sat 04/05/2024

1950s

Under Milk Wood, National Theatre review - Michael Sheen at his most magnetic

There's commanding, and then there's Michael Sheen, who sweeps on to the Olivier stage 15 minutes or so into the new National Theatre revival of Under Milk Wood and scoops up the entire production with it. Inheriting a role made to order for this...

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Bostridge, CBSO, Seal, Symphony Hall Birmingham review - large and live

The City of Birmingham Symphony Orchestra believes that its current post-lockdown summer series features the largest orchestra currently performing live in the UK. It’s not an easy claim to verify, and the full string section certainly wasn’t on...

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theartsdesk on Vinyl 64: Chet Baker, Lava La Rue, Bob Mould, Krust, The Yardbirds, The Fratellis and more

Things got out of hand at theartsdesk on Vinyl this month and these reviews run to 10,000 words. That's around a fifth of The Great Gatsby. It's because there's so much good music that deserves the words, from jazz to metal to pure electronic...

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Joseph Andras: Tomorrow They Won't Dare to Murder Us review - injustice and tenderness in the Algerian War

Joseph Andras wastes no time. “Not a proud and forthright rain, no. A stingy rain. Mean. Playing dirty.” This is how his debut novel kicks off, and it’s a fitting start for his retelling of the arrest, torture, one-day trial and subsequent execution...

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Reissue CDs Weekly: Allen Ginsberg - At Reed College: The First Recorded Reading of Howl & Other Poems

“I saw the best minds of my generation destroyed by madness, starving hysterical naked, dragging themselves through the negro streets at dawn looking for an angry fix.” The opening words of Allen Ginsberg’s Howl are ingrained. First published in the...

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The Turn of the Screw, OperaGlass Works online review - the fright is in the filming

It’s second time lucky for OperaGlass Works, whose previous production at Wilton’s Music Hall, of Stravinsky’s The Rake's Progress, hit the mark for me in the singing but not the staging. I suspect that had we been there in the auditorium with...

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The Devil All The Time review – a test of faith in a Southern Gothic tradition

There’s no denying the Faulknerian ambition to the construction of Anthony Campos’ latest feature Devil All the Time. It’s a brooding, blood-soaked Semi-Southern Gothic drama spanning two generations through a plot that wrestles with the nature of...

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Album: Allison Neale - Quietly There

Seattle-born Allison Neale’s alto saxophone sound is instantly appealing. Her playing has the light wispy, airy quality from the "cool", "West Coast" school of Paul Desmond. One day last year, she spent just six hours (10am-5pm minus an hour for...

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Blu-ray: Story of a Love Affair

The tortuous drama of James M Cain’s 1940’s thriller The Postman Always Rings Twice has inspired many films: the slow-burning mix of erotic desire, temptation, murder and guilt was ideally suited to American film noir, so it’s in some ways...

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Reissue CDs Weekly: Dennis Herrold

It’s been a long strange trip for Dennis Herrold. The Virginia-born rocker’s sole single, December 1957’s “Hip Hip Baby” / “Make With the Lovin’”, was a full-bore rockabilly two-sider. Yet it made no waves despite being reviewed glowingly by music...

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Reissue CDs Weekly: John Lee Hooker - Documenting The Sensation Recordings 1948-1952

John Lee Hooker’s recording career began on Friday 3 September 1948. He’d attracted the attention of the Kiev-born Bernard Besman, who was in Detroit after his family moved there in 1926 following five years in London’s East End. By the 1940s Besman...

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The Vast of Night review - perfectly paranoid

The Vast of Night’s premise scarcely guarantees originality. Non-science-fiction buffs scoping Amazon’s film listings will probably move on quickly when they learn it’s about two late-'50s teenagers discovering that an alien space craft is...

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