ancient Greece
Imeneo, Academy of Ancient Music, Hogwood, Barbican HallThursday, 30 May 2013
There are Handel operas where you wait impatiently for the handful of truly original set-pieces to light up the action, hoping the singers are equal to their challenges. One such is surely Siroe, Re di Persia, bravely staged at the Göttingen Handel... Read more... |
Monteverdi Choir, London Symphony Orchestra, Gardiner, Barbican HallFriday, 26 April 2013
Backed up by reasonably adventurous orchestral programming, lucky conductors can forge a strong Stravinsky evening by picking and mixing from his five ancient Greek rituals. Sir John Eliot Gardiner, unintentionally homaging the late Sir Colin Davis... Read more... |
The Minotaur, Royal OperaFriday, 18 January 2013
Flesh-tearing, woman-raping, body-goring brute he may be, but he's misunderstood, that Minotaur. It's a bold argument to make, but this is the contention of Harrison Birtwistle and David Harsent's 2008 opera. They are aided by a surprisingly... Read more... |
The Trojan Women, Gate TheatreTuesday, 13 November 2012
Not even a cameo by Tamsin Greig can redeem this painful adaptation of Euripides' The Trojan Women. For an hour and a half it screams with anguish, verging at times on the parodic. The production is a puzzle. Caroline Bird has updated the... Read more... |
Desire Under the Elms, Lyric HammersmithFriday, 12 October 2012
Pity the A-level English student: for them the “rarely seen masterpieces” that creep onto the curriculum and into the theatres. Judging from the frequently giggling reaction of the audience last night of around 100 17- and 18-year-olds, Eugene O’... Read more... |
Les Troyens, Royal OperaTuesday, 26 June 2012
Les Troyens is one of music's mythical beasts. The greatest opera that few will have ever seen. Until recently the epic was considered so demanding that it was thought unstageable. David McVicar's new production for the Royal Opera House is only the... Read more... |
Antigone, National TheatreThursday, 31 May 2012
Although some contemporary plays — notably Posh and 13 — have accurately taken the temperature of the times, what about the timeless classics? Does Sophocles’s Antigone (dated about 441BC) have anything to say to us today? How can it be of our time... Read more... |
Idomeneo, Barbican HallSunday, 12 June 2011
Mozart's Idomeneo is subjected to a famous bit of abuse in Milos Forman's Amadeus. "A most tiresome piece," a courtier critic sniffs. "Too much spice. Too many notes." As it happens, not a wholly inaccurate statement. The work is quite an exotic... Read more... |
Electra, Gate TheatreMonday, 18 April 2011
Certain big dramas can work really well in small places. Sophocles’s revenge play Electra (end of the fifth century BC) is as consequential, and influential, as they come; the Gate Theatre one of the smallest spaces in London. It continually... Read more... |
The Return of Ulysses, ENO, Young VicFriday, 25 March 2011
Wars have no end. Soldiers may come home, battlefields may be vacated, peace treaties signed, but scars remain. The violence of combat has a way of revisiting itself on the victors and vanquished and ravaging soul and state. This was the message of... Read more... |
Nancy Spero & Marcus Coates, Serpentine GallerySunday, 13 March 2011
A maypole greets you on entry to the Serpentine Gallery; don’t expect a cheery celebration of spring, though. Nancy Spero’s installation Maypole: Take No Prisoners II (2008) is a scream of rage against violence and its hapless victims. Dangling from... Read more... |
Afghanistan: Crossroads of the Ancient World, British MuseumThursday, 10 March 2011
I’m in an exhibition of ancient artefacts from Afghanistan, all from the National Museum at Kabul, but I may well have stumbled into the wrong room at the British Museum. I could be in the BM’s Hellenic section of Greek art, or, taking a few steps... Read more... |
