2016
Liz Thomson
The unsinkable Dolly Parton turned 70 in 2016 and the new year marks the 50th anniversary of her debut album, Hello, I’m Dolly. Pure & Simple is her 43rd studio album, its genesis a brace of stripped-down concerts given at Nashville’s Ryman Auditorium which were reprised at Dollywood. Such a back-to-basics approach is much favoured by country musicians – Johnny Cash, Emmylou Harris and Loretta Lynn have trodden a similar path. Everything is relative, however: the backing quartet multiplied in the studio yet still Dolly describes it as “almost like a garage band”.As ever, Parton’s Read more ...
Adam Sweeting
If there's one big question hanging over the television industry, it's "how long can the old broadcast networks survive in the new era of subscription and downloading services?" No doubt there will be a variety of answers, with different hybrid arrangements and partnerships springing up to deliver programming across multiple formats. From the viewer's point of view, it's a pain to have to keep subscribing to multiple providers such as Netflix or Amazon, not to mention all the extra devices we now have sticking out of the back of the TV. On the other hand, have viewers ever had it so good? Read more ...
David Nice
It was the best and worst of years for English National Opera. Best, because principals, chorus and orchestra seem united in acclaiming their Music Director of 14 months, Mark Wigglesworth, for his work at a level most had only dreamed of (“from the bottom up,” said a cellist, contrasting it with the top-down approach of predecessor Edward Gardner). Worst, because he stayed true to his principle of only working with a full-time company, and when the chorus unexpectedly accepted a nine-month contract, announced his departure.No-one wants a great company’s demise, but despite the announcement Read more ...
David Nice
Revelations in the classical year never stop coming. Even the week before Christmas yielded two performances as good as you're going to get: the sheer effervescence and light-flourishing of Lucy Crowe in ecstatic Bach and Mozart with La Nuova Musica, and Sheku Kanneh-Mason in Haydn's C major Cello Concerto. So any sifting of 2016's musical riches needs to put the truly one-off packages at the top of the list.In terms of unrepeatable magic and logistics that actually worked, watch the birdie for Pierre-Laurent Aimard's four Aldeburgh Festival concerts of Messiaen's Catalogue d'Oiseaux from 4. Read more ...
Katie Colombus
I am an official Sia wanker. If you tell me you love "Titanium", I’ll be all like “Yeah, I prefer her early work with Zero 7”, and if you tell me about a major Coachella gig you saw recently, I’ll tell you about when I was basically the only one in the audience at a set where she was shoved into the back corner of a dark tent at an obscure UK festival in the noughties.I got this T-shirt before any of you, and thus she is officially my favourite and the best and therefore, my Album of the Year. This Is Acting is full of songs that were written for a whole gang of pop stars including Rihanna, Read more ...
Matt Wolf
Life threw numerous, possibly irrevocable curveballs at us all during 2016, which in turn made one even more aware of how lucky we were to find ourselves in the midst of so much sustenance by way of art. Time and again throughout the year, one applauded an unexpected casting choice that resulted in triumph (Lucian Msamati's Salieri in Amadeus, to name but one) or a return to the fold (Glenda Jackson's Lear) that made one wish that performer had never gone away. As ever, the willingness of major names to commit to the stage – Mark Rylance and Ralph Fiennes come to mind – kept star wattage Read more ...
Veronica Lee
There have been some treats on the comedy circuit in 2016, a year when we definitely needed something to laugh at. Here, in no particular order, are my comedy highlights of the past 12 months. I hope you had as much fun seeing them, or reading about them on theartsdesk. The Catherine Tate Show LiveWhat a way to bring a television show to life - with a rollicking great entertainment like this. The show was stuffed with characters we haven't seen on our screens since 2007, and Catherine Tate hasn't performed comedy live since her early days at the Edinburgh Fringe, but even the fluffed Read more ...
howard.male
A year on, what can be said about Blackstar that hasn’t been said already? The answer is: what I have to say about it. That’s not to claim any special insights, it’s simply because the artist designed it that way. Even though Bowie said not a word during the decade leading up to his death, the messages explicit, implicit and fancifully imagined were all there for the taking. One such message was the little blank notebook included with all the other paraphernalia in The Next Day Special Edition. Its blankness clearly said; there is no cohesive meaning to this record other than the one you Read more ...
Hanna Weibye
The criteria used by theartsdesk's critics in selecting pieces for this list are simple, but demanding: did a piece or a programme stir and shake us? Did it move us, and make us still - weeks or months afterwards - think, yes, I'd go see that again in a heartbeat?The result is, of course, a highly subjective list, and one which necessarily fails to supply a full picture of the UK dance industry's 2016. Rambert and Matthew Bourne's New Adventures did big new pieces - Haydn's Creation and The Red Shoes respectively - but fail to make the list, while theartsdesk's geographical base in London and Read more ...
theartsdesk
It was the year of Pokémon Go, and it was the year the mainstream offered sequels. There were also some gems on console and mobile platforms. Steve O'Rourke and Steve Houghton look back on the developments in the world of gaming in 2016. CONSOLEThe year 2016 was certainly not a vintage one for mainstream videogames. In a risk-averse industry where it is so much easier, cheaper and commercially safer to roll out another sequel, the release roster would often read more like high-scoring football results: Civilisation VI, Street Fighter V, Gears of War 4, Dark Souls III.The majority of the Read more ...
Guy Oddy
2016 was the year that US underground titan Michael Gira began to wind down the current “iteration” of long-standing musical mavericks Swans and their final album, The Glowing Man, proved to be no whimpering exit. Intense and challenging sounds that still manage to convey a magnificent, if disturbed, beauty characterise the band’s swan song and it’s one that doesn’t let the quality dip for over two hours – despite several tracks of over 20 minutes.Lyrics often remain half-heard over a sonic palette that moves from dreamy but dark psychedelia to menacing Gothic country blues and beyond. Read more ...
Kieron Tyler
French Pictures in London was a bolt from the blue. Issued in June, four decades after being recorded, it was a previously unknown, unreleased album better than most mid-Seventies rock offerings. It was also better than about 99 percent of albums retrospectively hailed as classics. However, it had escaped attention and its maker was barely heard of.It wasn’t meant to be this way. In 1975, A&M Records paid for the sessions and the album’s master tape was passed to pop star and Bensick’s fellow Ohio native Eric Carmen, who was meant to get it to music industry bigwig Clive Davis, the then Read more ...