America
igor.toronyilalic
Osmo Vänskä, whose 'opening pianissimo in the Ninth flirted with that extremity, walked the tightrope of audibility, and fizzed with a desire to become audible'.
A great deal of scepticism greeted the release of a new Beethoven symphony cycle from Osmo Vänskä and the Minnesota Orchestra in the mid-2000s. Would this lot really be able say anything that hadn't already been said by the hundred or so other cycles? Could anyone really find anything very new or fresh to say about these warhorses? The answer then was yes. And the answer last night in their Prom's performance of Beethoven's Ninth was also a resounding yes. Hardly surprising if you'd heard Vänskä's Bruckner the night before or his Sibelius cycle earlier this year. In Vänskä-land even stale Read more ...
igor.toronyilalic
Osmo Vänskä 'got his classy Minnesota Orchestra to lend their flexible legs to almost every vault required of them'
One usually has to wait until the fourth movement of a Bruckner symphony before one gets a decent, foot-tappin', knee-slappin' polka to dance to. But at last night's Prom Osmo Vänskä was jitterbugging - and, I think, even moonwalking - from the off, swinging his classy Minnesota Orchestra into the Fourth Symphony's opening fortissimo brass triplets like they were a seasoned jazz band, and making Bruckner boogie. Not the easiest of things to get this granitic old Austrian bumpkin to do. Vänskä managed it by looking beyond the score. The slur that links the first two notes of that ever-present Read more ...
Jasper Rees
NB Since it was co-opted by the New Labour project to make them sound like humans, I’ve gone off the word “kids”, but let’s make an exception for a film called Diary of a Wimpy Kid. The film is based on Jeff Kinney’s book series, first published in the US in 2007, which I suspect has not been as big over here as in the States (illustrated below).Greg Heffley is an adroit draughtsman, and fills his journal with doodled caricatures of the figures he comes across in his first year at middle school. There’s his porky pal Rowley, the unspeakable geek/ freak Fregley and a cool girl who loiters in Read more ...
alexandra.coghlan
Stephen Montague's musical joke falls more than a little flat
Every year there are a couple of Proms that have a haphazard look about them, as if a fire had suddenly broken out in the BBC archives, and the programming committee grabbed whatever came to hand – a piano quartet, a couple of choral odes and a concerto for mandolin – and made for freedom. Though there had evidently once been a clear architecture to Sunday’s concert by the BBC Symphony Chorus and friends, in practice things were somewhat confused; endless personnel shiftings and a stuffed-to-bursting programme blunted the impact of music which demanded altogether simpler treatment.Bookending Read more ...
Adam Sweeting
Ted (Jay Harrington) and Veronica (Portia De Rossi) locked in a power-meeting at Veridian Dynamics
And first the bad news. The ABC network in the States has already declared Better Off Ted dead, after a paltry two seasons. Which is a pity, since acerbic, mildly surreal satires about the workings of corporate America don’t come along very often.One of Better Off Ted’s trademarks is its opening sequence, which takes the form of a commercial (new every episode) for Veridian Dynamics, the gargantuan conglomerate where the title character, Ted Crisp (Jay Harrington), heads the Research and Development department. Veridian’s ads are triumphs of PR gloss and technological triumphalism, with just Read more ...
Jasper Rees
Where can or will television’s thirst for tabloid anthropology fetch up? In previous tribal exchanges, wives have been swapped, geeks have gone to babe school, thugs to boot camp, WAGs to townships, Papua New Guineans to the big smoke. Posh girls have lately been parachuted into Peckham. Is there no social grouping so polarised that some bright spark at BBC Three or Channel 4 won’t want to thrust them into an alien environment for our voyeuristic pleasure? Porn stars to hang with the Taliban? It could yet happen. Lib Dems to lie down with Tories? Oh, they already did that.In the mean time, Read more ...
Jasper Rees
Julianne Moore (b. 1960) is a true rarity. It’s not just that her hair flames like no other star since Katharine Hepburn. Or that alone of her generation she seems impervious to middle age’s indignities. There’s something else. Having worked with dinosaurs in The Lost World and a cannibal in Hannibal, she is mainstream enough to be considered a genuine leading lady. But much of her most eye-catching work, often written for her by indie directors like Todd Haynes and Paul Thomas Anderson, is fiercely extreme in spirit. Pornography, incest, erotica of various hues – hers would be bargepole Read more ...
fisun.guner
There’s a little-known side to the 19th-century American artist John Singer Sargent, and it is as far removed from the razzle-dazzle of his glittering career as a high-society portraitist as you can imagine. The artist who was famously described by Rodin as “the Van Dyck of our times” started his career emulating that great master of the seas, J M W Turner. He diligently honed his craft by painting dramatic seascapes, gentle coastlines and noble fishing folk. And if the 20-year-old Sargent couldn’t quite manage the roiling waves and lowering skies with quite the same level of brilliance as Read more ...
David Nice
Marin Alsop and the electric guitars, tip of the 500-strong iceberg in Bernstein's 'Mass'
It's been quite a week for youth and the vernacular in the world of so-called “classical” music. Multiply by four the seven fledgling stage animals currently firing up John Adams’s “earthquake-romance” in London's East End, add an orchestra of 13-to-24-year-olds from four continents, student dancers, amateur choirs young and old and just a handful of professionals, and that's only the starting-point for this hair-raising, goosebump-inducing, 500-strong performance of what many of us believe to be Bernstein's most cohesive masterpiece.The real starting point, in fact, was nine months ago, this Read more ...
fisun.guner
What a troubled life Alice Neel led. The death of her first child, a daughter, who died of diphtheria in 1928  just before her first birthday; another daughter lost to her estranged husband’s family in Cuba two years later (as an adult and a mother herself, the daughter, Isabetta, committed suicide); life as a single mother raising two later sons on welfare in the slum district of New York's Spanish Harlem; and a neglected but always diligent artist for much of the rest of it, only achieving fame and acclaim towards the end.And yet we find her, in variously dated archive footage featured Read more ...
howard.male
Joe, Sam and Bruce may be three callow teenagers from southern Utah but they’re still smart enough to realise that the only world they have ever known is wrong, deeply wrong. So wrong, in fact, that they make the hardest decision of their lives by leaving their family, friends and community behind forever, as this is the only way to escape the madness. Directors Tyler Measom and Jennilyn Merton deserve credit for being such invisible presences in a film which simply bears witness to the lives of the boys once they have escaped the sinister-sounding “crick”, a Fundamentalist Latter-Day Saints Read more ...
david.cheal
“It’s been one of the greatest experiences of our lives,” said Kings of Leon's lead singer Caleb Followill towards the end of this big outdoor gig on a warm summer’s night in London. “Thank you very much.” I’m glad he had a good time, and his diffident Southern charm was appreciated by the vast crowd, but I wish I could say the same; for me, this was certainly an experience, but not a great one. Here’s why.First, there’s the mysterious process by which Kings of Leon have become a globe-conquering, arena-packing, Hyde Park-filling band, which they seem to have achieved by becoming duller, Read more ...