CDs/DVDs
Lisa-Marie Ferla
Like most things about the suited, bespectacled image of Chris Brown that stares intensely at something to his right from his new album’s cool blue artwork (currently: the remains of the delicious spicy chicken pizza I had for dinner), the title Fortune is not an accident. For Brown has, as anybody who hasn’t been living under some pop culture rock these past three years, been a very fortunate lad. Although technically still on probation for the brutal assault of his then-girlfriend Rihanna in 2009, such is the esteem with which this man is held by his contemporaries in American pop that he Read more ...
Kieron Tyler
Bloopy Seventies synths. Glitter Band drums. The fuzz guitar of Sweet’s “Blockbuster”. Eighties electro-robot-pop. New wave chug. The hot dog streets of West Bromwich. Morning TV. Bailiffs at the door, The secularisation of institutions and the decline of civic pride. Mickie Most and his plastic pop. These then, are amongst the contents of the new tablet handed down by former Felt leader, perennial underdog and über-cult figure Lawrence. Bizarre and enjoyable, it’s disquieting too. “Hello, I’m Lawrence and I’m taking over” he declares colourlessly.A series of close-typed, dense paragraphs Read more ...
Nick Levine
"Synthetica is about forcing yourself to confront what you see in the mirror when you finally stand still long enough to catch a reflection. Synthetica is about being able to identify the original in a long line of reproductions. It's about what is real versus what is artificial." That's what Emily Haines says about Metric's fifth album. It's as much about getting older. It would be unchivalrous to reveal the singer's age, but it's closer to 40 than 30, and her band have maintained a steady upward trajectory since 1998. Their last album, 2009's Fantasies, sold half a million worldwide and got Read more ...
Kieron Tyler
Various Artists: Make it Your Sound, Make it Your Scene – Vanguard Records & the 1960s Musical RevolutionKieron TylerSeymour and Maynard Solomon’s Vanguard Records hasn’t been given the same amount of recognition as Jac Holzman’s Elektra, despite both labels being equally important and having trodden – at least up to the late Sixties – very similar paths. This neat four-CD box set should ensure that Vanguard gets more recognition.Like Elektra, Vanguard cast its net into New York. Also like Elektra, its earliest releases didn’t suggest a coherent strategy. Viennese waltzs, Elizabethan Read more ...
bruce.dessau
On his last UK tour comedian Frank Skinner sang a song about Osama Bin Laden in the style of George Formby that contained the following couplet: "He had one hit then he went away, like a terrorism Macy Gray". Very witty, but rather harsh on the Grammy-winning singer who has sold over 15 million albums. Then again, maybe Frank had a point in a way. How many people outside that admittedly 15 million-strong fan club would be able to name many more hits than her global pain-soaked calling card "I Try".This new album may not notch up any more smashes, but it certainly makes its mark. We already Read more ...
Ismene Brown
Young Adult is the category of fiction that teenagers read, and it’s where Charlize Theron’s extremely damaged character in this odd film has made her well-rewarded living (albeit as the ghost behind the name on a popular series of “young adult” fiction). In that literary genre teenagers’ love of contorted, messy living and big questions whose answer is likely to be “whatever” makes for frequent critical debates about what’s right, or what matters, and Jason Reitman’s film homes in a prime example of a not-that-young adult who’s never grown up and can't answer any of that.Mavis Gary is Read more ...
Lisa-Marie Ferla
GAGGLE (n.): According to the Oxford Dictionary the collective noun for a flock of geese - or, less formally, a disorderly group of people - actually finds its root in the noise that a goose makes. It’s a fact that raises a smile as one attempts to create a back story for Deborah Coughlin’s 21-member all-female choir, as they stare out from the mysterious, brightly-coloured promotional shots with black eyes and tightly-set, blue-painted lips.The bird references carry over to From the Mouth of the Cave; whether in the form of titles, sound effects or a perfectly-choreographed cacophony Read more ...
Lisa-Marie Ferla
There seems to be a perverse trend among bands these days to give themselves names that render them near-invisible to the modern search engine. Hot on the heels of US boy duo Girls comes BOY, a pair of Hamburg-based female voices whose infectious hooks and rapturous harmonies have already caused a bit of a stir in their native Germany and Switzerland – as well as on YouTube, to the tune of about four and a half million views.The duo take on harmonious ground already well-tread by the likes of First Aid Kit and American sister duo the Pierces, infusing it with unexpected instrumental twists at Read more ...
fisun.guner
Fresh from the final Harry Potter, Daniel Radcliffe plays a grieving widower with a four-year-old son in this truly spine-tingling adaptation of Susan Hill’s 1983 gothic horror novel. Produced by the newly resurrected Hammer Films, written by Jane Goldman and ably directly by James Watkins, the film dispenses with the framing narrative device familiar to the genre, in which the story is related some time after the event. Instead we plunge straight in with our encounter with Arthur Kipps, the young solicitor sent up from London to a bleak coastal town to sort out the affairs of the recently Read more ...
Kieron Tyler
The moment you reach “I Call This Home”, the third track of Saint Saviour's debut album, it’s obvious this is an album to stick with. A pulsing rhythm beds guitars that reverberate like vintage Cure. The voice is quavering, anguished. Then it opens up. Suddenly driving and tense, the dramatic, shimmering song sounds like an anthem in waiting – albeit one with a maverick sensibility akin to that of Fever Ray, Goldfrapp and Marc Almond. It fits that Saint Saviour has played live with Hurts.Saint Saviour is Becky Jones. Formerly with the electropop outfit The RGBs, she then sang with and fronted Read more ...
Thomas H. Green
Apparently Cheryl Cole is now “the nation’s sweetheart”. These days that doesn’t mean broadcasting sung radio support to a besieged island while the Nazis plot our demise 21 miles across the English Channel. No, instead, all it requires is smiling dutifully behind the gnome-like ancient Queen beside a load of passive, botoxed old pop stars while Madness’s saxophonist goofs about as if he were the only actual human being left in the entertainment industry. And then there’s this, her third album.Do we really have to talk about the music? Surely that’s not the point of Cheryl Cole? Or “Cheryl Read more ...
theartsdesk
Can: The Lost TapesKieron TylerDespite being compiled from previously unreleased material, the extraordinary The Lost Tapes is as wonderful as last year's 40th Anniversary edition of Tago Mago. This archive trawl outpaces previous exhumations like Limited Edition, Unlimited Edition, Delay ‘68 and Prehistoric Future by a very long distance. Not because it’s a three-CD set, but due to the sheer quality of what’s heard. Can still had material on the shelf equalling what they issued. Little is from the post-Damo Suzuki configuration of the band (it’s roughly half-and-half between the Suzuki and Read more ...