America
Adam Sweeting
With the last series of Line of Duty having left portions of its viewership dismayed and disgruntled, one consolation prize has been the way the many fine qualities of HBO’s Mare of Easttown (on Sky Atlantic) have seen it promoted it into the “unmissable” bracket. It isn’t anything like LoD, of course, and indeed the way it has stepped nimbly around the conventional pigeonholes of thriller or cop-show is one of the keys to its success. The series even ended after a thoroughly unconventional seven episodes.But perhaps seven was the perfect number, not too short but not lumbering interminably Read more ...
Saskia Baron
Watching Fast Times at Ridgemont High in 2021 is like taking a trip in a time machine and stepping out into a totally different world. The 1982 teenage comedy marked the debut of director Amy Heckerling (who would go on to make Clueless) and writer Cameron Crowe (who later wrote and directed Jerry Maguire and Almost Famous). Rolling Stone journalist Crowe was 22 and went undercover, impersonating a student at a notoriously wild high school in California to write about kids taking drugs, partying, and having sex. It’s hard to imagine journalism’s codes of practice allowing Read more ...
aleks.sierz
There’s something definitely inspiring about producer Sonia Friedman’s decision to reopen one of her prime West End venues with a season, called RE:EMERGE, of three new plays. The first drama is American playwright Amy Berryman’s ambitious debut, Walden, and this will be followed later in June by Yasmin Joseph’s J’Ouvert and then in July by Joseph Charlton’s Anna X. With top directors and excellent casts, this is a vote of confidence in the power of new work from one of our best producers. Berryman’s Walden, for example, is directed by Ian Rickson — who curates the season — and stars the ever Read more ...
Lisa-Marie Ferla
Pop music, like Hollywood, is a dream factory: a place where you can be anything you like, as long as that’s not a middle-aged woman. I’ll hit the last year of my 30s next week, with the number one spot in the country held by a woman who has her driving licence but isn’t old enough to drink. Cannot relate. In either respect. Thank god, then, for the return of Liz Phair.Coming more than a decade since her last album, Soberish is a record with plenty to say. The woman who wrote “Divorce Song” when she was 23 has, in her 50s, written what may be the greatest ever song about divorce: “Spanish Read more ...
Saskia Baron
Thirty years since its original release, Jungle Fever appears on Blu-ray for the first time, courtesy of the British Film Institute. Some aspects of the movie have aged well – it’s electrifying to revisit Samuel L Jackson’s breakthrough performance as a crack addict plumbing new depths to feed his habit. But other aspects haven’t fared so well, primarily the script’s sexual politics and the casting of Wesley Snipes as the (anti) romantic male lead.Racial politics are the overt subject of Jungle Fever, a cautionary tale of a black man and a white woman having an affair. Read more ...
Sarah Kent
The focal point of Matthew Barney’s Hayward exhibition is Redoubt, a two-and-a-quarter-hour film projected on a giant screen that invites you to immerse yourself in the rugged terrain of the Sawtooth Mountains in Idaho, where he grew up. The entrance ticket allows you to watch the film at home, yet while I was there almost everyone stayed the course, which is remarkable given that there’s no dialogue.It’s winter so everything is deep in snow which makes it difficult for people, dogs and horses to get around. Only the most intrepid are out; there’s a hunter played by Anette Wachter, who is a Read more ...
Markie Robson-Scott
Fern (a luminous Frances McDormand) used to work in HR. Now, aged 62, she’s harvesting sugarbeets, hauling rocks, cleaning toilets in a trailer park and doing shifts in an Amazon warehouse. And she’s living out of her camper van, a shabby, lovingly restored RV she calls Vanguard. “I’m not homeless, I’m houseless,” she says, driving through vast Western landscapes under spectacular skies.Chloé Zhao’s hypnotically beautiful, multi-award-winning third feature builds on the same docu-fiction MO as her extraordinary The Rider (2017) and Songs My Brother Taught Me (2015) where she used non- Read more ...
Adam Sweeting
Zack Snyder’s CV includes such fantastic fare as Watchmen, 300, Man of Steel and his career-launching zombie-fest Dawn of the Dead, so who better to helm a zombies-in-Vegas heist movie? Army of the Dead has suffered an interminable gestation, spending years in limbo with Warner Bros before being picked up by Netflix, but it’s a riotous ride and was well worth waiting for. Even at two and half hours long.It all kicks off when a US Army convoy ferrying a high-security cargo from the notorious Area 51 is involved in a road accident in Nevada. The cargo, a ferocious zombie, escapes, and infects a Read more ...
Adam Sweeting
Many a director might have considered that televising Colson Whitehead’s novel The Underground Railroad was impossible, but Barry Jenkins, Oscar-winning director of Moonlight, has proved it can be done. His 10-part series for Amazon Prime is a remarkable achievement in its authorial depth and cinematic scope. The only cloud on its undoubtedly award-winning horizon is the fact that large chunks of it are almost too horrific to watch. The cast found some of the material so disturbing that Jenkins had a mental health counsellor on set.Traumatised responses were probably inevitable, given that Read more ...
Veronica Lee
In the UK, we usually get a peek inside The Villages in Florida every four years, when intrepid reporters take to their golf carts in the retirement community to test the water in presidential elections among its 132,000 residents. Their views provide a useful guide as to where the silver-haired vote stands.And on first sight, this “Disneyland for retirees” may seem like Nirvana, especially as one of the first people featured in Lance Oppenheim's quietly poetic and touching film says: “You come here to live, not to die” and another posits: “It's like going to college. Everybody can be who Read more ...
Nick Hasted
Anxiety, injustice and desperate disorder are the themes of these six disparate noirs. In one, The Dark Past, Lee J. Cobb’s psychiatrist draws a crude diagram of the brain with a line dividing the conscious and unconscious, and these films visit the choppy depths under the surface calm of suburban Cold War America, its terrors in the night.Venturing beyond the obvious classics, Columbia Noir #3 shows the range and intensity of Hollywood’s response to the post-war malaise. Often blighted by the House Un-American Activities Committee’s anti-communist witch-hunts, and increasingly shot in real Read more ...
Lisa-Marie Ferla
From her indie roots to the Grammy-winning angular art-rock of her self-titled 2014 album and the new wave glam of MASSEDUCTION, St Vincent has refused to allow her work to be pigeonholed. Her latest pivot draws from the grit and glamour of early 1970s New York: pay phones and back-street movie theatres, smoking in bars, cheap vinyl records, never writing your screenplay, last night’s high heels in a dirty subway car.It works. It always works because, however radical the so-called reinvention, hers is a collection of interests and inspirations you can imagine in the same space: just behind Read more ...