awards
emma.simmonds
Made with the same furious energy which has characterised so much of Danny Boyle’s output, 127 Hours goes from the macro to the micro. It opens with a pounding split-screen assault of imagery depicting the frenetic, dehumanising nature of modern life, before closing in on one man’s five-day ordeal in a crack in the earth. In Boyle’s exuberant interpretation of Aron Ralston’s real-life story, what starts out as a cruel lesson in the perils of hubris quickly reveals itself as a life-or-death scenario.Aron Ralston (James Franco) is a young, cavalier adventurer, full of pluck and derring-do. As Read more ...
Ismene Brown
This year the Eurozone is going to be the big political subject; fragmentation the looming concern. Culturally too, one would think that Europe, with 23 official languages, and another 60 minority languages spoken, is too much of a warren to be able to find any possible unanimity. But two ambitious projects are afoot in Brussels: to enable the translating of major literature across languages, and to join up all the museums, galleries and centres of knowledge in one great cultural cornucopia. And before you mutter that this is as exciting as sprouts, think for a moment of the implications - an Read more ...
theartsdesk
Avatar or The Hurt Locker? Although the Academy Awards are by no means the only barometer of cinematic trends, at this year’s Oscars the two centrifugal strains in contemporary movie-making went head to head. For Best Picture and Director, James Cameron’s digitally created sci-fi-scape locked horns with Kathryn Bigelow’s visceral visit to Iraq. One demonstrated Hollywood’s ever-increasing capacity to wish away actuality as we know it. The other went in where the bullets fly for real. You could see why the two directors, formerly married, had untied the knot. Our reviewers are Jasper Rees, Read more ...
anne.billson
2010 will go down as the year I fell out of love with Johnny Depp. And not just because of his cringe-making Mad Hatter in Alice in Wonderland, an over-produced farrago which reduced Lewis Carroll's dark Victorian whimsy to a dull computer gamelike chase-rescue-showdown scenario. The Deppster sealed the Double Whammy of Dreadfulness with his uncanny impression of naff comedian Rob Schneider in The Tourist, a would-be rom-com thriller that somehow sacrificed the romantic, comedic and thriller elements of its remit to fawning close-ups of the increasingly prognathic Angelina Jolie. If only it Read more ...
Nick Hasted
Roman Polanski’s The Ghost won five of the seven European Film Awards it was nominated for last night. It was a display of the sort of sentimental herd mentality familiar from the Oscars which the European Film Academy’s voters like to feel they are better than. Polanski himself loomed from the big screen via Skype, kept from the ceremony in Estonia’s capital by the US arrest warrant which was surely the reason for the Academy’s largesse. The director looked down on the spectacle from his book-lined study with an unlined, unmoving face, detached by more than geography, a man who had Read more ...
edward.seckerson
Dario Marianelli won an Oscar and a Golden Globe for his score for the movie Atonement, and his return to the theatre after a long absence as composer for the Young Vic's new production of Tennessee Williams's first big Broadway success, The Glass Menagerie, is hotly anticipated. In the rehearsal room he talks about the intricate process that marries music to drama, be it on celluloid or stage. He talks about what fires his imagination and how, for instance, a typewriter (in Atonement) or a piano (in Pride and Prejudice) might unlock the colour and character of a score.
Williams's plays Read more ...
edward.seckerson
"It is a curious tale. I have it written in faded ink, a woman's hand, governess to two children, long ago..." So begins Benjamin Britten's operatic re-imagining of Henry James's ghostly chiller The Turn of the Screw. Oscar Wilde called it "a most wonderful, lurid, poisonous little tale" but how are we supposed to interpret it? In a remote country house, a governess fights to protect two children from menacing spirits. But are these spirits real or imagined?Are they figments of a fevered imagination? Did evil really occur at Bly before the governess's arrival and, if so, what? So many Read more ...
Peter Culshaw
The Arts Desk has been in two minds about Mercury Award winners The xx, who picked up the £20,000 cheque last night. Joe Muggs loved them, Bruce Dessau was sceptical. Singer and bass player Oliver Sim told the audience at the Grosvenor House Hotel in London that they weren't expecting to win."Wow," he said. "Thank you so much. We've had the most incredible year and it has just felt like every day we've just woken up to something incredible we just weren't expecting." Everyone else rather did expect them to win, including the bookies, although grizzled ex-mod Paul Weller made a late run. Watch Read more ...
theartsdesk
Could Peter Carey possibly become the first author to win the Booker three times? Oscar and Lucinda (1988) and True History of the Kelly Gang (2001) both previously won him the most prestigious and hotly contended literary gong this side of the Atlantic (and south of Stockholm). The judges, led by Andrew Motion, have whittled the long list of 13 down to the final half-dozen, and Carey’s Parrot and Olivier in America is among them.In order to win he will have to impress the panel more than the five other contenders. Here is the full list:
Peter Carey: Parrot and Olivier in America
Emma Read more ...
theartsdesk
Every year the European Film Academy asks film-goers to become an electorate. They have the chance to vote on their favourite film for the People’s Choice Award. Last year they plumped for Danny Boyle's Slumdog Millionaire. Previous winners include Volver, Life is Beautiful and Amélie. Which film will it be in 2010? You decide.This year the winner will be picked from one of 10 very disparate films - the candidates include a French cartoon, a British political thriller, Swedish fantasy and an Italian domestic comedy. Not all have yet been released in the UK. Have a look at theartsdesk's What's Read more ...
theartsdesk
In a terrific year for comedy at the Fringe, the winners of the 2010 Foster's Edinburgh Comedy Awards (formerly the Perriers) are Russell Kane, Roisin Conaty and Bo Burnham. The prizes - cheques for £10,000, £5,000 and £5,000 - were presented to the three comedians on Saturday in the Spiegel Tent in George Square in a celebration of 30 years of these awards.The 10-strong panel (critics, producers and members of the public who won competitions based on their extensive knowledge of live comedy) debated long and hard to whittle down 400-plus eligible shows, and it was good to see so many women Read more ...
sue.steward
“There is a tradition of photographing people with Down’s syndrome, but not of positive, strong images of people staring back at you, challenging you to look at them. This exhibition reverses that. The images we produce are not sympathetic or sentimental, but strong and covering all aspects of life, and using contemporary photography to get our message across. We’ve turned the camera 180 degrees and now the former subjects are in control.”
Xanthe Breen, Campaigns Officer for the Down’s Syndrome Association, was talking to me amongst excited exhibitors and their families at the launch of My Read more ...