CDs/DVDs
graham.rickson
The brightness and colour are deceptive; at its heart, Lee Unkrich and Adrian Molina’s Coco is an affecting reflection on death, remembrance and the redemptive power of music, dressed up as a frenetic and gag-stuffed Disney comedy. I’d place it above recent hits such as Frozen and Moana; here, the music is integral to the film’s plot, and the closing scenes have an emotional impact comparable with the montage which opens Pixar’s Up. Have a box of tissues on hand, in other words, especially if you’ve had to deal with memory loss in an elderly relative.Set during the Mexican Día de los Muertos Read more ...
Liz Thomson
Gretchen Peters arrived in Nashville in the late eighties from Bronxville, New York, where she was born, and Boulder, Colorado, where she grew up. Within a decade she was writing songs for some of the biggest names in country music, among them Trisha Yearwood, Shania Twain, and George Strait, and for Etta James. It was “Independence Day”, which Martina McBride picked up, that led to her first honours (a Grammy and a Country Music Association Award), an occasional writing partnership with Bryan Adams and the release of a sequence of distinguished albums (including the garlanded Blackbird, 2016 Read more ...
Kieron Tyler
Loner’s opening track “More of the Same” lyrically tracks being at a party where “everyone’s well dressed with a perfect body and they all have alternative haircuts and straight white teeth.” It triggers a flashback to schooldays when it was, indeed, the same thing. “Cry!” looks a life in the limelight, “Money” is about doing everything for money and “Bikini” is about becoming a celebrity. The price of entry? Putting on a bikini and dancing.Caroline Rose’s third album is a smart, sardonic 11-track romp through how she sees aspects of the modern condition. A sadness-tinged cynicism is Read more ...
Thomas H. Green
When a 49-year-old Welsh jazz’n’folk singer decides to make it her business to cover songs ranging from Drake’s “Hotline Bling” to Justin Timberlake’s “Can’t Stop the Feeling”, most people’s immediate reaction would be to advise her to leave well alone. I’d be with them. However, despite some real no-no’s contained in Judith Owen’s new album, there’s also fun to be had.Things do not start well for, despite Owen’s best efforts, her plaintive, sparse piano cover of Drake’s bootycall anthem “Hotline Bling”, while a brave idea (suggested by her husband, the actor-comedian Harry Shearer) does not Read more ...
Nick Hasted
Spielberg’s prequel to All the President’s Men was filmed at speed, and aimed squarely at the press-hating Trump, not the late Tricky Dick. This contemporary intent is already fading. What remains is the director’s second return, after Munich, to the sort of Seventies conspiracy thriller dabbled in by his own great hits of the decade, Jaws and Close Encounters. The story of the 1971 exposé by government whistleblower Daniel Ellsberg of the Pentagon Papers, which revealed the US government’s true, knowingly doomed conduct in Vietnam, is framed here by a less important question: whether the Read more ...
Thomas H. Green
Take a first, passing glance at the debut album from Hailey Tuck and she could be mistaken for Katy Perry, done up in florid new image finery. The Texas-born, Paris-living 27 year old, however, on further inspection (and, more to the point, on listening), is nothing like that pop superstar. The only thing they may have in common is ambition, for Junk is weighted with Sony money, recorded at LA's Sunset Sound Studios with top jazz session men and a sense of high expectation. It’s a major label punt but, happily, a likeable one.The man at the studio controls is jazz super-producer Larry Klein. Read more ...
Mark Kidel
Ray LaMontagne is a versatile artist who for years has been navigating the territory between hard rock and contemporary folk. His voice can be soft and gentle and yet also filled on occasion with something close to aggression. He has a firm grasp of what makes a song unfold with a sense of inevitability that is pleasing to hear rather than just predictable.Born in 1973, he often resurrects classic rock sounds that are clearly the result of absorbing many treasures of the American and British back catalogues. There are echoes of Fred Neil’s sensitive tenor on the opener “To the Sea” and the Read more ...
Jasper Rees
It’s open season on the Getty dynasty. Last month the BBC documentary The Gettys: The World’s Richest Art Dynasty briskly coursed through the family archives. In March the TV drama Trust began on FX, scripted by Simon Beaufoy and directed by Danny Boyle. But breasting the tape over Christmas was All the Money in the World, Ridley Scott’s account of the kidnap of J Paul Getty III in Italy in 1973. The film seems destined to be remembered for the excision of Kevin Spacey from the original cut, to be replaced by Christopher Plummer.A great deal closer in age to the dynasty’s founding father, Read more ...
Tom Birchenough
The naturalism of Gabriel Mascaro’s Neon Bull has an engrossing inconsequence – if that's not a contradiction in terms – that surely betrays the Brazilian director’s origins as a documentarist. Narrative in any traditional plot sense is the least of the film’s concerns, subordinated to our growing engagement in the distinctive world that it captures, which is that of the vaquejada, the rodeo community of the country’s Nordeste region. It’s Mascaro’s second feature, and although he’s moved on to working with professional actors, the collective achievement here is to dial down any Read more ...
Matthew Wright
From Bach to the Beach Boys in three months. Though the right side of 50, pianist and bandleader Brad Mehldau has released 35 albums in over 25 years. In the Nineties, as a twenty-something, he recorded a five-volume series of albums with the title Art of the Trio. Today, he’s probably the best-known improvising pianist after Keith Jarrett. No one can accuse him of a lack of ambition or confidence. On the evidence here, it’s born of a great inspiration and gift. This is sumptuous, collective improvisation of the highest order.Listening to this album without a track listing, it would require Read more ...
Thomas H. Green
Arctic Monkeys are the great British guitar band of the 21st century so far. Only now they’re not. For the last couple of albums, Sheffield’s ever-smart rock four-piece have pushed their innate indie guitar sound further and further into 21st pop territory. This time, centred on lead singer Alex Turner’s piano, Tranquility Base Hotel + Casino leaps off somewhere else entirely, dipped in Rat Pack cool and sun-blissed retro easy-listening.Turner’s lyrics remain as poetic as ever, but he’s become more conceptually abstract, positing rather than commenting. He lives in LA now and the lovely, Read more ...
Kieron Tyler
As it was with his last album Golden Sings That Have Been Sung, it’s impossible to listen to Ryley Walker without comparisons to John Martyn and Tim Buckley – the jazz-infused, non-linear Buckley of Lorca – springing to mind. But this time round, for his fifth album, Walker appears to have also been sponging up the free-flowing ethos of David Crosby’s If I Could Only Remember My Name and the lithe Arthur Lee of Four Sail. Additionally, there’s the spiralling instrumental current of fellow Chicago dwellers Tortoise and dashes of math rock.On his label’s website, Walker says the only music he Read more ...