sun 03/08/2025

adaptation

Pure, Channel 4 review - sex, OCD and the single girl

“No one wants a pervert for a daughter,” thinks Marnie (delightful TV newcomer Charly Clive), a 24-year-old from the Scottish Borders, who has intrusive thoughts. Don’t we all? But relentless graphic images about “fucked-up sex” have been messing...

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Kes, Leeds Playhouse review - seminal Yorkshire story soars

Robert Alan Evans’ adaptation of Kes is a dark, expressionist reworking of Barry Hines’ novella. It pays lip service to Ken Loach’s iconic film version, and most of the memorable bits are present and correct here: the wince-inducing rant from head...

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When We Have Sufficiently Tortured Each Other, Dorfman Theatre review - Cate Blanchett's underwhelming debut at the National

When it was announced that Cate Blanchett was making her National Theatre debut with Martin's Crimp's new play, When We have Sufficiently Tortured Each Other, its website exploded with people wishing to buy tickets. To those many thousands...

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Welcome to Marwen review - Carell and Zemeckis fail to hit stride

In the proverbial melting pot, this film has all the right ingredients. Steve Carell, playing aspiring artist Mark Hogancamp and occupying a similar space and place as Tom Hanks did in Forrest Gump, even shares that film’s director...

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An Impossible Love review - toxic romance across the years

This is a love that begins sweetly, turns terrible, and is told with unflinching directness. Directed by Catherine Corsini, An Impossible Love is based on a novel by Christine Angot (known in France, and increasingly elsewhere, for her powerful...

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The ABC Murders, BBC One, review - John Malkovich's dark reboot of Poirot

Sarah Phelps’s annual reboot of a canonical murder mystery by Agatha Christie has rapidly established itself as a Christmas staple of TV drama. And Then There Were None, The Witness for the Prosecution and Ordeal by Innocence (which was postponed to...

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The Long Song, BBC One, series finale review - a stirring adaptation

There was a ruthless logic to the scheduling of The Long Song (BBC One). Broadcast over three consecutive nights, this fleet-footed adaptation of Andrea Levy’s novel set during the era of abolition in 19th-century Jamaica swiftly gathered momentum...

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The Box of Delights, Wilton's Music Hall review - captivating adaptation of John Masefield's darkly thrilling novel

If you’re looking for a Christmas with more pagan edge than saccharine cheer, where the wolves are howling and the mythological characters are steeped in the terror and mystery of winter’s long dark nights, then make haste to Wilton’s Music Hall....

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The Curious Incident of the Dog in the Night-Time, Piccadilly Theatre review - back for a heart-tugging encore

One emotional high point in The Curious Incident of the Dog in the Night-Time, the much-lauded Simon Stephens adaptation that is back in our midst once more, comes when the teenage Christopher Boone is floated in the air as part of his dream of...

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Spider-Man: Into the Spider-Verse review - a new hope for the superhero genre

After Sam Raimi’s original mixed-bag trilogy, Andrew Garfield’s all too familiar outing as the webslinger, and last year’s Spider-Man: Homecoming, it would be fair to say we’ve had enough Spider-Man films. Despite the potential fatigue from yet-...

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The Little Drummer Girl, BBC One, series finale review - Le Carré drama comes to the boil at last

Was The Little Drummer Girl commissioned by algorithm? Those who liked The Night Manager might reasonably have been supposed to enjoy another le Carré adaptation. The two dramas had DNA in common. Both steered away from the Cold War, and told of a...

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Death and Nightingales, BBC Two, review - slow, lyrical, slightly dull

And now for something completely different from The Fall. The nerve-shredding drama from Northern Ireland was written by Allan Cubitt and featured, as its resident psychopathic hottie, Jamie Dornan (pictured below). It seems the two couldn’t get...

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