BBCSO
Britain’s Lost Masterpieces, Episode Three, BBC Four review – more than a bit of BotticelliThursday, 14 November 2019Once again the whodunit becomes the whoforgedit in the newest installment of the Britain’s Lost Masterpieces series. Host and art historian Bendor Grosvenor introduces us to what is one of the most beautiful he’s ever seen: a Madonna and Child... Read more... |
The Fall of the Berlin Wall with John Simpson, BBC Four review – the future we’ve left behindFriday, 08 November 2019John Simpson remains the BBC’s longest serving foreign correspondent. Here, he returns to the biggest moment of his career. This personalised retelling of the collapse of the Berlin wall encompasses fond remembrance, factual detail and the... Read more... |
Get Rich Or Try Dying: Music’s Mega Legacies, BBC Four review – inside the RIP businessSaturday, 02 November 2019Half a billion dollars is what the top five most lucrative estates of deceased musicians earned last year. The figure represents the cunning work of a few people to turn “legacy” into its own immortal industry. To watch a program on this theme is to... Read more... |
Last Night of the Proms, Barton, BBCSO, Oramo review – woke not brokeSunday, 15 September 2019The BBC put social and ethnic diversity at the heart of this Last Night programme. The concert opened with a new work, by Daniel Kidane, called Woke, and the first half was dominated by the music of black and female composers. In the second half,... Read more... |
Prom 53: Connolly, Gregory, Tappan, BBCSO & Chorus, Davis review - citizens of the world uniteFriday, 30 August 2019Let's be clear: this was a Prom of world-class works by English composers, not a conservative concert of English music. Politically speaking, Elgar was one of the few on the right, but how different inwardly, speaking through the poet Arthur O’... Read more... |
Prom 43: Haefliger, BBCSO & Chorus, Oramo review – the frisson of the newTuesday, 20 August 2019Time was, not long ago, when the very word “premiere” was enough to ensure a sizeable smattering of red plush holes in the Royal Albert Hall audience. It seemed people did not want to risk attending new works for fear they would sound ghastly. Any... Read more... |
Prom 25: Gabetta, BBCSO, Stasevska review – stunning Weinberg debutWednesday, 07 August 2019This concert from the BBC Symphony Orchestra marked the first performance of composer Mieczysław Weinberg at the Proms, an important milestone in the recent surge of interest of his music. When Weinberg, a Russian composer of Jewish descent and... Read more... |
Prom 18: Andsnes, Mahnke, Skelton, BBCSO, Gardner review – all passion spentFriday, 02 August 2019It’s a curiosity of music that a performance can occasionally be better – more persuasive and impressive – than the work itself. Even Britten’s most devoted advocates would find it hard to rank the Piano Concerto among his masterpieces. In his... Read more... |
Prom 13: Des canyons aux étoiles..., BBCSO, Oramo review – cursory contemplations of earth and skyMonday, 29 July 2019Messiaen’s language of juxtaposition over development was always susceptible to the “greatest hits” phenomenon that began to suffuse his music with contented wonder during the 1970s. While younger colleagues were throwing toys out of the pram and... Read more... |
Cindy Sherman: #untitled, BBC Four review - portrait of an enigmaMonday, 29 July 2019Cindy Sherman predicted the selfie, so goes the claim. From our current standpoint, it is all too easy to analyse her many hundreds of photographic self-portraits made since the late 1970s as cultural forebears of the digital medium. What this BBC... Read more... |
Prom 8, Faust, BBCSO, Eötvös review - terrific orchestral showcaseThursday, 25 July 2019By happenstance, this Prom was fully topical, with Debussy’s languorous Prélude à l’après-midi d’un faune fitting for one of the hottest days in London’s history, and the “Infernal Dance” from Stravinsky’s Firebird mirroring the infernal political... Read more... |
Prom 1, BBCSO, Canellakis review - space-age First NightSaturday, 20 July 2019A new commission, a Romantic tone poem and a choral spectacular – standard fare for the First Night of the Proms. Traditionally, the First Night sets out the themes for the season ahead, but the rationale behind much of this programme was paper-thin... Read more... |