BBC
fisun.guner
The only voice recording Sigmund Freud ever made was for the BBC. It was made in December 1938, at Freud’s West Hampstead home just a few months before the father of psychoanalysis succumbed to throat cancer. He was 82 and wouldn’t see out another year, yet here he was on fighting form: “People did not believe in my facts and thought my theories unsavoury,” he declaims, his voice clipped, precise and resoundingly emphatic. “Resistance was strong and unrelenting. The struggle is not yet over."Freud was a revolutionary, and like all revolutionaries he was, clearly, a dogmatist. Twenty Read more ...
theartsdesk
After two Proms devoted to Doctor Who, this year's children's Prom ceded the floor today to the hugely popular CBBC television series Horrible Histories. The series is based, in case you don't know your Horrible Histories history, on the books initially written by Terry Deary.Deary embarked on the books, all with alliterative titles like Groovy Greeks, Rotten Romans and Blitzed Brits, in order to give children a better grounding in history than he had (not) enjoyed at school. "Everything I learnt after 11 was a waste of time," he has said. "It was boring, badly taught and not related to the Read more ...
David Nice
All aboard the chrome locomotive for composer-conductor Oliver Knussen’s annual magical mystery tour. You may notice rather few fellow passengers in the Albert Hall; that’s a given with this event (though the Proms could have thrown in and advertised one of Olly’s Top 10 OTT Favourites – I’ve heard him proclaim them - to drum up more trade). You may also find rather too many stops for change of crew. But so long as you sit forward to catch the results of his famously acute hearing, second only to Boulez’s, you’ll get something out of a long, unsexy ride.Part of the pleasure of multi-work Read more ...
Ismene Brown
The world tour that the Proms offer this year touches down in no more fascinating musical country than Hungary, with three of its great composers, Liszt, Bartók and Kodály brought into the Albert Hall last night by the ever-stimulating Vladimir Jurowski with his hot gypsy band, the London Philharmonic Orchestra.This acoustic is not a happy place for the syncopations and sharp rhythms of Hungarians, who are never afraid of a silence or a missed heartbeat, never rush to end a note when they can increase the suspense by holding it. As a result, Kodaly’s Dances of Galánta had a rougher ride than Read more ...
igor.toronyilalic
Well, that's a first. With the final upbeat of the rustic second movement, Sir Roger Norrington Bugs Bunnied the audience. He turned to us with cheek in his eyes, a "That's-all-folks!" smile plastered on his face, brandishing his baton for a carrot, as if he and the Stuttgart Radio Symphony Orchestra had (yet again) just outwitted Elmer Fudd. The thought that Norrington's Mahler Nine would make me laugh had crossed my mind before the concert. But I had no idea that I'd be chuckling in a good way.The intermittent stand-up (there was another attempt after the third movement that no one saw) was Read more ...
igor.toronyilalic
You can't say this about many works but Verdi's Requiem really is as snug as a bug in a rug in the Royal Albert Hall. In which other space could the three moon-like bass drums orbiting the back of the orchestra not look ridiculous? Last night's performance seemed to have all the hallmarks of a classic. Great cast. Three of Britain's great amateur choirs. One of the most talented conductors of his generation. All Bychkov needed to do was mix and stir. Right?Certainly if we went around individually, no fault would be found. The choir (which included the BBC Symphony Chorus, BBC National Chorus Read more ...
igor.toronyilalic
If much of the Austro-German repertoire is about hiking to a spiritual peak, the Franco-Spanish is about diving down to the orchestral depths. The music of Ravel, Debussy and Falla has beefy shoulders and powerful legs. But the vast watery expanse of the Royal Albert Hall is hard-going even for these expert paddlers. I've never seen anything by these composers that hasn't drowned in this space. So I came to last night's concert hoping that the BBC Philharmonic's new Spanish conductor, Juanjo Mena (he takes over officially next season), would show us all how to ride out these waters.He Read more ...
David Nice
It was partly as penance for having missed the previous evening's Czech festival that I arena-prommed for last night's Moravian finale, to be happily strafed by the nine extra trumpets of Janáček's Sinfonietta. I hadn't quite expected to be so on the edge of my first-half seat in wonder at the little miracles of Sibelius's Op 66 Scènes historiques, genius personality more apparent in the first two chords than in all but the last minute or so of Havergal Brian's two-hour Gothic Symphony (but let's not go there again). In between, Sir Mark Elder's conducting didn't always keep his Mancunians on Read more ...
Adam Sweeting
Although it's a period drama set in the dim and shadowy London of 1956, The Hour can’t help reminding us that the more things change, the more inclined they feel to do a brisk U-turn and fly back to hit us in the teeth. I even wondered whether the BBC had felt like pulling this first episode from the schedules, on account of the scene where chippy young BBC news journalist Freddie Lyon (Ben Whishaw) slipped a bribe to a police officer to gain access to the corpse of a murder victim. In this particular week, it was uncannily close to the bone.Lyon himself would surely have relished being Read more ...
andy.kershaw
I walked in to find my new Radio 1 producer standing on our secretary’s desk – she was on the phone – wearing a sombrero, a huge rubber ear, and playing the trumpet. Around him, in the third floor typing pool of the Nation’s Favourite – unable, given the din of The Peanut Vendor, to mew to one another comparisons of train journeys to and from East Croydon – secretaries were varnishing their nails or even typing programme running orders.Down the corridor in our office – Room 318 of Egton House, a hideous 1960s office block, next door to Broadcasting House, and the home of Radio 1 – the world’s Read more ...
David Nice
From Middle-earth, middle England and Nibelheim they came, adventurers anxious to acclaim an Unjustly Neglected British Masterpiece. Praise, or curse, their persistence in steering the BBC and the Albert Hall back to Havergal Brian's biggest work after 31 years; hail by all means conductor Martyn Brabbins's flexible command of nine choirs and two orchestras. All I can say is that before I sat through nearly two long hours of continuous music last night, I proclaimed that this was exactly the sort of thing the Proms should be trying. Now I'm hanging out the garlic and spraying the air Read more ...
igor.toronyilalic
Rossini's William Tell has to be the most well-known unknown opera ever written. There's unlikely to be a man, woman or dog on the planet who can't whistle or bark a part of the overture. But the other four hours? What of that? One opera aficionado told me that the last time he'd heard the whole thing live, Winston Churchill was still in Number 10. Prommers were being given their first chance last night. It was hard not to come to it with trepidation. Because operas are like people; they aren't usually left on the shelf for this long for no reason. Of course, there is a reason. A simple Read more ...