adaptation
Rachel Halliburton
Even by Stanley Kubrick’s standards, Dr Strangelove went through an extraordinary evolutionary process. After starting it off as a serious film about nuclear war based on the 1958 novel Two Hours to Doom, he decided to turn it into a comedy with the help of porn-obsessed satirist Terry Southern.The distinctive result – as remarkable for its futuristic War Room design as its weapons-grade humour – brazenly evoked the madness of a world on the brink. It’s not hard to see why – when human self-destructivity is breaking records on the Doomsday Clock – Sean Foley and Armando Iannucci thought this Read more ...
Nick Hasted
RaMell Ross’s feature debut follows his poetic documentary Hale County This Morning, This Evening (2018) in again observing black Southern teenage boys, this time in Sixties juvenile prison the Nickel Academy, where beatings and unmarked graves await the unluckiest. It faithfully adapts Colson Whitehead’s Pulitzer-winning novel The Nickel Boys, whose writing’s loving warmth made its horrors bearable, his hope for his characters outlasting their fates.Ellwood (Ethan Cole Sharp) is a serious-minded schoolboy in Tallahassee, Florida, driven by Martin Luther King’s Civil Rights protests and an Read more ...
Gary Naylor
The misadventures and misbehaviours of the English upper-middle class is catnip for TV executives. All those posh types on which us hoi polloi can sit in delicious self-righteous judgement, as we marvel at their cut glass accents, well-tailored clothes and ostentatious wealth. Meanwhile their worlds are always collapsing due to villainy, venality or misconceived virtue. Lovely stuff! While such tales are seldom far from a screen, they are often far from a stage, the challenge of scaling down just too intimidating for most adaptors. Not so Shaun McKenna and Lion Couglan who took on the Read more ...
Adam Sweeting
Delirium has greeted Disney’s eight-part adaptation of Jilly Cooper’s 1988 novel Rivals (part of her Rutshire Chronicles series).Perhaps it’s nostalgia for the previously-unloved Eighties, or maybe it’s because its non-stop conveyor belt of adultery, skulduggery and political incorrectness feels like some kind of liberation from the joyless paranoia of the 2020s. It also has lots of Eighties pop hits to keep it rattling along, from Tears for Fears and Blondie to ZZ Top and Depeche Mode.The rivals of the title are Rupert Campbell-Black, a former Olympic showjumper and now Minister for Sport in Read more ...
Nick Hasted
A boy’s dead friend scratching at his first-floor window, Nosferatu-like vampire Barlow rearing up with heart attack shock…The Texas Chain Saw Massacre director Tobe Hooper’s 1979 TV take on Stephen King’s Salem’s Lot scared a teen generation out of their skins.This new film exists first as a failed franchise equation, adding Conjuring Universe producer James Wan to IT screenwriter Gary Dauberman as writer-director (he also wrote The Conjuring’s Annabelle series), but suffering heavy cuts prior to this much delayed release.King’s Salem’s Lot was a textured depiction of a Yankee small- Read more ...
Demetrios Matheou
Contemporary reworkings of Greek tragedy run a very particular risk, that out of context the heightened actions of the original plays – the woefully poor judgement, the copious bloodletting, the rush to disproportionate vengeance and suicide – can seem like hapless histrionics and just a bit daft. Not so The Other Place. "Inspired" by Sophocles’ Antigone, Alexander Zeldin’s triumphant new play, which he directs, transmutes the seething passions and misdemeanours of myth into a contemporary English family home, with discomforting ease. It is strange, twisted yet terribly Read more ...
French Toast, Riverside Studios review - Racine-inspired satire finds its laughs once up-and-running
Gary Naylor
It’s always fun jabbing at the permanently open wound that is Anglo-French relations, now with added snap post-Brexit, its fading, but still frothing, humourless defenders clogging up Twitter and radio phone-ins even today. So it’s probably timely for Gallic-Gang Productions to resurrect Jean (La Cage aux Folles) Poiret’s farce Fefe de Broadway, adapted as French Toast.It’s 1977 and English theatre director, Simon Monk (Ché Walker wearing Jeremy Clarkson’s hair and bearing the public schoolboy’s sense of entitlement), is down on his luck, needing a hit. He lands on a musical version Read more ...
Adam Sweeting
Set in Yorkshire in the 1890s, and based on the novels by CL Skelton, The Hardacres is the story of the titular family who, it seems, were pioneers of takeaway fish, although not accompanied by chips. It’s their stall selling fried herring fresh from the ocean which makes the Hardacres an unexpected fortune.Hitherto, the family have been working as dockers and fish-gutters and struggling to make ends meet, and events take a turn for the worse when patriarch Sam (Liam McMahon) damages his hand in an accident. When his wife Mary (Claire Cooper) appeals to their employer, the charmless Mr Shaw ( Read more ...
Jenny Gilbert
In many ways Lewis Carroll’s 1865 compendium of literary nonsense is ideal material for ballet. We all like a story we can hum, even if we’re hazy on the details. And this story, with its topsy-turvy logic and anthropomorphic creatures, is stuffed with quirky detail, much of it surely never intended to go anywhere but over the heads of its original child readers.Yes, it may have been written for and about a 10-year-old, but Alice Liddell was clearly a precocious little girl. If eye-boggling phantasmagoria on a scale approaching that of the Olympics opening ceremony is what you want from your Read more ...
Adam Sweeting
News reaches us that Gary Oldman has mysteriously been vetoed from playing George Smiley in a new film version of Smiley’s People, despite his Oscar-nominated performance as John le Carre’s wiley spymaster in 2011’s Tinker Tailor Soldier Spy. Oldman’s people have described this decision as “the damnedest thing”.But never mind that now, because Oldman is back to play Jackson Lamb in the latest instalment of Slow Horses. Indeed, perhaps it’s this performance which has soured the le Carre estate’s view of him, since Lamb is a bit like Smiley’s portrait in the attic, growing increasingly Read more ...
Gary Naylor
On opening night, there’s always a little tension in the air. Tech rehearsals and previews can only go so far – this is the moment when an audience, some wielding pens like scalpels, sit in judgement. Having attended thousands on the critics’ side of the fourth wall, I can tell you that there’s plenty of crackling expectation and a touch of fear in the stalls, too. None more so than when the show is billed as a new musical.By the interval (much before that if it’s a hit), you’re locating the production on a multi-dimensional spectrum, assessing its component parts (acting, plot, design), its Read more ...
Matt Wolf
The title sounds as if we ought to be in for an evening of Virginia Woolf, and, indeed, one of the astonishing women on view (Deborah Findlay) was in fact a co-star of the recent West End version of Orlando. In fact, this late-summer offering is a scorching reminder of the power of European theatre at a venue, the Almeida, that has of late focused its attentions (often very well) on the American repertoire, from Tennessee Williams to Branden Jacobs-Jenkins, amongst others.I also can't remember a show that has foregrounded women so formidably. The French writer Annie Ernaux's 2008 "hybrid Read more ...