America
Saskia Baron
It’s an uncomfortable feeling to find oneself completely at odds with an audience in a cinema, but it happens. The recent London Film Festival screening of The Peanut Butter Falcon came complete with the two lead actors and the co-directors and their film went down a storm with a crowd of happy viewers, many of whom had learning disabilities themselves. They were delighted to see Zack Gottsagen, an actor with Down’s Syndrome, play one of the three main characters. An independently-produced comedy-drama, it won the Audience Award at South by Southwest and has been a sleeper hit in the US. Read more ...
Nick Hasted
Time passes slowly and remorselessly in The Irishman. Though its much remarked de-ageing technology lets us glimpse Frank Sheeran (Robert De Niro) executing German POWs aged 24, none of the gangsters here ever seem young. Everyone is heavy with experience, bloated with spilt blood. The Scorsese gang’s all here for what is surely his last stand in the genre - the returning De Niro, Joe Pesci and Harvey Keitel, and a great Scorsese debut for Pacino. They’re assembled for the story of a gangster’s working life, from first killing to casket.Like Leone’s elegiac, De Niro-starring Once Upon a Time Read more ...
Liz Thomson
For visitors to New York, it’s all about Manhattan, its 23 square miles of skyscraper-encrusted granite instantly familiar, its many landmarks – enshrined in movies and music – must-sees on the itinerary of first-time tourists. The other four New York City boroughs? Well, the journey to and from the airport takes you through at least one of them, which is as far as many people get to visiting them.Manhattan is the most densely populated of course, Staten Island the least, and the most rural. Queens is the largest geographically and the most ethnically diverse borough in the entire Read more ...
Nick Hasted
Will Smith’s giant hand looms out of the screen towards you, gripping his gun’s trigger with weird realism. Director Ang Lee’s lonely devotion to filming in 120 frames per second 4K 3D, already widely loathed by audiences in less developed form in his own Billy Lynn’s Long Halftime Walk (2014) and Peter Jackson’s The Hobbit, is a huge, largely successful element in everything we see here.A script which had gathered dust for 20 years due to being technically unfilmable then sees Smith’s government hitman Henry Brogan forced out of retirement after being betrayed by his boss Clay (Clive Owen), Read more ...
Demetrios Matheou
A new film by Chris Morris ought to be an event. The agent provocateur of Brass Eye infamy has tended to rustle feathers and spark debate whatever he does. His last film, Four Lions, dared to find comedy in Islamic terrorism in 2010, when so many wounds were still so fresh. But that was almost a decade ago, and the signs are that Morris is losing his edge, while also in dire need of a new topic. The Day Shall Come again has terrorism as its subject, and moving countries and targets doesn’t overcome the sense of this being old ground. The starting point is the FBI Read more ...
Matt Wolf
“Every now and then the country goes a little wrong”: so goes one of the many lyrics from the Stephen Sondheim-John Weidman musical Assassins that makes this 1990 Off Broadway musical (subsequently chosen to open Sam Mendes’ Donmar Warehouse in 1992) a piece of theatre very much for our time. Some shows need textual tweaking when they come around again but not this one. If anything, this musical's excavation of an abiding societal fury seems more pertinent than ever today.Building in resonance every time I see it (at least if done well), Assassins has now been revived in a very smart co- Read more ...
Adam Sweeting
Sienna Miller’s career has been short on leading roles, though she excelled in the TV drama The Girl and has notched up some memorable supporting roles. However, if there’s any justice, her commanding and deeply-felt performance in American Woman should move her career up a gear.She plays Deb, a single mother in blue-collar Pennsylvania struggling to pay the bills by working as a waitress, while bringing up her teenage daughter Bridget (Sky Ferreira). Her relationship with a married man gives her nothing except lurid sexual gratification and horrifies her deeply religious mother (Amy Madigan Read more ...
Sarah Collins
“Adorable cock, nothing too dramatic, suitable for many situations,” remarks Monica on the penis of her university boyfriend. She is the candid protagonist of ‘Sentimental Education’, the second of 19 short stories that form Grand Union, an eclectic, wide-ranging collection that is both joyful and unsettling in its exploration of philosophical, existential and political themes. ‘Sentimental Education’ showcases the Smith we know and love, who creates characters both exquisitely observed and impossibly eccentric. Monica, who sees men as muses, is just one among many. She cherishes the feeling Read more ...
Stephanie Sy-Quia
The Topeka School begins with a female listener getting bored of hearing her boyfriend talk. Which did not bode well, as the perspective’s was the boyfriend, and I am a female reader. Such a self-effacing move is typically Lerneresque: he excels at agonising over the politics of the body he inhabits (a white straight American man), only to then let his agonising become bigger and baggier. Adam and Amber are sitting in a boat in a manmade lake of an evening in Topeka, Kansas. Adam has been talking declaring their hope that they will keep seeing each other after he leaves for college. “ Read more ...
Nick Hasted
Wilco’s Jeff Tweedy has been pondering how to react to oppression, and his own music’s obsolescence. What use is a rock band’s eleventh album at the best of times, he’s wondered, let alone in these worse ones under Trump?Wilco’s response is not to mirror their President in futile, raging protest. Instead, Ode to Joy is mostly gentle, built on acoustic strums of Tweedy’s toy guitar, and the relentless crunch of Glenn Kotchke’s percussion, which hammers against the protagonist’s self-deceit in “Everyone Hides”. Though static crackles at its margins, the music rises with purposeful optimism, Read more ...
Lisa-Marie Ferla
Punk rock, more so than any other genre, comes with a built-in age limit. There’s only so long you can play weeknights at basement venues for a share of the door and travel expenses; only so many years your back can withstand so many nights on strangers’ sofas. Those that don’t age out, sell out: their youthful excesses repackaged to shill hatchbacks and low-fat spread. Thank god, then, for The Menzingers: a four-piece born in the Scranton, Pennsylvania punk scene who opted to channel their 30s into roots-rock with a latent edge, capturing the free-fall into adulthood proper with a certain Read more ...
Markie Robson-Scott
Berry Gordy, who founded the Motown label in Detroit in 1959, borrowed his star-maker machinery from the car assembly line. When he worked at the Lincoln-Mercury plant he was inspired by how a bare metal frame would emerge as brand new car. “What a great idea! Maybe I could do the same thing with my music. Create a place where a kid off the street could walk in one door, an unknown, go through a process, and come out another door, a star.”That process worked. Motown became the largest black-owned business in America. This joyful 60th anniversary documentary by British directors Ben and Gabe Read more ...