wed 25/04/2018

Barbican

Kožená, LSO, Rattle, Barbican Hall review – springing surprises from Schubert and Rameau

Cheers and huzzahs greeted the arrival of Sir Simon Rattle on the Barbican stage last night before the London Symphony Orchestra had even played a note. The 10-day festivities to open his tenure as principal conductor evidently worked a treat. The...

Read more...

Komsi, BBCSO, Oramo, Barbican Hall review - Sibelius series ends in glory

Twelfth Night, Epiphany, call it what you will, is one reminder that there's continuity after the turn of the year. Another was Sakari Oramo's final Sibelius-plus concert with the BBC Symphony Orchestra - a predictable triumph given that the...

Read more...

Breaking the Rules, LSO St Luke's review – music and murder with Gesualdo

The “concert drama” is on the up, offering audiences a mingled-genre means to experience music and its context simultaneously. The author and singer Clare Norburn has an absolute peach of a story to tell in the "imagined testimony of Carlo Gesualdo...

Read more...

Best of 2017: Classical concerts

Did Simon Rattle's return to the UK as Principal Conductor of the London Symphony Orchestra live up to the hype? Mostly, and when it did, the music-making was superbly alive. But it's vital to observe that another orchestra and chief conductor have...

Read more...

Titus Andronicus, RSC, Barbican review - blood will out

Live theatre, eh? It had to happen. On press night a sound of what seemed to be snoring (the production’s really not dull) revealed, in the Barbican stalls, a collapse. About an hour in, a huge amount of blood is smeared over Titus Andronicus’s...

Read more...

Zimerman, LSO, Rattle, Barbican review - a diverse Bernstein centenary

Leonard Bernstein is 100 already. Actually, he’s not – his centenary falls in 2018, but the LSO, an orchestra he conducted many times, is building up to the anniversary with a series of concerts featuring his three symphonies. This performance of...

Read more...

Antony and Cleopatra, RSC, Barbican review - rising grandeur

Is there a key to “infinite variety”? The challenge of Cleopatra is to convey the sheer fullness of the role, the sense that it defines, and is defined by only itself: there’s no saying that the glorious tragedy of the closing plays itself out, of...

Read more...

Salonen conducts Sibelius, RFH/Oramo conducts Salonen, Barbican review - Finnish psychedelia

After Sakari Oramo's dazzling Sibelius rattlebag with the BBC Symphony Orchestra on the centenary day of Finnish independence, things weren't looking so good for Esa-Pekka Salonen and the Philharmonia at half time last Thursday (★★★). Then along...

Read more...

Johnston, BBCSO, Oramo, Barbican review - sheer adrenalin in early Sibelius

As the Parliament of the Autonomous Grand Duchy of Finland within the Russian Empire declared independence on 6 December 1917, Sibelius had his head down working on the third version of his Fifth Symphony, the one so hugely popular today. He tried...

Read more...

Batiashvili, BBCSO, Oramo, Barbican review - electricity in Sibelius and Hillborg

Even given the peerless standards already set by Sakari Oramo and the BBC Symphony Orchestra in their Sibelius cycle, this instalment was always going to be the toughest, featuring the most elusive of the symphonies, the Sixth, and the sparest, the...

Read more...

Singcircle, Barbican review - veteran ensemble bids farewell with Stockhausen

STIMMUNG is always an event. Stockhausen’s score calls for a ritual as much as a performance, with six singers sitting around a spherical light on a low table, the audience voyeurs at some intimate but unexplained rite. Singcircle has been...

Read more...

Robert Glasper, Barbican review - emotional fellowship and creative interconnections

As moments of transcendence go, Laura Mvula’s guest spot at Robert Glasper’s EFG London Jazz Festival show provided one of the year’s most transporting musical moments.Powered by the huge harmonic slabs carved out by keyboardist Travis Sayles and...

Read more...
Subscribe to Barbican