19th century
Adam Sweeting
The last time we saw Christian Bale in a western, he was playing the downtrodden rancher Dan Evans in James Mangold’s punchy remake of 3.10 to Yuma. No doubt it was valuable experience for his role in Hostiles, Scott Cooper’s smouldering flashback to the last days of the Frontier, where Bale plays veteran US Cavalry captain Joseph Blocker.Bale also has previous with Cooper, having starred in his blue collar drama Out of the Furnace, where (as in Yuma) the actor played a fundamentally decent man being ground down by a pitiless fate. In Hostiles, his character isn’t quite so clear-cut. We learn Read more ...
David Nice
Power and intelligence combined make Sarajevo-born British pianist Ivana Gavrić stand out from the crowd. Bass lines are clear and strong; right-hand melodies move in keenly articulated song. The first half of her recital progressed with well-earthed, dancing energy to a strong clincher in Chopin's B flat minor Scherzo. What a pity, then, that the transcendence we hoped for didn't emerge in Schumann's Kreisleriana.It may well be that Schumann's eight pieces, strongly connected here, reveal both the troubled, manic side of the composer's personality and a poised inwardness. But they do, Read more ...
Marina Vaizey
One of the much-hyped jewels in the crown of the family-friendly BBC holiday season is this new three-episode adaptation of Louisa May Alcott's much loved novel by Heidi Thomas, the writer of Call the Midwife. We started in the New England winter – a simulacrum of Concord, Massachusetts, where Alcott lived with her three sisters, in circumstances of genteel poverty that she lightly fictionalised in her best-selling novel.An American classic since its publication, and never out of print, Little Women has already made it into half a dozen films, several television adaptations, a piece of Read more ...
David Nice
Remastered they may be, but the 20 live operas recorded here between 1949 and 1964 vary soundwise from clean at best to atrocious, with all the caprices of stage noise and audience participation seemingly acceptable at the time (so often there's the shouting prompter who seems duty bound to cue everything – even interjecting a loud libiamo! in the silence before the voices kick in for La traviata's Brindisi). But you don't have to be a diehard Callas fanatic to realise the value of this extraordinary treasury. On stage she always gave that little bit extra, complete with sobs in the Read more ...
Adam Sweeting
The real-life PT Barnum was a mixture of impresario, hustler and exploiter, and Elvis Presley’s huckstering manager Colonel Tom Parker would surely have viewed him approvingly. However, he also was also a temperance campaigner and a reforming politician who battled against slavery and supported health and educational projects.A pity, then, that the Barnum who emerges – or perhaps fails to emerge – from Michael Gracey’s lavish musical production shows us few of these complex character traits. Played with frantic energy and dentifrice-exhibiting bonhomie by Hugh Jackman, this Barnum is a feel- Read more ...
Marina Vaizey
Jenny Uglow’s biography of Edward Lear (1812-1888) is a meander, almost day by day, through the long and immensely energetic life of a polymath artist. She builds her narrative on an enormous plethora of primary sources – his marvellous illustrated letters, his limericks and poetry, his hundreds of paintings, prodigious sketches and watercolours, his travel narratives, and the reminiscences, letters and narratives of his contemporaries.These Victorians, tireless travellers, left behind such copious piles of paper that they can practically write their own biographies (at least in terms of Read more ...
David Nice
To compose a masterpiece in your teens is rare enough; to choose the most elaborate form in chamber music, an octet for eight strings, ensures a peculiar kind of immortality. George Enescu, a still-underestimated genius described by protege Yehudi Menuhin as "the most extraordinary human being, the greatest musician...I have ever experienced", thought in complicated and unique ways at 19, leaving to posterity a difficult and elusive work. 16-year-old Mendelssohn, on the other hand, served up a feast of sheer delight, which can't fail in a good performance to leave you feeling buoyant. Read more ...
Robert Beale
The Royal Northern College of Music’s production of Massenet’s Cendrillon has a particularly strong professional production team, and it shows. This is one of the most attractively spectacular operas the college has mounted for years.Director Olivia Fuchs and designer Yannis Thavoris stage the story in Versailles (the Hall of Mirrors, in particular) in the era of Louis XIV, and the set makes a wall of two-way mirrors its abiding theme, providing not only for impressive visual effects but also an easy and symbolic transition from the home of Cendrillon and her nasty step-mother and sisters to Read more ...
Katherine Waters
The familiar doesn’t have to get old. Last night at the Coliseum there were children in the boxes, adults in the circle and grandparents in the stalls. Seasonal favourite Tchaikovsky’s Nutcracker brings all ages to the ballet — as well as each audience member's inner child, and this year's revival by English National Ballet is no exception.The magic begins with Peter Farmer’s designs. Snow falls in gusts as guests arrive to the party by skating across a frozen lake; the interior of the house is festooned with lavish drapery which makes the most of the space’s depth and later warps Read more ...
Florence Hallett
Dedicated to a foundation stone of western artistic training, this exhibition attempts a celebratory note as the Royal Academy approaches its 250th anniversary. But if the printed guide handed to visitors offers a detailed overview of working from life, the exhibition itself is a far flimsier construction that never really establishes the purpose of a practice that it simultaneously wants us to believe is thriving today.The study of nature was fundamental to Renaissance thinking, and as artists aspired to the naturalism they perceived in Antique sculpture, working from the life took on a new Read more ...
David Nice
As the Parliament of the Autonomous Grand Duchy of Finland within the Russian Empire declared independence on 6 December 1917, Sibelius had his head down working on the third version of his Fifth Symphony, the one so hugely popular today. He tried to ignore the dark clouds of Russian revolutionary interference in an event he'd anticipated for so long, composing no music of public celebration. How different from 1899, when the unexcitingly titled but score-wise essential Music for the Press Celebrations saw Finland fully awake. Its UK premiere led the charge in a thrilling centenary concert Read more ...
Gavin Dixon
Sonata no 1 – Sonata no 2 – Sonata no 3 – that’s barely a recital programme, it’s just a list. Fortunately, violinist Christian Tetzlaff and pianist Lars Vogt (pictured below by Neda Navae) have good musical reasons for presenting the Brahms violin sonatas in chronological order. The three works are similar in style, but the mood changes subtly from one to the next, and this performance at Wigmore Hall felt like a journey, from the nebulous but lyrical world of the First Sonata through to the more dynamic and dramatic Third.Tetzlaff and Vogt have a long acquaintance with the Brahms sonatas. Read more ...