1950s
Adam Sweeting
So just how grey were the 1950s? "It was grey," said Bruce Welch of The Shadows. Au contraire, said Joan Bakewell, the Fifties were "giddy and full of optimism." Veteran journalist Katharine Whitehorn added that not only were the Fifties not boring, but that even then people had already heard of sex.But this was Tom Jones's film, and in his view "the early Fifties were grey and boring and flat." Born in June 1940, the then Thomas Woodward spent his formative years in Pontypridd, and in the foggy old films and photos of it included here the town resembled some ghastly failed experiment in Read more ...
Kieron Tyler
“All over the world, young people between the ages of 14 and 20 gradually spend more and more of their time away from the good influences of their homes and schools. What sort of people are they growing up to be?” Although the stuffed-shirt narrator cannot bring himself to say the word “teenager” of the film’s subjects, it’s a question asked in the 1954 Government-sponsored Central Office of Information short film Youth Club (1954) included as a crazy extra on a new package of Expresso Bongo (1959). The main feature and the same year’s Beat Girl answer it. But not in a way the squares behind Read more ...
Jasper Rees
Of all the dramas with the name Arnold Wesker attached to them, the most absorbing ran as long as The Mousetrap, but offstage rather than on. It was in the style of a remorselessly black farce, in which the little man as hero suffers an endless series of blows, reverses and pratfalls. Some are minor, some cataclysmic, but they all have one thing in common: they fail to deter their victim who, like one of those clown figures mounted on a toy rubber ball, always rolls back into the upright position.Written up as a play, it should be called Fashion Street, after the address in the East End where Read more ...
David Nice
Could the fascination of Glenn Close's Norma Desmond transcend the frequent bathos of Lloyd Webber? Would they have sorted out the miking which wrecked last year's first choice of semi-ENO musical, the infinitely superior Sweeney Todd? Yes, to varying degrees. But the real saviour here was the ENO Orchestra, fresh from its triumph alongside its inseparable chorus at the Olivier Awards and now on hand to make a silk purse, or rather a gold cigarette-holder, out of a patchy but always superbly orchestrated score.Still, give a diva her due. There's little doubt that if Billy Wilder had been Read more ...
Adam Sweeting
If you were expecting Rowan Atkinson to say "bibble" or make those Mr Bean gurgling noises, you came to the wrong classic detective drama. To play George Simenon's timeless French detective in a story subtitled "Maigret Sets a Trap", a melancholy, interiorised Atkinson spent most of his time sitting and thinking. Despite the mumsy ministrations of Mme Maigret (alias Lucy Cohu), he relied mostly on his pipe for company as he struggled to unmask a serial killer of women in Montmartre.It was a determined effort by the star to set aside all his familiar comic tricks and tics, and this was a Read more ...
Adam Sweeting
I hope Todd Haynes isn't consumed with bitterness about the way Carol was ignored at the Oscars – mind you, a world where the dreary Spotlight can get Best Film probably isn't one he misses much – but the discerning filmgoer can be in little doubt that this is a masterpiece. A lesbian love story derived from Patricia Highsmith's novel The Price of Salt, it's as poignant and haunting an exploration of the ways of the human heart as you could hope to find, graced with central performances by Cate Blanchett and Rooney Mara which are as brilliant as they're dissimilar.As Carol Aird, a fashion- Read more ...
Tom Birchenough
When it comes to losing power, and powers failing, Michael Gambon has once again proved himself the ruler of choice. The actor who gave us his Lear when he was only just hitting his forties has had three decades of gurning and grouching to ready himself for Churchill’s Secret, and those earlier royal storm rantings even got a wry mention in Charles Sturridge’s nicely autumnal, rather more sotto voce drama. The nuances of ceding control and attendant family upset were gentler, more manicured lawn than blasted heath, but the sense that death’s door was creaking open gave Gambon a chance to riff Read more ...
Hanna Weibye
Choreographers are not generally household names, but Matthew Bourne must come close. Not only does his company tour frequently and widely, with a Christmas run at Sadler’s Wells that many families regard as an essential fixture of their seasonal celebrations, his pieces have also been seen on Sky, on the BBC, and on film, most famously when his Swan Lake featured at the end of the 2000 movie Billy Elliot. This month he’s set to become even more widely known, as a film version of his show The Car Man is shown in dozens of UK cinemas.Bourne, who was knighted in the 2016 New Year Honours Read more ...
Anthony Weigh
In the icy early hours of 1 February 1918 a bizarre figure was seen wandering aimlessly along the platform of a railway station in Lyon. A solider. Lost. When asked his name he answered, “Anthelme Mangin”. Other than that he had no memory of who he was, of where he had been, of where he was going, or of what had happened to him prior to arriving on that station platform on that frigid February night.The story of Anthelme Mangin captivated France. For many he was the living embodiment of the unknown soldier buried beneath the Arc de Triomphe. A walking, talking memorial to the horrors of the Read more ...
Jasper Rees
Colm Tóibín’s work has always eluded the attention of filmmakers. It took Nick Hornby, a writer who knows his way along the obstacle-strewn pathway between page and screen, to effect a beautifully smooth transition of his 2009 novel Brooklyn. The DVD arrives on the back of a BAFTA for best British film. In truth, Hornby is the most British thing about it. Like Tóibín, director John Crowley and Saoirse Ronan are Irish, while the story is set in the author’s native Enniscorthy and the eponymous Brooklyn, the Ireland in exile to which his young protagonist Eilis travels in search of work in the Read more ...
Graham Fuller
If there is a successor to the great Hollywood costume designer Edith Head, it is Sandy Powell, the British designer of six films directed by Martin Scorsese, three each by Todd Haynes and Neil Jordan, and others by the likes of Derek Jarman, Sally Potter, Stephen Frears and Julie Taymor. Powell’s recent Oscar nominations for designing the costumes for Haynes’s Carol and Kenneth Branagh’s Cinderella raised her total to 12: her wins have come for Shakespeare in Love, Scorsese’s The Aviator, and Young Victoria.For all the fairytale flamboyance of Powell’s Cinderella gowns and tunics, Read more ...
Marina Vaizey
The individual colleges of the University of Cambridge can call, when needed, on an astonishing international network of alumni for expert advice, consultation and financial support. Such is the backing for an exquisite new public gallery on the site of Edwardian stables in the grounds of Downing College there.Now open to the public, the Heong Gallery is, as far as this reviewer can tell, unique in the university’s rich provision of arts and sciences museums. There are nine major such public institutions at Cambridge, among them the Botanic Gardens, museums of zoology, classical archaeology, Read more ...