BBC
Veronica Lee
“The Mob made Vegas,” says its mayor since 1999, Oscar B Goodman. And he should know, having defended plenty of mobsters in his time when - he and I are equally quick to point out - he was a defence attorney and didn’t know what they were really up to. What a trick presenter Alan Yentob missed here; he could have simply chatted to this wrinkly, wily New Yorker transplanted to the Nevada desert and The Lure of Las Vegas (shown as part of BBC Two’s Vegas night), produced and directed by Janet Lee, would have been a whole lot more entertaining.What we got, this being an Alan Yentob documentary, Read more ...
Tim Cumming
Since releasing her first solo album in 2006 while still a member of the acclaimed Northumbrian group Rachel Unthank and the Winterset - who also garnered three Folk Award nominations for themselves this year – Oates has developed a unique repertoire of English balladry to which her clear, richly emotive voice is so suited.That repertoire largely comes not from books or records but from years of taking part in folk sessions in pubs, clubs and homes around Devon, where she has lived since 2000. The tragic, dark-hearted ballads that stud her three solo albums come directly from a remarkable Read more ...
Adam Sweeting
In his forbidding dark suit and heavy-framed sunglasses, declaiming his artfully wrought texts to camera with the ominous certainty of a hanging judge, Jonathan Meades is one of TV’s most unmistakable presences. While it may be lamentable that we don’t see him more often, it’s miraculous, in the current climate, that we see him at all.His films are densely layered brain-twisters where history, architecture and folklore collide, ripe with allusion, metaphor and facts carefully selected for their provocative value. His best-known series include Abroad In Britain, Further Abroad with Jonathan Read more ...
Ismene Brown
The BBC launched today its own popular opera talent hunt (details below), while ITV's Popstar to Operastar has suffered heavy critical attack and disappointing public ratings. The BBC's Commissioning Editor for Music and Events, Jan Younghusband, added a private comment to our review of the ITV show here, pointing out: "My big struggle is how we bring this great entertainment [opera] to TV in a meaningful way without wrecking it."The BBC's Passion for Opera plans in brief:Dame Kiri Te Kanawa, Rolando Villazón and Danielle de Niese present specially commissioned films for BBC Read more ...
Jasper Rees
It always used to be said that boarding school prepares you for every hardship. Whether that includes prison in one of the most impenitent dictatorships in Africa is not a question that was put to Simon Mann in last night’s edition of Storyville. Mann, still incarcerated when the BBC caught up with him, was awaiting a pardon from President Teodoro Obiang, the very potentate he had attempted to topple five years earlier. Never mind that they like to keep a battery and electrodes handy for interrogations, Mann wasn’t about to slag off the great man’s excellent hospitality. Goodness, Eton really Read more ...
joe.muggs
Immediately following the death of radio DJ John Peel in 2004, it became clear very rapidly that there was no obvious heir apparent. With so many specialist shows on the station, nobody ran the full gamut of leftfield and underground music in the same way that Peel had. But if anyone comes close, it is Mary Anne Hobbs. Schooled in rock and indie journalism in the last great era of the weekly music press, the mid-1980s to early 1990s, and presenter on XFM and then Radio 1 of everything from extreme heavy metal to deep electronica, she certainly approaches Peel's eclecticism and dedication to Read more ...
Adam Sweeting
Nostalgists often hark back to a “golden age” of TV drama, referring to the likes of ITV’s Brideshead Revisited, or the BBC’s I Claudius or The Forsyte Saga. This week on the South Bank, the BFI launches a season which examines a lost age of a different kind, that of the radical TV dramatists who scorched across British screens from the mid-Sixties, through the Seventies and the Margaret Thatcher era, and finally into the ambiguous world of New Labour. The two-part season, United Kingdom!, stretches across November and December, and en route will take in such abrasive televisual Read more ...
Jasper Rees
I have a little story concerning correct usage. Several years ago, when BBC Three had yet to overtake Channel 5 and VH1 as perhaps the world’s leading purveyor of documentaries about breasts and suchlike, I received a press release in the post. The young channel’s fresh approach to quality control on screen had percolated through to its publicity department. The release contained a motorway pile-up of typos. A red mist descended, not unadjacently to where I sat, and I confess that I wrote off. To the head of publicity, BBC, Wood Lane, postcode, the whole bit.The letter was delicately phrased Read more ...
Adam Sweeting
Caught in a crossfire between licence-payers and rival media groups, the BBC has reached the frankly surreal conclusion that the answer is to cut down on imported programmes. Luckily Harper's Island (BBC3) has snuck in under the wire.A fiendishly slick 13-parter acquired from CBS in the States, Harper's whisks us off to the eponymous location (situated offshore from Seattle amid dreamily-shot Washington State scenery) where wedding guests are gathering for the nuptials of wealthy Trish Wellington and earthy regular guy Henry Dunn. Trish's dad (Richard Burgi from 24 and Desperate Housewives) Read more ...
Adam Sweeting
In July the BBC brought us Freefall, writer/director Dominic Savage's credit crunch drama. It was a crude morality tale of greed and gullibility, just about compensating for its blatantly schematic characters with sheer pace. With The Last Days Of Lehman Brothers (BBC2), writer Craig Warner and director Michael Samuels set themselves an altogether trickier proposition, to dramatise the boardroom power-plays that ended in the collapse of American mega-bank Lehman Brothers on September 12 last year.It was a crash that echoed around the world almost as seismically as that of the Twin Towers. Read more ...
Adam Sweeting
Slickness is not always a virtue in a television presenter, and Katherine Jenkins (The Week We Went To War, BBC1) has some way to go before she risks being accused of it. Her chief weapons are her blonde hair, cleavage and searchlight smile -- she isn't so much the new Vera Lynn as one of those pneumatic dream-babes that American aircrews used to paint on the noses of their B17s -- but even so she struggles to conquer a script that wallows like a torpedoed freighter.Her dialogue with assistant-host Michael Aspel, as he reminisces about being a wartime evacuee or eating austerity-style prunes Read more ...
Adam Sweeting
Oasis have split up, but The Beatles keep getting bigger. This week, in a synchronised splurge of Beatle product of almost D-Day like proportions, their complete remastered albums are being reissued, the group appear in virtual form in the computer game The Beatles: Rock Band, and the BBC continues the Beatles Week which kicked off in a blaze of Kleenex-moistening nostalgia on Saturday. The Sunday Times even managed to exhume an unpublished interview with John Lennon, in which he sabotaged the myth of the great Lennon-McCartney feud by confessing that he thought Paul McCartney was jolly good Read more ...