fri 03/07/2020

Birmingham

Classical music/Opera direct to home 19 – and two before a live audience

It’s begun: very limited access to live music, the chance to sit before one or two players in the same room – as we were doing only three and a half months ago, in some cases thousands of us before an orchestra of up to a hundred musicians. When the...

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'Composing supports children to understand music from the inside': educator Nancy Evans on a revolution in primary schools

Next month (July 2020) marks 20 years since I started work at Birmingham Contemporary Music Group, initially as their first Education Manager and then in my current role as Director of Learning and Participation. So when we were awarded a...

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Rob and Romesh vs Ballet, Sky 1 review - unlikely lads throw themselves in as bait

The odd-couple comedy duo is a time-tested concept, and Rob Beckett and Romesh Ranganathan have discovered a chemistry that works. Rob is the giggling excitable one, while Romesh, aided by a sleepy right eye which conveys a sense of harsh...

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First Person: CEO Stephen Maddock on the City of Birmingham Symphony Orchestra's strange centenary year

This year was supposed to be so very different. For the best part of the last decade we have been planning a series of major events to take place in 2020 to mark the centenary of the City of Birmingham Symphony Orchestra. Having often commented on...

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Anderszewski, CBSO, Wellber, Symphony Hall Birmingham review - grandeur in restraint

No orchestra wants its conductor to cancel in the week of a concert. Mirga Gražinytė-Tyla’s illness was announced only on Monday, but even in ideal conditions, if you needed to find a last minute replacement maestro for a programme of Bartók and...

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Pete Paphides: Broken Greek review - top of the pop memoirs

Think of the phrase “music memoir”, and you might conjure images of wild nights and heavy mornings. You’re unlikely to think of suburban West Bromwich and tributes to Mike Batt’s Wombles back catalogue. But then, Pete Paphides’s story is comprised...

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Frang, CBSO, Yamada, Symphony Hall Birmingham review - the tingle factor

There’s a particular moment of a particular recording – I suppose every slightly over-obsessive record collector has one – that I just keep listening to over and over again. It’s in Fritz Reiner’s 1960 Chicago Symphony recording of Respighi’s The...

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Transatlantic Sessions, Symphony Hall, Birmingham review - folk fusion from Burns to the boss

In its seventeenth incarnation, Transatlantic Sessions - a concert comprising music from some of the finest names in Scottish, Irish and American folk - had its penultimate night of its UK tour in a packed-out Symphony Hall, Birmingham on Friday...

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Miloš Karadaglić, Birmingham Town Hall review - flashy and fierce, with exquisite detail

Dubbed “classical music’s guitar hero”, the 36-year-old London based Montenegrin guitarist  Miloš Karadaglić – more commonly known by just his first name – is back on the international stage. He returned in 2019 after a devastating hand injury...

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Mahler's Eighth, CBSO, Gražinytė-Tyla, Symphony Hall Birmingham review - a symphony of 600

“Try to imagine the whole universe beginning to ring and resound” wrote Gustav Mahler of his Eighth Symphony. “There are no longer human voices, but planets and suns revolving.” It’s an image that captures the impossible scale and mind-boggling...

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Röschmann, LSO, Rattle, Symphony Hall, Birmingham review - passion with precision

Alongside the heartfelt tenderness, there is an emotional weight - as well as a compositional sophistication - prevalent in Alban Berg’s Seven Early Songs. Perhaps this correctly discloses the word "early" as pertaining to the composer’s...

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Bauer, CBSO, Koenig, Symphony Hall Birmingham review - Christoph pulls it off

Mirga Gražinytė-Tyla’s programmes in Birmingham are so personal – so utterly bespoke – that in the event of her being indisposed, they present something of a problem. That’s what happened this week. The programme was vintage Gražinytė-Tyla –...

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