California
Album: Devendra Banhart - Flying WigThursday, 21 September 2023
Had Devendra Banhart been born between 1940 and 1950, he’d likely be a household name. His output – very loosely – sits between Cat Stevens, Syd Barrett and Richie Havens, studded with a greatness not widely acknowledged. He had a spell around 15-20... Read more... |
Fremont review - lovely wry portrait of an Afghan refugee looking for loveFriday, 08 September 2023
A cameo by Jeremy Allen White wouldn’t usually excite interest, but the star of Disney+’s The Bear is big box-office now, so his presence in Fremont, however brief, will probably guarantee it an audience. There the curious will also find a gem from... Read more... |
Album: OSEES - Intercepted MessageMonday, 14 August 2023
On the face of it, this is an extremely simple record. It is big, stomping, party-monster neanderthal synth-rock.There’s no new sounds here: the structures are classic garage punk, the synthesisers’ growl and squeal sounds like some jerry-rigged... Read more... |
Daisy Jones & The 6, Amazon Prime review - hit rock'n'roll novel doesn't make great TVMonday, 06 March 2023
Based on the bestselling novel by Taylor Jenkins Reid, Daisy Jones & The Six is the rags-to-riches-to-wreckage story of the titular Seventies rock band, supposedly somewhat based on Fleetwood Mac. Their journey from their fashion-defying... Read more... |
Music Reissues Weekly: Goin' Round In My Mind - The Merrell Fankhauser AnthologySunday, 20 November 2022
Merrell Fankhauser's first outing on record was with Californian instrumental surf band The Impacts, who issued their sole album in 1963. Thereafter, he was the prime mover in an unbroken succession of pop, psychedelic and freak-rock bands. His... Read more... |
'We needed to find the perfect sound of vibranium, an alien metal specific to the Marvel Universe': Foley artist Shelley Roden on creating audible movie miraclesMonday, 14 November 2022
The projection screen reflects light onto the Foley stage. I can just make out the edges of the built-in cement and metal surfaces around the floor’s perimeter and the large dirt pit centre stage. Bamboo poles, a hockey stick, and a shovel poke... Read more... |
Music Reissues Weekly: Trip On Me - Soft Psych & SunshineSunday, 09 October 2022
The Candy Company. Evergreen Tangerine. The Lollipop Fantasy. The Pretty People. The Primrose Circus. “It's a Groovy World.” “Meadows and Flowers.” “Summer Flower (She's on my Mind).”The band names and song titles don’t telegraph heaviness. The 24-... Read more... |
Eureka Day, Old Vic review - fun if not entirely fulfillingMonday, 26 September 2022
Can a play peak too soon? That's the quandary that attends the Old Vic airing of Eureka Day, Jonathan Spector's on-point if overextended comedy that was written prior to the pandemic but has absolutely come into its own just now. A skewering of... Read more... |
Music Reissues Weekly: The Sons of Adam - Saturday's Sons: The Complete Recordings 1964-1966Sunday, 11 September 2022
“We played the Rolling Stones concert at Long Beach Arena. The Stones came on, and it was the first time that any band had ever done better than us. I was very angry about that.” Randy Holden was The Sons of Adam’s guitarist. He was pretty... Read more... |
Haim, OVO Hydro, Glasgow review - charismatic siblings personable as everMonday, 18 July 2022
Sweetness never lasts too long at a Haim gig. No sooner had Alana Haim, the youngest of the Californian siblings, finished a speech about her delight about being back in Glasgow by announcing she was going to “smell the f****** roses” then bass-... Read more... |
Music Reissues Weekly: Happy In Hollywood - The Productions Of Gary UsherSunday, 17 July 2022
As either a producer or songwriter Gary Usher worked with The Beach Boys and The Byrds, the two most consequential California bands of the Sixties.When he co-wrote “409” with Brian Wilson for the Beach Boys’s first Capitol Records single in mid 1962... Read more... |
Long Promised Road review - another attempt to probe the fragile genius of Brian WilsonSaturday, 22 January 2022
There has been no shortage of documentaries about king Beach Boy Brian Wilson, not to mention the 2014 bio-drama Love & Mercy, so the purpose of this new effort by director Brent Wilson (no relation) isn’t altogether clear. Certainly Wilson (the... Read more... |
