blues
peter.quinn
An album that enchants and surprises in equal measure, Heritage sees US sax player and composer Owen Broder explore the full gamut of American roots music – from blues and Appalachian folk to bluegrass and spirituals – through the prism of modern jazz.Subtitled ‘The American Roots Project’, Broder’s welcoming inclusiveness is evident from the outset, with his self-penned “Goin’ Up Home” transmogrifying from a simple folk chorale into driving swing and, neatly bookending the album, the collective improv of “A Wiser Man Than Me” which channels the singular sound-world of New Orleans.A Read more ...
Katherine Waters
Lisa Halliday’s striking debut novel consists of three parts. The first follows the blooming relationship between Alice and Ezra (respectively an Assistant Editor and a Pulitzer Prize-winning writer) in New York; the middle section comprises a series of reflections narrated by Amar, an American-Iraqi while he is held in detention at Heathrow en route to see his brother in Iraqi Kurdistan. The final third consists of a transcript of Ezra’s Desert Island Discs recorded some years later.The book focusses on how power imbalances inflect relationships. This is quite clear when Alice’s giddy Read more ...
Thomas H. Green
Many hard rock aficionados say that Motörhead’s greatest work was all with the “classic” line-up of Lemmy, drummer Phil “Philthy Animal” Taylor and guitarist “Fast” Eddie Clarke (who died last week aged only 67 - this review was written before that news came through). While there’s no denying their 1976-82 output was storming, Motörhead’s later career contained multitudes of gems that were its match. The band’s guitarist for this period, for 31 years from 1984 until Lemmy’s death, was Phil Campbell. He now releases the debut album by a band he formed with his three sons shortly after his Read more ...
peter.quinn
The vocalist Cécile McLorin Salvant first came to the attention of the jazz scene when she won the prestigious Thelonious Monk International Jazz competition in 2010. In 2013, her Mack Avenue Records debut WomanChild garnered a Grammy nomination. Two years later, she picked up her first Grammy Award when her follow-up release For One To Love won Best Jazz Vocal Album.Born in Miami to a French mother and Haitian father, McLorin Salvant started classical piano studies at five and began singing in the Miami Choral Society at eight. In 2007 she moved to Aix-en-Provence to study law as well Read more ...
Thomas H. Green
As well as creating a true American musical phenomenon, led by from the front by Nirvana, the early-to-mid-Nineties grunge explosion opened a window of opportunity for multitudes of bands on its furthest fringes. South Carolina punk-metallers Corrosion of Conformity hit a career peak at the time, mingling an old-school hard rock sound with something bluesier and spacier, the whole thing marinated in the guitar and vocals of Pepper Keenan. He left to concentrate on his role in metal supergroup Down, featuring members of Pantera and others, but now returns for his first album since 2005 with Read more ...
peter.quinn
From newcomer Jazzmeia Horn to the Grammy-winning elder statesman Alan Broadbent, this round-up of favourite jazz releases represents just the tip of a huge iceberg of activity in 2017.A strong year for UK label Edition Records included Denys Baptiste’s The Late Trane, a beautiful deep dive into late period Coltrane by the outstanding British tenor player, plus the whiplash-inducing gear changes of Phronesis’s The Behemoth, which saw the Scandinavian/British trio’s back catalogue cast in dazzling big band arrangements. For ECM, US pianist Craig Taborn followed his solo debut Read more ...
Kieron Tyler
Until now, the easiest non-bootleg way to hear the early Rolling Stones live was via the various home cinema editions of October 1964’s T.A.M.I. show. Otherwise, although they employed backing tracks for broadcast, the American DVDs of their Ed Sullivan Show appearances caught the band in thrilling full flight. The new BBC sessions collection On Air fills out the picture by collecting 32 tracks they recorded between October 1963 and September 1965.Decent Decca-era archive collections of the Stones barely exist due to their poor relations with ABKCO, the organisation which owns their rights Read more ...
Liz Thomson
Not since the 1960s has there been so much global shit to protest about! The Sixties, of course, gave us the protest song – and how well the best of them have worn. “Masters of War” and “With God On Our Side” are timeless classics. “Give Peace a Chance” can still be heard from the barricades.There’s no doubt Neil Young means well, believes passionately, but the agitprop – much as we all agree with the sentiments – does begin to pall. Much of the music doesn’t quite cut the mustard, though if it won’t stand the test of time perhaps that’s because it doesn’t need to – the goal here is to be Read more ...
Thomas H. Green
It’s impossible to discuss TootArd without digging into the history of their region. They’re a funky desert blues outfit but they don’t derive from Saharan Africa; they were born and raised in the village of Majdal Shams in the Golan Heights. This is the region Israel grabbed off Syria in the Six-Day War of 1967, then fully annexed in 1981, claiming it as Israeli territory. However, Arabic Syrians who remained were rendered stateless, given “Laisser-Passer” travel papers by the Israeli government rather than the passports of a full citizen. Hence the album’s title.The band, currently Read more ...
Thomas H. Green
Mélanie De Biasio is a Belgian jazz singer, an album-charting artist in her home country, and rising star elsewhere. She is not a woman who takes the straightforward path. No album of Nat King Cole covers for her. No Jamie Cullum guest appearances on her third album, Lillies. Instead, she offers up her own moody take on alt-pop which, if she feels like it, as on the smoky slow late night piano title track, might sit within an immediately recognizable jazz idiom, but is equally liable to be something pulsing, electronic and very quietly groove-ridden, as on the single “Gold Junkies”.De Biasio Read more ...
Liz Thomson
Close your eyes and be transported. Not just to Greenwich Village, New York and America’s west, but to Copenhagen, Belfast and Swansea, from whence Dylan Thomas – dedicatee of “The Sparrow of Swansea” – set out on his adventures. The album was recorded in Austin, Texas, and the spirit and the sound of such country music greats as Johnny Cash, Marty Robbins and Roy Orbison permeate the music.Russell is an architect of “Americana” and his mighty fistful of albums includes a series of folk operas, including the much-lauded Rose of Roscrae. His songs have been recorded by Cash, Doug Sahm and Read more ...
howard.male
Rarely has an album’s artwork better reflected its content: blackness, or the void from which light occasionally emanates. This is a collection of instrumentals enhanced by vocals, rather than what might be called songs. The opening minimalist piece “Lightshaft” begins with a single plucked guitar note and its long vibrato-laden after-echo, like the sonic equivalent of a lone flickering candle. Norwegian singer Anneli Drecker’s haunting contributions can’t be described as lead vocals because they are no more or less significant than any other texture on the record.This is only the former Read more ...