mon 17/12/2018

17th century

The Double Dealer, Orange Tree Theatre review - high spirits and low morals

It's been 40 years since The Double Dealer last had a major airing (indeed, perhaps any airing) in London, so on the basis of novelty value alone, the Orange Tree's end-of-year offering is worth our attention. But as always with Restoration comedy,...

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Macbeth, Shakespeare's Globe review - sexually-charged production draws power from the shadows

Macbeth has rarely seemed quite as metrosexual as in this gorgeous shadow-painted production that marks Globe artistic director Michelle Terry’s first production in the Sam Wanamaker theatre. Even in a play that walks the tightrope between its...

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Don Quixote rides again, and again

It’s a story of a mad old man who imagines himself to be a knight errant. On his quests he sees virgins in prostitutes and castles in roadside inns. His adventures have spawned an adjective that describes delusional idealism, typified by the...

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Classical CDs Weekly: Josquin, Calidore String Quartet, Ronn McFarlane

 Josquin: Missa Gaudeamus, Missa L’ami Baudichon The Tallis Scholars/Peter Phillips (Gimell)That music composed in the 14th and 15th centuries can be enjoyed and performed today is mind-boggling. As is looking at one of Josquin des Préz’s...

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Eyam, Shakespeare's Globe review - plague drama, dark and loose

The end-of-season contemporary writing slot at the Globe must be a proposal as full of promise for playwrights as it is perhaps intimidating. There’s the sheer scale of the space and the chance to write for a large cast; a historical subject seems...

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Classical CDs Weekly: Louis Couperin, Pärt, Bruce Levingston

 Louis Couperin: Dances from the Bauyn Manuscript Pavel Kolesnikov (Hyperion)We’ll get the entertaining trivia out of the way first, namely that the musical Couperin dynasty came from Chaumes-en-Brie. I’m struggling to think of another example...

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King Lear, Duke of York's Theatre, review - towering Ian McKellen

Jonathan Munby's production starring Ian McKellen, first seen last year in Chichester and now transferred to the West End, reflects our everyday anxieties, emphasising in the world of a Trump presidency, the dangers of childish, petulant...

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Stella Tillyard: The Great Level review – reason and passion in the Fens and Virginia

The Fens of East Anglia, and the lonely coasts that skirt them, usually sit well below the horizon of mainstream culture. Yet when England’s flatlands and their maritime margins do find a literary voice – in Graham Swift’s Waterland, say, or WG...

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Classical CDs Weekly: Olivia De Prato, Kärt Ruubel, Third Coast Percussion

 Streya: New works for solo violin and violin with electronics Olivia De Prato (violin) (New Focus Recordings)Combining acoustic instruments with electronics is a dark art, and tantalisingly few details about the process are revealed in the...

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The Courtesan’s Gaze, Fieri Consort, Handel House review – historical female composers in context

From an early age, Barbara Strozzi would have entertained the guests of her father’s Venetian academy with songs, including her own works. A similarly intimate room at London’s Handel House museum provided a suitable setting for Strozzi’s work to be...

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The Two Noble Kinsmen, Shakespeare's Globe review - a breezy bromance served up slight

Those who find the Bard tough going – wasn't that one of Emma Rice's admissions back in the day? – should beat a path to The Two Noble Kinsmen, a late-career collaboration with John Fletcher that emerges as Shakespeare lite. Remembered (dimly) as...

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Classical CDs Weekly: Collins, Gershwin, In Echo

David Collins: Violin Sonatas Duo Ardoré (Sheva)There's little biographical information to be found online about British composer David Collins, other than that he was born in 1953, studied at the RNCM and has only recently started to compose full...

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