America
Tom Birchenough
In The Overnighters documentarist Jesse Moss found his story and pursued it with remarkable empathy, all in the best traditions of the genre. He persuaded both sides in this tale of (quiet) confrontation to trust him, and they opened up completely. Then closing minute revelations that come as a total shock take his film to a different level, turning what would have been a strong film in itself into something that will stay in the memory for a very long time.It made us ponder that frequent question with the form: what persuades the subjects of a film to continue cooperation, when the subject Read more ...
Jasper Rees
If you make a film about logging, you better be sure the audience can see the wood for the trees. When Jennifer Lawrence and Bradley Cooper lead a cast, usually they can do no wrong. Alas, where Silver Linings Playbook and American Hustle offered wit, surprise and characters to root for, such qualities are in meagre supply in Serena. Timber!Cooper plays Pemberton, a logging entrepreneur in the Smoky Mountains of North Carolina, and, as played by the Czech Republic, they do indeed smoke and shimmer in many a lingering panoramic shot. It’s the start of the Depression, so Cooper is Read more ...
edward.seckerson
You come away from The Scottsboro Boys sure of two things: that the next cakewalk you hear will induce queasiness and that the show's director/choreographer Susan Stroman is some kind of genius. This kick-ass West End premiere, now happily transferred from the Young Vic, has a simplicity, a precision, a visceral energy, a choreographic razzle-dazzle that make an art of catching you off-guard. The story of the Scottsboro nine shamefully symbolises the sickness that once resided (and maybe still does) deep in the heart of American society. The nine innocent black youths were exonerated only Read more ...
Marianka Swain
Bigger is better in the Tricycle’s latest piece of reclaimed black history. African-American writer Marcus Gardley’s stimulating play, which transports Lorca’s The House of Bernarda Alba to 1836 New Orleans and a significant shift in the evolving racial hierarchy, begins slowly and timidly, reliant on exposition and sitcom laughs. Yet once he and Indhu Rubasingham embrace its operatic qualities, this memorably evocative work takes flight.Beartrice (Martina Laird), a free woman of colour, is set to inherit the fortune of her recently deceased lover Lazare (Paul Shelley) under the former French Read more ...
Matt Wolf
A template of the American theatre gets dusted off to quietly devastating effect in Our Town, the 1938 Thornton Wilder play that has never been especially beloved in Britain even as it gets performed in every high school across the States. With luck, local regard for the work will move up a notch courtesy the UK directorial debut of American actor-director David Cromer, repeating an assignment that brought him extensive plaudits (and a long run) Off Broadway in 2009. Cromer's trump card lies in rendering bruisingly matter-of-fact a piece often dismissed as homespun and folksy. And his British Read more ...
Karen Krizanovich
The Judge is the Chaka Khan of movies: it’s every movie, it’s all in here. Directed by comedy specialist David Dobkin, there were high hopes for this first outing from Team Downey, Robert Jr & Susan Downey's production company. To ensure excitement, Nick Schenk and Bill Dubuque’s script has enough plot for five films: The Judge is a crime drama, court thriller, family melodrama, bromance, romance and comedy. Skewed to an older audience, The Judge looks like a family drama with lawyers in it - the kind of tight ensemble piece made by Hollywood of yore. Think To Kill A Mockingbird (an Read more ...
Sarah Kent
“I was a nigger for twenty-three years. I gave that shit up. No room for advancement.” This astute joke, by American comedian Richard Pryor, is stencilled in black capitals on the gold ground of a painting by Glenn Ligon.I’ve long admired the work of this black American minimalist. In the late 1980s he invaded the territory of pure abstraction – a bastion of white, middle-class males – and introduced content, usually in the form of texts taken from black authors or activists. So what appear to be all-black paintings after Ad Reinhardt turn out to be canvases densely layered with capital Read more ...
Adam Sweeting
Michael Keaton, Val Kilmer, George Clooney, Christian Bale and (coming soon) Ben Affleck have all had a go at playing the fully-formed Caped Crusader, though for some Adam West's ludicrously campy Sixties incarnation remains the score to beat. But apparently that's still not enough. Hitched firmly to the ongoing craze for exploiting any nook and cranny of superhero folklore, Gotham whizzes us back to the story's embryonic days, when 12-year-old Bruce Wayne has lost his parents in a seemingly random double murder and has yet to emerge in his full Dark Knight regalia.The challenge here was to Read more ...
Adam Sweeting
Jackson Browne's output has slowed since the mid-Nineties, and this arrives six years after Time the Conqueror. The latter was much preoccupied with the Bush administration and the Iraq war, and Standing in the Breach – with a sleeve depicting a war-ravaged African village – is still stamped with Browne's social and political concerns. "Take the money out of politics and maybe we might see /This country turn back into something more like democracy," he rages in "Which Side", an extended tirade about greed and political corruption he first played at the Occupy Wall Street protests in 2012. As Read more ...
Caroline Crampton
As a political act, the first performance of Angelina Weld Grimké’s Rachel in 1916 is exceptionally important. It was staged in Washington DC by the drama committee of the National Association for the Advancement of Colored People, and was the first play by an African-American woman ever to be professionally produced (as well as one of the first to feature an all-black cast).As drama, though, it does not quite measure up. The themes it features - segregation, racism, insidious intolerance - are undoubtedly powerful and too-little discussed on the stage. Yet the play’s dialogue Read more ...
Heather Neill
Sixteen-year-old Bernadette is determined to write short stories. She's a promising writer, describing her own feelings, the strangers and friends who cross her path in telling detail. Occasionally, the similes are a little forced: an old man has a face like wet Kleenex; the disappearance of her boyfriend's mother "looms over everything like a dinner plate glued to the wall". She admits she gets into trouble for including too many similes, but her descriptions could never be accused of lacking colour. Most of all, like any teenager, she needs an audience.Bernadette's life is going Read more ...
Karen Krizanovich
Draft Day should have been a contenda. As it stands, it's a football film for people who like football but who hate film. Sure, you may like “movies”, but you sure as hell don’t like film. It’s also the kind of film a rookie film reviewer will gleefully shred.In his fourth go at the sports genre, Kevin Costner looks better in the actual film than in the horribly photoshopped movie poster. This is fortunate as he plays Sonny Weaver, the manager of – gee, what team was it again? If you don’t follow football it doesn’t matter. If you do, it’s the Cleveland Browns – anyway, it’s the team we’re Read more ...