner
For his new show at Anthony Reynolds Gallery, London, Turner Prize-winning artist Mark Wallinger will be unveiling a first: a life-sized, three-dimensional "self-portrait". But it won't be a straightforward representation of the 50-year-old conceptual artist. It will, instead, be a representation of himself as the letter "I" in Times New Roman. His Vauxhall studio, in South London, is filled with pictures of "self-portraits" of the artist as a series of letters. It is also filled with the debris of current and recent projects: bits of string and deflating balloons; scrappy reproductions of Read more ...