sat 26/05/2018

chamber music

Violinist Eldbjørg Hemsing: 'in the moments when magic happens, you think, that's why we do this'

In a classical recording industry seemingly obsessed with marketing beautiful young female violinists, but very often presenting them in repertoire to which most of them seem to have little individual to add, how do you make your mark? Norwegian...

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Classical CDs Weekly: Hans Abrahamsen, Lully, Strauss, Duo Jatekok

Hans Abrahamsen String Quartets No. 1-4 Arditti String Quartet (Winter & Winter)The opening section of Danish composer Hans Abrahamsen’s 2012 String Quartet No. 4 is subtitled “light and airy”, and, aptly, the four strings produce extraordinary...

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Jansen/Maisky/Argerich Trio, Barbican review - three classical titans give chamber music masterclass

They were billed as a Trio, but when the classical super-group of Janine Jansen, Mischa Maisky and Martha Argerich came together at the Barbican last night it was in a sequence of different combinations, each with their own musical identity. The...

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Hagen Quartet, Jörg Widmann, Wigmore Hall review – proportion and elegance

Jörg Widmann writes fast. He is also one of the few young German composers who can write distinctive and idiomatic music without feeling the weight of his country’s musical heritage on his shoulders at every turn. Surprisingly, then, his Clarinet...

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Octets, Wigmore Hall review - Heath Quartet and star friends effervesce

To compose a masterpiece in your teens is rare enough; to choose the most elaborate form in chamber music, an octet for eight strings, ensures a peculiar kind of immortality. George Enescu, a still-underestimated genius described by protege Yehudi...

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Chineke! Ensemble, RNCM, Manchester review - musical advocacy

The Chineke! Orchestra has won golden opinions for its ground-breaking work and musical achievement, and Manchester caught up to the extent of a visit from the eight-person Chineke! Ensemble to the Royal Northern College of Music. As with the full...

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Schubert Ensemble, Kings Place review - spot-on introductions, dazzling performances

To demonstrate what makes chamber masterpieces tick and then to play them, brilliantly, is a sequence which ought to happen more often. Perhaps too many musicians think their eloquence is confined to their instruments. Not violinist Simon Blendis...

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Sughayer, Manchester Camerata Soloists, Manchester Cathedral

Two works whose whole significance depends on (unspoken) sacred texts made a stimulating combination for a concert in Manchester Cathedral’s sacred space. Haydn’s The Seven Last Words of our Saviour on the Cross – usually heard in its string...

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Stoller Hall Opening, Chetham's School of Music, Manchester

The opening of a new concert hall offers two options for opinionizing: the venue itself – or the performances in it? Review the acoustics – or the music? It has to be a mixture of the two, in the end. Chetham’s School of Music, in Manchester, has...

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Best of 2016: Classical

Revelations in the classical year never stop coming. Even the week before Christmas yielded two performances as good as you're going to get: the sheer effervescence and light-flourishing of Lucy Crowe in ecstatic Bach and Mozart with La Nuova Musica...

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St Lawrence String Quartet, Wigmore Hall

John Adams, let's face it, was the reason many of us came to hear the St. Lawrence String Quartet. Their performances and recordings as dedicatees of his labyrinthine First String Quartet and Absolute Jest, in which the four players function as...

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Modulus Quartet, Brunel Museum, Rotherhithe

"Total immersion", the term used for the BBC Symphony's one-composer days, takes on a whole new meaning in the Thames Tunnel Shaft now transformed – but fortunately not subject to makeover – under the mantle of Rotherhithe's Brunel Museum. All the...

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