CDs/DVDs
Tim Cumming
American R&B singer Eric Benet is the latest star to throw Santa’s hat into the ring and spin a Christmas album out of the seasonal market – the cover has him in 1950s mode, in a deep leather armchair in front of a coal fire in magnolia jumper and slacks and a pair of Christmas socks. Cosy.Guests to Benet’s Christmas party include Nina Nelson, sharing vocals on a Christmas cut with a Hawaiian bent from the Bing Crosby stable, “Mele Kalikimaka”. Elsewhere Stacey Ryan shares the mic on one of Benet’s own songs, getting the tone just right for the jazzy, sprightly gait of “It’s Christmas”. Read more ...
Ibi Keita
Nightmares On Wax’s new album Echo45 Sound System feels like the soundtrack to a twilight walk through memory and possibility. At its core is a deep reverence for sound system culture. The album title refers to a battered old speaker box called Echo45 that first sparked George Evelyn’s love of music when he was young.Released on 14 November 2025 through Warp Records, the project spans 13 tracks along with a continuous mix version. It features a wide collection of collaborators including Yasiin Bey, Greentea Peng, Oscar Jerome, Liam Bailey and others.The opener, “Echo45, We Are!” featuring Read more ...
Guy Oddy
On her latest Melody’s Echo Chamber album, Unclouded, gentle Gallic psychedelicist, Melody Prochet wastes absolutely no time in setting out her stall, making clear her chosen style right from the first bars of opening track “The House That Doesn’t Exist”. Featuring spaced out, dream pop sounds with airy, helium-tinged vocals, a shuffling groove and an orchestral backing – and it’s, without a doubt, a beautiful accompaniment to drifting off into the distant stratosphere.Prochet has released three previous albums in her Melody’s Echo Chamber guise, some to great acclaim – particularly the self- Read more ...
Kieron Tyler
The voice is fluting, translucent. The melodies it carries are linear yet sinuous, their rise and fall akin to undulating terrain. The instrumentation – acoustic guitar, bass guitar, some keyboards – is unobtrusive. Spíra is about the voice. It is also timeless – sounding as if it were recorded at any point in the last 60 years.However, getting to grips with what is being sung is less straightforward as the lyrics of Spíra are in Icelandic – a demonstration of the bond of trust between non-Anglophone songwriters and listeners who are not from their home territory or do not speak their Read more ...
peter.quinn
Named after and dedicated to his wife, filmmaker and director Shiraz Fradi, Tunisian vocalist and oud maestro Dhafer Youssef's first album as leader on the ACT label is a thing of great beauty.Youssef leads a dynamic ensemble featuring pianist Daniel García, trumpeter Mario Rom, bassist Swaéli Mbappé, and drummer Tao Ehrlich. Guitarist Nguyên Lê joins as a special guest on four tracks, enriching the textural palette with his distinctive guitar work and sound design. The album's delicate, chamber jazz-inspired aesthetic creates an intimate space that showcases the depth and versatility of Read more ...
Tim Cumming
Detroit musician, Blue Note artist and expressive saxophonist Dave McMurray’s fourth album for the label, I Love Life Even When I’m Hurting, sets out to celebrate his home town, and his own life, and life in general. Warren Zevon once said wisely: “Enjoy every sandwich.” McMurray would likely enjoy the whole loaf. The phrase “I love Life Even When I’m Hurting” was seeded and conceived in the wake of a lonely death of a friend who had succumbed in body and spirit to a long, isolating illness. Out of that pain comes the fuel of resilience – a fuel that ignites his music and sax-playing too.“Man Read more ...
Liz Thomson
Rufus Wainwright has long expressed his admiration for “pop music with an operatic sensibility, the profane with the divine”, inspired by The Unknown Kurt Weill and Stratas Sings Weill, the albums recorded by Greek-Canadian soprano Theresa Stratus whose final performance at the Met thirty years ago was as Jenny in Brecht-Weill’s opera The Rise and Fall of the City of Mahagonny. Recorded live with the Pacific Jazz Orchestra under the baton of Chris Walden, who is also responsible for the arrangements, I’m a Stranger Here Myself was recorded live in March 2024 at the Read more ...
Tim Cumming
Noura Mint Seymali is possessed of the most extraordinary voice; its very fabric is electrifying, its reach, power and depth cut from an entirely different cloth to the rest of us. Maybe it’s a cloth of gold. And then there is her axe-hero husband Jeich Ould Chighaly’s shapeshifting, inventive guitar work, its distorted fizz and fuzz redolent of Seventies Glam and heavy rock melded into Mauritanian desert blues – and just as addictive. The guitar lines twist, smoulder, spark and melt like solder, with the traditional andine acoustic harp that Noura Mint plays and uses to define her music’s Read more ...
Guy Oddy
In the main, it could be assumed that Snarky Puppy’s bandleader, Michael League sleeps soundly in his bed every night. For sure, his band’s latest collaboration with Jules Buckley’s Metropole Orkest focuses on the land of dreams and is a generally calming soundtrack for drifting pleasantly into the arms of Morpheus.That is, apart from the unsettling and somewhat disorientating “Chimera”. Alone among the tunes on Somni, it’s anything but relaxed and seductive. This rather forceful track could be an imaginary collaboration between Bristol’s post-jazzers, Get The Blessing and Charles Mingus’ Read more ...
Mark Kidel
Keaton Henson is a master of dark introspection and unashamed vulnerability, a 21st century manifestation of what used to be called bed-sit blues. There isn’t a shred of extrovert joy in his latest album, where he explores, with forensic authenticity and a gift for poetic lyrics, a miasma of self-doubt, regret and resignation. “Don’t I just know how to fuck things up” he sings, almost mantra-like. It’s very British, this gentle and almost whimsical self-deprecation, but unless you’re seeking a homeopathic remedy – in which like cures like – for you own despair, this might be an album to Read more ...
Kieron Tyler
Strings swirl. A flute drifts like a bird floating on warm air. The melody is subdued, its tonality evoking The Smiths’ “Please, Please, Please, Let me Get What I Want.” A wistful, French-accented voice sings “I’ve always been so cruel, Hard on myself, You say I’m just a fool, Trying to be somebody else.” Mood set with opening track “Bluer Than Blue,” How and Why subsequently showcases nine more similarly moody, acoustic-centred songs.The dreamy, slightly husky, voice is recognisable. Since 2003, Mélanie Pain has been a main vocalist with France’s Nouvelle Vague, Marc Collin and Olivier Read more ...
graham.rickson
Quite why this dialogue-heavy monochrome science fiction series was first broadcast in a teatime children’s slot is outlined in TV historian Jon Dear’s booklet essay accompanying this BFI reissue. Writer Christopher McMaster, best remembered for directing scores of early Coronation Street episodes, penned what became Object Z in 1965. Looking for a show to attract younger viewers (and maybe to compete with the BBC’s fledgling Doctor Who), pioneering ITV channel Rediffusion picked up the project, McMaster quickly redrafting and simplifying his scripts.
The central conceit has astronomers Read more ...