ambient
Thomas H. Green
They stand in a row, nine of them, in a long, strange corridor between rows of stacked, palleted, planked wood and the red brick wall of an endless warehouse. Nine tripods, each two humans high, with a spinning helicopter head, double-ended by conical horns that emanate a gentle angelic howling or lower end drone-hums. Eyes closed – and being music-geeky about it – this carefully calibrated tonal concerto assails the ears somewhere between US mystic Laraaji’s processed gong experiments and the final ethereal works of Spacemen 3.But this is about the experience. Artist Ray Lee Read more ...
joe.muggs
One has to wonder if Hannah Peel ever had a phase, like so many kids, of listening to music under the bedcovers. She certainly has a facility for making things that come to live in the dark, both in her own music and on her late night Radio 3 broadcasts. This was maybe most obviously the case on her 2017 Mary Casio: Journey to Cassiopeia album – a record that was themed as a journey of the imagination, a trip into the head of an elderly stargazer dreaming of interstellar travel. But it applies every bit as much on this record too.Fir Wave is Peel’s eighth? – ninth? tenth? – album: to be Read more ...
joe.muggs
Theartsdesk is a labour of love. Bloody-mindedly run as a co-operative of journalists from the beginning, our obsession with maintaining a daily-updated platform for good culture writing has caused a good few grey and lost hairs over the years. But it has also been rewarding – and looking back over the 10 years of Disc of the Day reviews has been a good chance to remind ourselves of that. One thing in particular that drew me into the collective when it was founded, and has kept me going throughout, was the understanding that artistic forms would be treated with equal respect and Read more ...
Thomas H. Green
Ten years ago yesterday, on Monday 14th February 2011, one of theartsdesk’s writers, Joe Muggs, reviewed an album called Paranormale Aktivitat, by an outfit called Zwischenwelt. It was the first ever Disc of the Day, a new slot inserted into theartsdesk’s front page design, where it still resides today. By the end of the year, we’d introduced the now-obligatory stars-out-of-five system, keeping in the swim with other reviewing media. Since then, Disc of the Day has covered approximately 2600 albums and, before COVID, when the tube trains were running, it gave me great pleasure to see those Read more ...
joe.muggs
Charles Webster is one of those connecting figures who make the idea of “the underground” seem quite convincing. Originally from the Peak District but coming of musical age in Nottingham, he was inspired by Chicago house and Detroit techno music from their very genesis in the mid 1980s, and went on to make some of the finest British house music ever. Along with Notts locals like the legendary DiY Soundsystem (prime movers of the week long Castlemorton Free Festival) and Martin “AtJazz” Iveson, he pioneered an ultra sophisticated and soulful sound that forged connections with odd Read more ...
mark.kidel
Music increasingly escapes categories: labels are of course useful, but they also fail to evoke the richness of practices which are led by musical experiment and imagination rather than obedience to one of the genres or sub-genres that have proliferated as musicians no longer define themselves as strictly as they used to.The Portuguese composer and pianist Rodrigo Leão could be described as "contemporary classical", but this hardly does justice to the singular path he treads, a genre of its own, instantly recognisable and strongly reminiscent of his work as leader of the group Madredeus. The Read more ...
Barney Harsent
Shoegaze stable Sonic Cathedral has, in truth, always been a much broader church than its name implies. From the psychedelic, sunshine pop of Gulp, to the blistering art noise of Spectres, it has consistently released music that shares a similar heritage, without putting all its pedals on the same board.Bedroom, the debut album from Leeds/Hull-based five-piece bdrmm, however, plays exquisitely to type. It channels the shoegaze sound with such purpose and resolve it’s hard to believe most of band weren’t born when My Bloody Valentine’s Loveless nearly crippled Creation.Brimming with taught Read more ...
Thomas H. Green
A decade ago, Polly Scattergood was Mute Records’ newest, most-likely-to signing and, while she never crossed over like similar unconventional female artists of the period (Bat For Lashes, St Vincent, Anna Calvi, etc), she has a developed a cult following. Where her previous two solo albums combined vaguely Björk-ish gossamer vocals with a delicately smudged take on electro-pop, In This Moment, no longer on Mute, untethers itself into artier territory. Enjoyment depends on how far the listener is willing to follow her.One notable difference from what came before is a tendency towards spoken Read more ...
Thomas H. Green
After C19 delays theartsdesk on Vinyl is back. My initial policy, reckoning that new vinyl would dry up under COVID conditions, was to do regular lockdown mini-editions with the material already set aside here, until it ran out. That didn’t work out. The vinyl, to my surprise, kept on coming. Global crisis be damned! A backlog grew! Thus, theartsdesk on Vinyl 57 is a catch-up on the past couple of months. Due to these factors, a few more records I’d like to have covered were missed and a couple I should have covered this time are held back until June. Also, morose and sombre sounds didn’t Read more ...
joe.muggs
A singer-songwriter of somewhat mystical bent, originally from a forested island in the US Pacific Northwest, Kaitlyn Aurelia Smith really came into her own when she discovered vintage synthesizers. In particular, her masterpiece, 2016's EARS, saw her vocals merging into the rich flows of bubbling tones, melodies channelling folk traditions from various corners of the world, creating an unmistakably utopian sound. It felt neither futurist nor retro – rather, of a part with Craig Leon's Interplanetary Folk Music or Ursula K. Le Guin & Todd Barton Music and Poetry of the Read more ...
Thomas H. Green
Midway through another week of lockdown, here's a cross section of small good things to keep the eyes and ears entertained. There's some lively stuff here for the old grey matter to chew on. Take a look. Dive in!Neil Young Fireside SessionsNeil Young’s website, neilyoungarchives.com, is densely populated, counter-intuitively designed and fiddly, but, for fans and others willing to persist, the great American singers-songwriter and proto-grunge rocker offers up a plethora of material in his two online “Hearse Theater” screening spaces (set up to look like cinemas). Screen 2 offers a Read more ...
joe.muggs
Drew Daniel is never short of concepts, invention or mischief. As one half of Matmos, with his life partner M.C. Schmidt, he has made some 10 official albums and many more collaborative ones – all pushing the boundaries of electronic bricolage and sound processing in the pursuit of extremely complex ideas about American history, plastic surgery, philosophy, queer identity and all that kind of stuff. Occasionally, as Soft Pink Truth, he has made more overtly dance records, but even these are heavily loaded with twisted intellect, including as they do an album of anarcho-punk covers and one of Read more ...