CDs/DVDs
joe.muggs
Scottish singer-songwriter Dorothy Allison pretty much defines cool. Her band One Dove was the first to snare Andrew Weatherall as producer after his success with Screamadelica, and together they created Morning Dove White: an extraordinary album that fused country and western melancholy with deep dub and electronica. It brought extraordinarily grown up emotion to the rave generation and creating the archetypal comedown soundtrack to the devoted few who loved it.Since then she’s worked with everyone from Massive Attack to Paul Weller, Death In Vegas to Pete Doherty (he used to be talented and Read more ...
Thomas H. Green
Willow Smith has done more during her life than the average 20-year-old. The daughter of Will Smith and Jada Pinkett-Smith, she bounced off her childhood appearance in her father’s film I Am Legend to a No 2 UK hit with “Whip My Hair” a decade ago, and has since released a bunch of music. This is her fourth album and, where her last couple came from a musically contemplative, indie-tronic, singer-songwriter stance, Lately I Feel Everything ramps things into the sweary pop-punk and metal zone.Avril Lavigne appears on the slick self-affirmation power-pop of “Grow” (“I hope you know you’re not Read more ...
Thomas H. Green
Anne-Marie Nicholson is a hard-working young woman from Essex whose career description is “Global Girl-next-door Pop Star”. She has incrementally worked her way there, attended the marketing meetings. Anyone requiring a CV that exemplifies the steady, data-farmed, disciplined path to contemporary major label pop stardom, should look to hers. Spontaneity and originality are out, every media detail is micro-managed, but a multi-platform, multi-territory project such as this can reap grand rewards. Her second album maintains the planned trajectory, conceptually streamlined, nothing unpredictable Read more ...
Liz Thomson
It’s hard to believe that it’s almost 50 years since I splurged a day’s Saturday pay on For Everyman, Jackson Browne’s second album. The title track alone was worth it. A couple of years on and Late for the Sky yielded “Before the Deluge” and “Fountain of Sorrow”. He’s written some great songs – and let’s not forget that “Take It Easy”, co-written with Glenn Frey, gave the Eagles their first hit. Another singer-songwriter from the fabled Laurel Canyon scene.Downhill From Everywhere, a pretty good summing-up of where we all are, is Browne’s first album in seven years and only his 15th in total Read more ...
Nick Hasted
The sleeve splices Little Richard and Sam Cooke in an archaic, explosive burst of ecstasy. Neo-soul star Leon Bridges’ third album doesn’t settle in the past, though. Taped far from his Forth Worth, Texas hometown in Hollywood, local clubland sounds helped fuel its liquid summer drift, a quiet storm brewed in nocturnal sessions over hip-hop beats, and burnished by jazz brass. At its heart, Bridges’ voice has the tender, aerated grace of the great soul singers before him. But broader R&B currents breeze through Gold-Diggers Sound.Robert Glasper, the keyboardist whose album Black Radio ( Read more ...
joe.muggs
For 25 years now, LA label Stones Throw records has become one of the most reliable brands in music. It began with, and has always been associated with, the leftfield hip hop of founder George “Peanut Butter Wolf” Manak, and regular contributors Madlib and J Dilla. But from very early on, it was heavily invested also in the music that hip hop sampled, signing live bands, mining archives for reissue and providing platforms for underappreciated musical elders, always with emphasis on the strange and stoned – so in fact its aesthetic overall is probably better summed up as psychedelic soul Read more ...
graham.rickson
What we don’t learn about filmmaker Harry Birrell is as tantalising as what is actually revealed during the course of Matt Pinder’s beguiling 90-minute documentary. We hear that Birrell was born in Paisley to a father he never met, who had been killed in action on the Macedonian Front, and that the young Harry was given a cine camera at the age of 10, the start of a lifelong hobby. We see Birrell’s granddaughter, actress and producer Carina Birrell, peering into storage boxes in a garden shed containing 400 reels of film plus assorted photograph albums and diaries.Birrell moved to London in Read more ...
Guy Oddy
Darkside is not a particularly original name for a band. In the late '80s and early '90s, it was a tag used by escapees from the infighting between Jason Pierce and Sonic Boom in Spacemen 3, as well as being taken on by at least one drum and bass crew in the '90s. However, it is now being given another airing by electronic ambient explorer Nicolas Jaar and multi-instrumental experimentalist Dave Harrington for their psychedelic two-piece.Almost a decade since their debut (and only other album), Darkside have put Covid downtime to good use by producing a mellow and laidback album which gives Read more ...
Liz Thomson
David Crosby hit the headlines a few months back, another artist selling his song catalogue in order to secure his house. These days musicians must stay on the road to earn a living and sell records. It’s a punishing life, even for the young and fit. When you’re pushing 80, especially when you’ve spent years punishing your body, it becomes a real challenge, but it’s the only way to survive.Croz has no plans yet to hit the road again – the tour bus is just too uncomfortable, tendonitis makes playing guitar difficult – and he spent a chunk of lockdown sequestered in his son’s LA garage working Read more ...
Nick Hasted
Wavves’ Nathan Williams found you can go home again. Following a deteriorating decade on a major label, and 2017’s raucous retrenchment You’re Welcome (2017), the punk-pop Californians have returned to their first label, Fat Possum. Williams then wrote Hideaway in his parents’ shed, where Wavves’ first records were taped.The need for safety and care suggested by a 35-year-old retreating to his childhood home plays out in this seventh album, where standing fast against buffeting waves of fear and self-loathing often seems progress enough. Hideaway feels like a breakup album, written when pain Read more ...
joe.muggs
Craig Fortnam’s music – solo or in the bands North Sea Radio Orchestra and Arch Garrison – sounds like a lot of things. It sounds like the 70s prog-folk-jazz interface of Kevin Ayres and Robert Wyatt as its influence feeds on into Kate Bush. When he starts looping things up or letting synthesisers dominate, it hints at early 90s electronica. His plaintive singing and natural surrealism frequently recall the early '00s folktronica songwriting of Mike Lindsay and Sam Genders in Tunng. A lot of the time you can even feel like you’re only a sackbut away from things going entirely medieval. Read more ...
Thomas H. Green
Spandau Ballet started well, their slick, slightly angular pop-funk adding a certain something to early Eighties new romantic frippery. Later, especially with the success of global schmaltz-smash “True”, they lost what teeth they had, drifting into cod-soul blandness. Kemp’s career since has focused as much on acting as music, but his recent round of gigs playing Syd Barrett to drummer Nick Mason’s early Pink Floyd tribute band, Saucerful of Secrets, was both unexpected and well-received. It was this that made me intrigued to hear Insolo. I wish it hadn’t. It’s one of the worst albums I’ve Read more ...