Chicago
The Outfit review - threadbare tailor-gangster yarnSaturday, 09 April 2022
“A man walks in,” Leonard (Mark Rylance) begins. “What about him can you observe? What does a man like to be? And who is he underneath?” Leonard is, in common parlance, a Savile Row tailor – “a cutter from the Row,” he insists – fetched up for murky... Read more... |
Clybourne Park, Park Theatre review - excellent revival of Bruce Norris's award-winnerSaturday, 26 March 2022
Bruce Norris’s Clybourne Park arrived at London’s Royal Court like a blazing comet in 2010, a bold kind of satire about race relations that was both sassy and savvy.Now it’s back for a run at the Park Theatre, N1. Twelve years on, we have learnt to... Read more... |
Candyman review - Nia DaCosta's clever sequel to the 1992 slasher movieSaturday, 28 August 2021
Anaphylactic shock, anyone? Candyman, both the 1992 original, directed by British director Bernard Rose and based on a story by Clive Barker, and its stylish, sharp sequel by Nia DaCosta, co-written and produced by Jordan Peele, features an awful... Read more... |
Classical CDs: Soviet symphonies, popular classics and percussionSaturday, 14 August 2021
Louise Farrenc; Symphonies 1&3 Insula Orchestra/Laurence Equilbey (Erato)Louise Farrenc’s music is good as you’d expect from a precocious talent who’d studied piano with Hummel and composition with Reicha. Born in 1804, Farrenc’s... Read more... |
Saint Frances review - relatable and honestFriday, 24 July 2020
“I’m for sure getting rid of it,” 34-year-old Bridget (cool, understated Kelly O’Sullivan, who also wrote the script; she was creatively inspired by Greta Gerwig's Lady Bird) tells her younger, casual boyfriend Jace (an endearing Max Lipchitz) when... Read more... |
Bette Howland: Blue in Chicago review – the city on trial, with the writer as witnessTuesday, 07 July 2020
You feel at times, while reading the collection Blue in Chicago, that Bette Howland might have missed her vocation. In another life, Howland – until recently almost completely lost to literary history – could have made a name for herself as a... Read more... |
Dangerous Lies, Netflix review - slick sillinessSaturday, 09 May 2020
When not dipping into its bottomless debts to write Scorsese blank cheques, Netflix tends to favour old-school TV movie potboilers such as this slick, silly thriller, in which young couple Katie (Camila Mendes) and Adam (Jessie T Usher) have their... Read more... |
Can You Keep A Secret? review - a bumpy rideFriday, 01 May 2020
Featherweight is one thing, brainless is another. Can You Keep A Secret?, the romcom adapted by screenwriter Peter Hutchings from the 2003 novel by Sophie Kinsella, uneasily straddles the two until a conclusion that goes off the rails... Read more... |
CD: Califone - Echo MineSaturday, 29 February 2020
Inevitably expectations were high, given that this Chicago experimental rock band are one of my favourite groups of the 21st century, and this is their first album for seven years. And at first it’s hard to know what to make of Echo Mine. There are... Read more... |
Classical CDs Weekly: Beethoven, Bruckner, Notice RecordingsSaturday, 22 February 2020
Beethoven: Piano Sonatas 1-32 Igor Levit (Sony)“Beethoven paid no attention at all to the conventions of his own time In fact, he only ever wrote music for the future.” One strength of Igor Levit’s magnificent traversal of Beethoven’s piano... Read more... |
Blues in the Night, Kiln Theatre review - hard times, hot tunesThursday, 25 July 2019
It’s too darn hot, BoJo is in Downing Street, and we’re all going to Brexit hell – so we might as well sing the blues. Or at least take a night off from the apocalypse to enjoy a virtuoso company singing them for us in this rousing revival of... Read more... |
CD: Daniel Knox - ChasesceneSaturday, 05 January 2019
Genuine authorship in popular music often manifests as eccentricity. Commercially driven musical entertainment thrives on treading familiar paths, tweaking well-established genres, often rooted in the various traditions of African-American styles... Read more... |
