adaptation
Birdsong, The Original Theatre Company online review – a gutsy experimentThursday, 02 July 2020
Birdsong, Sebastian Faulks’ best-selling First World War novel, has been adapted quite a few times in its twenty-seven years. First came the TV series in 2012, starring Eddie Redmayne and Clémence Poésy; then there was Sir Trevor Nunn’s 2010... Read more... |
My Brilliant Friend, Season 2: The Story of a New Name, Sky Atlantic review – a troubling friendship deepensTuesday, 30 June 2020
In her surprisingly self-revealing collection of essays and interviews Frantumaglia (Neapolitan dialect word for a disquieting jumble of ideas), the writer who calls herself Elena Ferrante often ponders the metamorphosis from novel to film. “The... Read more... |
The Best Films Out NowSaturday, 27 June 2020
There are films to meet every taste in theartsdesk's guide to the best movies currently on release. In our considered opinion, any of the titles below is well worth your attention.7500 ★★★★ Debut thriller will have you avoiding airports for goodA... Read more... |
The Luminaries, BBC One review - one of the most visually arresting dramas of the yearMonday, 22 June 2020
Alarm bells start ringing whenever you discover an author is adapting their own work for a screenplay. In the case of New Zealand novelist Eleanor Catton, the alarm proves to be false. Over the course of seven years, and apparently 200 drafts... Read more... |
Artemis Fowl review - flash bang nothingSaturday, 13 June 2020
It’s taken over 18 years for Artemis Fowl to reach the big screen, with Miramax originally buying the rights in 2001. Finally, Disney have brought the world’s youngest criminal mastermind to life, but was it worth the wait? Well, the fact it’s... Read more... |
I Know This Much Is True, Sky Atlantic review - riding a carousel of catastropheTuesday, 12 May 2020
Adapted by writer-director Derek Cianfrance from Wally Lamb’s 1998 novel, this HBO production (on Sky Atlantic) presents a huge canvas for Mark Ruffalo, who plays the twin brothers Dominick and Thomas Birdsey. He had a particular interest in I Know... Read more... |
Frankenstein, National Theatre at Home review – creature discomfortsSaturday, 02 May 2020
So far, it could be said that the National Theatre is having a good lockdown. Every week, this flagship streams one of its stock of NT Live films, which are always a welcome reminder of the range of its output over the past decade or so. This week... Read more... |
Normal People, BBC One review – adaptation of Sally Rooney’s novel evokes the deep cut of first loveTuesday, 28 April 2020
Sally Rooney’s 2018 novel, which was long-listed for the Man Booker Prize, was a psychologically rich, emotive journey into the psyches of two Irish teenagers who fall in love. Only two years on from publication, it has been turned into a 12-part... Read more... |
Treasure Island, National Theatre at Home review - all aboard this thrilling adventure storyFriday, 17 April 2020
Swaggering pirates, X marks the spot, a chattering parrot, “Yo-ho-ho and a bottle of rum”? All present and correct. But Bryony Lavery’s winning 2014 adaptation of Robert Louis Stevenson for the National, directed by Polly Findlay, also features... Read more... |
Who You Think I Am review - Juliette Binoche dazzles as she wrestles with dual identitiesThursday, 16 April 2020
With influences as diverse as Hitchcock’s Vertigo to 2010’s Catfish, Safy Nebbou’s genre-splicing French-language feature, starring Juliette Binoche, comes loaded with a heady mix of cheap thrills and surprising psychological depth.... Read more... |
Jane Eyre, National Theatre at Home review - a fiery feminist adaptationFriday, 10 April 2020
The National Theatre’s online broadcasts got off to a storming start with One Man, Two Guvnors – watched by over 2.5 million people, either on the night or in the week since its live streaming, and raising around £66,000 in donations. Let’s hope... Read more... |
Rumpelstiltskin, Sadler's Wells Digital Stage review - spins an engaging yarn for young audiencesMonday, 06 April 2020
The latest in Sadler’s Wells’ Digital Stage programme – an impressively assembled online offering to keep audiences entertained during the shutdown – is balletLORENT’s family-friendly dance-theatre production Rumpelstiltskin. It was... Read more... |
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