mon 21/07/2025

2010s

Karl Hyde, Union Chapel Islington

I have to admit I was That Hipster with Underworld: loved them circa 1991, stopped being intensely interested around the first album, diverged almost completely after “Born Slippy” went supernova circa 1995. It was wonderful the way that Karl Hyde...

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Feast, Young Vic

Feast aims high. Very, very high. Steered by experienced and much-lauded director Rufus Norris, five playwrights and one choreographer seek to make a fusion of physical theatre, dance, onstage music, straight drama, abstract poetic dialogue,...

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CD: Claudia Brücken - The Lost are Found

Ah, this starts so well. The idea of Claudia Brücken, arch-Teuton ice queen vocalist from high class synth poppers Act and Propaganda, covering the Bee Gees, Bowie and ELO is just too much fun to ignore. And her version of Julee Cruise's “Mysteries...

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CD: Bat For Lashes – The Haunted Man

To paraphrase Shakespeare, when albums featuring strident, post-feminist "I am woman hear me roar" naked cover sleeves come, they come not in single spies but in battalions. I'm not so sure about the motives of Christina Aguilera, but the recent...

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CD: Jessie Ware - Devotion

Although the Eighties revival has now been going on for longer than the actual Eighties, it shows no sign of abating – to the point where maybe it would be more sensible to refer to it as a tradition or a palette of techniques rather than than...

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CD: Oberman Knocks - Beatcroff Slabs

Sometimes a record tells you whether you're going to like it before you've even hit play. With electronica this goes double: track titles like "Scanlon's Leaping Gore Pull", "Pneuquonsis on Return" and "Fewton Tension Chords" are either going to...

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Feist, London Palladium

A good measure of the passion felt for an act is how much of their crowd dresses like them. And though Leslie Feist is hardly Lady Gaga in the image stakes, it's gratifying that even in a rush to get to our seats I'm able to count at least five “...

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