CDs/DVDs
Jenny Gilbert
The curious thing about Reset, the documentary that tracks the making of a new ballet by Benjamin Millepied at the Paris Opera Ballet, is that it clearly had another agenda. Millepied, a Frenchman nicely named for his profession, was a left-field appointment as director of the 335-year-old institution in 2014. He lasted only two years, but that in itself is hardly a story given the number of his predecessors whose tenure was even shorter.The film was shot over a period of weeks during the same season that saw Millepied quit, yet reveals no serious friction. Okay, so the 36-year-old breezes Read more ...
Russ Coffey
Conor Oberst's 2016 LP, Ruminations, was seen by many as both a triumph and milestone. A triumph because of the acclaim it attracted; and a milestone because it finally packed the emotional punch the singer-songwriter had been promising for years. The album was recorded in Nebraska during a particularly dark period in the artist's life - the combination of a brain cyst and a false accusation of rape. Armed with just a piano and a guitar, he compressed his emotions into a state of almost exquisite angst. Now, he's recorded the songs all over again.Salutations is, apparently, how Oberst Read more ...
graham.rickson
The creative, organisational and intellectual properties of slime mould are outlined in loving detail in Tim Grabham and Jason Sharp’s engaging documentary The Creeping Garden, though even this peculiar organism seems a little colourless when compared to the folks getting excited about it. Like the engaging amateur mycologist seen foraging in the Oxfordshire woods, for whom slime moulds are “a sideline”: Mark’s enthusiasm is so infectious that it’s hard not to get excited when he finds some, a mass of tiny yellow spheres buried in the soil.Long dismissed as just another fungus, its unique Read more ...
joe.muggs
OK, the title could be offputting, suggesting as it does the crassest of adversarial politics. But this record is something far deeper, far subtler and far more enjoyable than that. Yes, the Russia-born, Israel-raised, Berlin-based singer-songwriter Mariya aka Mary Ocher things to say about authoritarianism, xenophobia, and gender and sexual politics – but there is so much more to her expression.This record is produced by Hans Joachim Irmler of Krautrock and international psychedelic scene mainstays Faust, and features a variety of other German legends including long-standing electro- Read more ...
Guy Oddy
Jarvis Cocker and Chilly Gonzales’ first collaborative album is a song-cycle centred around the piano in the titular room of the Château Marmont in West Hollywood – a hotel with a reputation as something of a den of iniquity during the Roaring Twenties. Featuring cameo appearances from the likes of Jean Harlow, Howard Hughes and Clara Bow, Room 29 comes across like a stripped-down riff on Lou Reed’s classically grubby Berlin album with splashes of Bertolt Brecht and Kurt Weill and even Noel Coward to tell the tale of the ghosts of times past in “a comfortable venue for a nervous breakdown”. Read more ...
Kieron Tyler
Musically, Interplanetary Class Classics breaks no new ground. Opening cut “Vessels” could be by the KLF and kicks off with Glitter Band drums, a Chicory Tip stomp and has robot-like declamatory vocals: what critically favoured Nineties band Earl Brutus perfected. It’s followed by “Sweet Saturn Mine”, a swirling confection with Broadcast synths, motorik percussion and more of those mannered vocals. Next up is “Black Hanz”, a herky-jerk Krautrock/Black Angels construct with a – them again – KLF-type narration section. After this, “I.D.S.”, which could pass for a Sigue Sigue Sputnik outtake. Read more ...
Matthew Wright
Fin Greenall’s career is developing as a reverse mirror image of musical history. Originally a DJ and electronic music pioneer working on the edge of contemporary performance, for the past decade he has been on a journey into the acoustic and American past. His last release, 2014’s Hard Believer, had tinges of blues alongside some resonant Americana. Sunday Night Blues Club is billed as the real thing – his first “purely blues” album – but is it?Like Hard Believer, this contains some very evocative soundscapes, executed with seeming authenticity and style. Obviously, the argument about Read more ...
Mark Kidel
Tamikrest’s fourth album is well-presented, good enough, but a little hamstrung by what have become the clichés of the modern Touareg genre: the lilting rhythms of a camel cruising slowly across the dunes, intertwined guitars that smoothly swirl bewteen old Tamashek melodies and gentle riffs that might have come from the Deep South. The lyrics touch on the politics of the Southern Sahara, and the Touaregs’ tragic position at the mercy of conflicting interests – political, economic and religious.Music that bewitches around a campfire, under the vast canopy of the Milky Way doesn’t have the Read more ...
Saskia Baron
Has the British seaside ever looked more alien than in Roman Polanski’s absurdist drama Cul-de-Sac? Filmed on Holy Island, the tide steals the causeway that led craggy American gangster, Richard (played by Lionel Stander) to an isolated, run-down castle where he proceeds to terrorise the couple who live there. Richard’s partner in a heist-gone-wrong drowns slowly in their getaway car – they’ve stolen a driving instructor’s jalopy – and he holes up with George (Donald Pleasence) and Teresa (Francoise Dorléac) and torments them. Very much influenced by Beckett and Pinter, this Read more ...
Thomas H. Green
Miraculous Mule summon up that great feeling when you walk into an anonymous festival marquee and are caught up in a storm of music by someone you’ve never heard of. Two Tonne Testimony has a looseness, where songs matter less than hefty grooves, a feeling that its stew of swamp rock, psychedelia and grungey biker riffs is merely the jumping-off point for a wild live show. It’s also punctuated by a very contemporary paranoia that time is running out.Miraculous Mule is a three-piece fronted by Michael J Sheehy, alongside his brother and a childhood friend. Born of north London's council Read more ...
Katie Colombus
It's part and parcel of Ed Sheeran's success that both your nan and your teenage kid can bond over his music. His newest album, Divide, pushes that generalisation even further, with its easy-to-compartmentalise songs underpinned by a distinctively down to earth sound."Shape of You" is the one that everyone already knows, currently melting the airwaves and double-repeating on the dance floor, with its clipped, quick lyrics, base-y hum and dance beat. There are familiar soppy ballads full of youthful promises of eternity that will delight those of prom age, like "Perfect" or "How Would You Feel Read more ...
Nick Hasted
This is psychohistory: an attempt to heal Alejandro Jodorowsky’s turbulent Forties youth by reimagining it. The 88-year-old director of the acid Western El Topo, which was loved by John Lennon, still plans a sequel to that surreal, midnight movie favourite of hippie New York, so Endless Poetry isn’t necessarily his last act. Itself a sequel to The Dance of Reality’s lovely evocation of his Chilean childhood, it again generously comes to terms with his past. It’s a good spell to go into the night with.Resuming straight after The Dance of Reality, we return to young Alejandro’s family as they Read more ...