1990s
theartsdesk Q&A: musician Kevin Rowland - 'it was painful to be misunderstood and misinterpreted'Wednesday, 23 September 2020
“Whoargh! Steady lads!” Under that headline, NME reported that Kevin Rowland had “announced his return to the music scene with a bizarre national poster campaign depicting him in make-up and women’s clothing whilst hitching up his skirt to show his... Read more... |
Album: Conrad Schnitzler & Frank Bretschneider - Con-StructThursday, 06 August 2020
When does the avant-garde become folk? Both of the participants in this album have certainly been on the very cutting edge of sound-making, on multiple occasions. Conrad Schnitzler was a student of radical artist Joseph Beuys and leading light in... Read more... |
New Music Unlocked 4: The Streets, heavy metal, punk rock and R.E.M.Wednesday, 05 August 2020
This week would have been peak summer event antics but not in 2020. However, the game is far from up; the punks and the metallers are making a strong show in full virtual festival force this weekend, and there's another chance to time travel to a... Read more... |
New Music Unlocked 3: Dermot Kennedy, Lollapalooza and Cambridge FolkTuesday, 28 July 2020
We are no nearer live music returning and, as venues across the country face financial collapse, it’s clear that even when we reach some sort of "new normal", far from all will be left standing. This is clearly a disaster for British music. #... Read more... |
How to Build a Girl review - riotous funThursday, 23 July 2020
Ever felt like you could express yourself more freely, if only you could get away from everything that made you who are? British romcom How to Build a Girl tackles this paradox in joyful fashion, using the 90s music scene as the backdrop for a... Read more... |
Reissue CDs Weekly: Super Sonics - Martin Green Presents 40 Junkshop Britpop GreatsSunday, 19 July 2020
The gentleman pictured above is Martin Green. In 1995 he was a prime mover behind The Sound Gallery, a double-album compiling groovy British easy listening and library music from around 25 years earlier which until then had been (mostly) overlooked... Read more... |
New Music Unlocked 1: Reef, Supersonic Festival, Elton John and moreWednesday, 15 July 2020
The lockdown which began in March is now noticeably easing, although in the realm of gigs and festivals things are still nowhere near operative. Nonetheless, theartsdesk is responding to the changes by ceasing our many weeks of New Music Lockdown... Read more... |
Glastonbury Festival 2020: Beyoncé, Boo-Yaa T.R.I.B.E., marijuana and time travelWednesday, 01 July 2020
Coronavirus blah blah blah. Glastonbury cancelled. What to do? Didn’t go to the 2010 festival for reasons too tedious to go into. Suffered the worst FOMO of my life. This is different. There is no Glastonbury. But sitting around at home… we’ve all... Read more... |
On the Record review - #MeToo turns its lens to the music industry, gives the mic to women of colourFriday, 26 June 2020
On the Record, the latest documentary from Kirby Dick and Amy Ziering (acclaimed directors of The Hunting Ground), dives into the sexual misconduct allegations against music mogul Russell Simmons, the so-called ‘Godfather of Hip Hop.’ It... Read more... |
Reissue CDs Weekly: Brian Wilson and Van Dyke Parks - Orange Crate ArtSunday, 21 June 2020
Orange Crate Art makes most sense in the context of Van Dyke Parks’s solo career rather than that of Brian Wilson’s. For the former it was preceded by Tokyo Rose, an orchestrated set tackling the intersections of American-Japanese cultural and socio... Read more... |
Putin: A Russian Spy Story, Channel 4 review - inside the mind of a man without a faceTuesday, 24 March 2020
Director Nick Green’s new three-parter follows on the heels of his A Dangerous Dynasty: House of Assad and comparisons are sure to be made between his two subjects. Though the finer degrees of political power-play – and the sheer quantity of... Read more... |
The Seven Streams of the River Ota, National Theatre review - theatre at its transcendent bestMonday, 16 March 2020
If you want to pinpoint the genius of Robert Lepage’s multi-faceted seven-hour epic, that has returned to the National Theatre 26 years after it first dazzled British audiences in 1994, you might as well begin with a stethoscope. The stethoscope is... Read more... |
