fri 03/04/2020

adaptation

Four Kids and It review – a family friendly yarn that needs more magic

With over one hundred books to her name and several hugely popular TV spin-offs, including the Tracy Beaker adventures, Jacqueline Wilson takes a no-nonsense approach to children’s fiction that reflects the realities of jigsaw families, mental and...

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Director Marjane Satrapi: ‘The real question is do you like everyone? No? So, why should everyone like you?’

Marjane Satrapi, the Iranian-born French filmmaker, has a reputation that precedes her. Her upbringing was the subject of the acclaimed films Persepolis (2007) and Chicken With Plums (2011). Persepolis won the Cannes Jury Prize, two César awards and...

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Penance, Channel 5 review - lust, disgust and mistrust in Kate O'Riordan's thrilller

Adapted by Kate O’Riordan from her own novel, Penance is a taut little thriller spread over three consecutive nights. It’s not going to rock the planet off its axis, but there’s enough twisty and salacious intrigue to keep you coming back.There’s a...

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The Best Films Out Now

There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.And Then We Danced ★★★★ Glorious Georgian gay coming-of-age taleCalm...

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Calm with Horses review - a stirring debut

Nick Rowland marks his breakout from TV drama with this very competent feature, an adaptation of Colin Barrett’s short story. Set in a bleak, rural Ireland, Cosmo Jarvis plays Arm, an ex-boxer with an estranged girlfriend, a non-verbal,...

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Downhill review - American remake wanders off-piste

It’s hard to believe that Jesse Armstrong (Succession, Veep) co-wrote the screenplay for this feeble American remake of Swedish director Ruben Ostlund’s Force Majeure (2014). Where Force Majeure is subtle, dark and original (never have electric...

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Berlinale 2020: Never Rarely Sometimes Always review - raw and unflinching abortion drama hits home

Back in 2017, writer-director Eliza Hittman won over audiences with her beautiful coming-of-age drama Beach Rats. Her latest film, Never Rarely Sometimes Always, is a more quietly devastating drama, shifting the focus away from sexual...

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Women Beware Women, Shakespeare's Globe, review – wittily toxic upgrade of a Jacobean tragedy

This raunchy, gleefully cynical production takes one of Thomas Middleton’s most famous tragedies and turns it into a Netflix-worthy dark comedy. Where the themes of incest, betrayal, cougar-action and multiple murder would be spun out over several...

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The Visit, National Theatre review - star turn bolsters baggy rewrite

Lesley Manville’s thrilling career ascent continues apace with The Visit, which marks American playwright Tony Kushner’s return to the National Theatre following the acclaimed Angels in America revival nearly three...

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Nora: A Doll's House, Young Vic review - Ibsen diced, sliced and reinvented with poetic precision

Ibsen's Nora slammed the door on her infantilising marriage in 1879 but the sound of it has continued to reverberate down the years. In 2013, Carrie Cracknell directed Hattie Morahan in an award-winning performance at this theatre, last year Tanika...

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The Taming of the Shrew, Sam Wanamaker Playhouse review - a confused and toothless mess

Say what you will about The Taming of the Shrew (and you’ll be in good company), but it is one of Shakespeare’s clearest plays. Asked to summarise the action of, say, Richard II or Love’s Labours Lost and you might lose your way somewhere between...

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Birds of Prey review - the DCU is back on track

Back in 2016, David Ayer’s infantile Suicide Squad burst upon us in a wash of lurid greens and purples. Ayer’s film had a myriad of problems, not least the hyper-sexualisation of Harley Quinn, played by Margot Robbie. While controversy abounded,...

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