adultery
Veronica Lee
David Duchovny in 'Californication': full of sex, nudity and recreational drug-taking
This award-winning series, created by Tom Kapinos in 2007, is groundbreaking television even by Showtime’s daring standards. Californication is a dark - very dark - comedy drama about Hank Moody (David Duchovny), a bad-boy writer who has lost his literary mojo, but absolutely not his mojo mojo, as it were; it has nudity a-gogo, frequent sex scenes, recreational drug-taking and frank discussion of sexual matters. Some have accused it of being a male fantasy writ large - and Duchovny’s admission that he had been treated for that most modern of conditions, sex addiction, appeared to give Read more ...
alexandra.coghlan
Usually a seasonal home for the pastel-coloured delights of drawing-room farce, musical comedy and the odd Shakespeare pastoral, Regent’s Park Open Air Theatre is this year offering a programme of rather darker hue. With Macbeth to follow later in the season (not to mention Stephen Sondheim’s deliciously off-white fairytale musical Into the Woods) it was with a new production of Arthur Miller’s The Crucible that things kicked off last night. The post-interval nightfall – so perfectly timed for the Act Two tribulations of a comedy – became the stifling moral blackness of a benighted Salem Read more ...
aleks.sierz
Helen McCrory and Laurence Belcher: upper-middle-class characters and their difficulties with communication
The late Simon Gray, who died in 2008, lived a ragged, bruised and battering life. I usually think of him as the John Prescott of playwrights, except that he was miles more articulate, and eventually rewarded by a CBE rather than a peerage. Anyway, he was pugnacious and out of step with playwriting trends. In an age of lefty state-of-the-nation dramas, Gray explored the emotions of upper-middle-class characters and their difficulties with communication. Although he could be irascible, and his published diaries are scorchingly rude, the default position of his plays is an ironic melancholy, as Read more ...
aleks.sierz
Religion, and a sense of the revival of belief, is such an important part of everyday life in the wider population that it is one of the stranger facts about contemporary theatre that so few plays tackle this subject. In fact, the last new British play to do this at the National was David Hare’s Racing Demon in 1990. Now, 20 years later, the same Cottesloe theatre space bears witness to a new play, which opened last night, about the same subject.Canadian-born playwright Drew Pautz’s Love the Sinner begins at an international meeting of church leaders in a hotel somewhere in Africa. As these Read more ...
sheila.johnston
Somehow the title sounds more sonorous in Italian. Io Sono l'Amore is a big, fat, full-blown melodrama, a film with the button marked "passione" forced up to 11. It looks exquisite, is a glittering showcase for Tilda Swinton as the restless Russian trophy wife of a wealthy Milanese industrialist and is elegant in spades: the cuisine, the couture, the shoes, the decor, the diamonds, the lipstick, they're all to die for. So what if it's also just a bit kitschy around the edges?The film, by the hitherto little-known Sicilian director/co-writer Luca Guadagnino, opens in style with a series of Read more ...
igor.toronyilalic
It finally came just over three hours in. Ferruccio Furlanetto’s gouty Philip II leans his elbow on his chair and begins to grind his head into his right-hand like he's a human pestle and mortar. He first castigates himself for ever having thought that his wife, Elizabeth of Valois - who he suspects of sleeping with his son, Don Carlos - might have fancied his unyielding, aged presence, and then tries to sing his way out of his tortured predicament. With this searchingly eloquent confessional - Furlanetto's rich bass voice resounding like an open fire - came the first - and pretty much the Read more ...