wed 13/11/2019

adaptation

'I’m having too much fun writing novels': author Nicolas Searle on The Good Liar

"Surreal" is how the man calling himself Nicholas Searle describes the last five years of his life. He began working on his debut novel The Good Liar in 2014 at the age of 57, having recently retired from the Civil Service. The nature of his former...

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The Aeronauts review - up, up and okay

Wild Rose director Tom Harper blends fact with fiction in a charming Victorian ballooning adventure that reunites Eddie Redmayne and Felicity Jones for the first time since The Theory of Everything.Redmayne gives an earnest performance as the real-...

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After the Wedding review - a high-tension gut punch

How long can one decision follow you? How long can you hide from it? This is what underpins After the Wedding, a remake of Susanne Bier’s Efter brylluppet. It’s a drama shaped like a thriller, driven by emotion rather than intrigue. We’re introduced...

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The Addams Family review - more treat than trick

Starting life as a comic strip in 1938, The Addams Family seems to have reinvented itself for every generation. It’s the story of an odd-ball family from ‘The old country’ (where that is geographically located is by-the-by), who love the grim and...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.Ad Astra ★★★★★ Maybe the most complete and profound sci-fi since...

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Maleficent: Mistress of Evil review - fantasy follow-up falls flat

Angelina Jolie is back again with those cut-glass cheekbones and ink-black wings, reprising her role as the self-proclaimed ‘Mistress of Evil’, in Joachim Rønning’s nauseating sequel to the 2014 live-action spin on Sleeping Beauty. As the...

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CD: PJ Harvey - All About Eve (Original Music)

PJ Harvey is not just a consummate rock musician but a multi-talented artist, who has re-invented herself throughout her career. She paints and makes sculpture, has participated with Artangel in an ambitious art installation, and written and...

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Solaris, Lyric Hammersmith review - moving and finely cerebral

David Greig’s reimagining of Stanisław Lem’s 1961 novel has brought a masterpiece of intellectual science fiction back to its philosophical core. Over the concentrated two hours of Matthew Lutton’s production, which reaches the Lyric Hammersmith...

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Mephisto [A Rhapsody], Gate Theatre review - the callowness of history

You wonder about the title of French dramatist Sam Gallet’s Mephisto [A Rhapsody], an adaptation for our days of Klaus Mann’s 1936 novel about an actor unable to resist the blandishments of fame, even if they come at the cost of losing himself....

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Dada Masilo's Giselle, Sadler's Wells review - bold, brutal, unforgiving

The most arresting thing about Dada Masilo’s contemporary South African take on Giselle is Masilo herself. Tiny and boyishly slight, she inhabits her own fast, fidgety, tribal-inspired choreography with the intensity of someone in a trance. Costumed...

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Joker review – a phenomenal Joaquin Phoenix on the mean streets of Gotham

When Joker won the Golden Lion in Venice in September, it was an unprecedented achievement, the first time a comic book-related film had won such a prestigious prize. But then, isn’t your typical comic book film. Starring a phenomenal...

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The Watsons, Menier Chocolate Factory review - Laura Wade's inventive new play

What a joy Laura Wade's latest play is. Transferring from its successful run at the Minerva Theatre at Chichester last year, The Watsons is developed from Jane Austen's unfinished novel (started in 1804 and abandoned the following year). But rather...

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