Reviews
alexandra.coghlan
What does it mean to have a voice? And what does it mean to lose it? Those are the questions the award-winning Sound Voice Project has explored – through research, collaboration and live performance – since its beginnings in 2016. The latest incarnation of composer Hannah Conway’s project is as “immersive digital opera performance installation”.Down in the bowels of the Royal Opera House, as far away from the hum and chatter of the foyer crowds, the massed voices of the main auditorium, cocooned in an artificially darkened, shrunken Linbury Theatre, we’re invited to meet people whose voices Read more ...
Justine Elias
Marie Curie excepted, movies about female scientists remain scarce, not just because STEM careers and Nobel Prizes still favour men. Now comes the British-made Joy, which explores women’s contributions to a decades-long quest to cure infertility.This cozy historical drama traces the leadup to the birth of so-called “test-tube baby” Louise Brown, the first person conceived outside the womb, with an emphasis on the behind-the-scenes work of a woman who helped make it happen. Along with Dr. Robert Edwards, an embryologist, and Dr James Steptoe, an ob-gyn, Jean Purdy, a nurse and laboratory Read more ...
aleks.sierz
Cryptocurrency is like the myth of El Dorado – a promised land made of fool’s gold. Despite its liberatory potential, it frequently attracts sharks or, as the title of Beru Tessema’s new play indicates, hungry wolves that gobble up defenceless sheep.After the success here of his 2022 play, House of Ife, the playwright returns to the Bush Theatre with a subject which is original and a cast which includes a cameo by Jamael Westman, star veteran of the original West End production of Hamilton. This time, however, some slack plotting and predictable consequences undermine the drama of a slightly Read more ...
Jonathan Geddes
It appears Rachel Chinouriri has a good memory. “I remember you!” she yelled excitedly to one fan early on, highlighting that she currently sits in a nice position – popular enough to be playing busy shows in decently sized venues, but at a level where she can still see the eager faces looking back at her.At one point those fans all had their eyes shut, after the British-Zimbabwean singer instructed everyone to close them and imagine they were in Hereford during the pastoral strum and hum of “Pocket”, one of the night’s most laid back moments. The fact the audience agreed so quickly with Read more ...
Boyd Tonkin
Victims of their own success in the postwar era of well-recorded sound, the Brandenburg Concertos first arrived in the ears of listeners from my generation via glossy, plush and polished recordings by heavyweight orchestras of a sort that would have baffled Bach. Four decades ago, period-conscious bands began to strip the gloopy varnish off and let the strange, bold paintwork beneath shine. Yet the look, and sound, of these six pieces “for several instruments”, rather obsequiously dedicated by the job-seeking Bach to the Margrave of Brandenburg in 1721, can still startle audiences. Last Read more ...
Adam Sweeting
You might assume that the “Has Fallen” in the title of this Anglo-French thriller connotes the presence of Scottish lunk Gerard Butler (as in Angel Has Fallen, London Has Fallen and Olympus Has Fallen), but there’s no Gerard in sight. Instead, in this TV spin-off from the movie series, we have Tewfik Jallab (pictured below) as protection officer Vincent Taleb, who’s acting as minder to France’s defence minister Philippe Bardin (Nathan Willcocks).When terrorist mayhem breaks out at a plush reception at the British Embassy in Paris, Vincent finds himself teaming up with feisty, fearless MI6 Read more ...
Veronica Lee
Natalie Palamides doesn't do things by halves. Actually, the Los Angeles-based clown does just that in her inventive new show Weer – a hit at the Traverse Theatre at this year's Edinburgh Fringe – in which she plays the male and female partners in a fractious relationship. Simultaneously.Weer – the title is explained late on – tells the story of Mark and Christina. Palamides' costume and wig are divided into male and female halves, so as her left side is turned to the audience she is Christina, with her right side, she is Mark. It is, as you may imagine, a very physical performance, but Read more ...
Guy Oddy
Amy Taylor and the rest of the Sniffers ambled onto the stage of Birmingham’s O2 Academy to a huge roar of approval from a packed and diverse audience on Sunday evening. With her Farrah Fawcett hairstyle, toothy smile, sparkly bikini, knee length boots and shorts she didn’t look the firebrand that her image suggests – but looks are frequently deceptive, as Birmingham was to find out.In fact, Taylor laid down the simple but iron rules of the night before Declan Mehrtens had even strapped on his guitar: “If anyone falls down, pick ‘em up. Don’t touch anyone that doesn’t want to be touched.” Read more ...
Helen Hawkins
“Previously on Wolf Hall…” It’s been nine years since Claire Foy memorably trembled her way to the block as Anne Boleyn, recapped at the start of the second and final season of the BBC’s handsome Hilary Mantel adaptation. It’s a deathbound affair for all, though.The author herself is now dead; the original actor playing the Duke of Norfolk, Bernard Hill, as well, with Timothy Spall taking his place. Henry VIII’s pustulant leg has reduced his gait to an ominous slow limp; Jane Seymour – whom, the cross-cutting in Peter Straughan’s script suggests, he seems to be marrying concurrently with Read more ...
David Nice
Out of innumerable Rite of Springs in half a century of concert-going, I’ll stick my neck out and say this was the most ferocious in execution, the richest in sound. Others may have wanted a faster, lighter Rite. But the two things that make every concert conducted by Klaus Mäkelä so extraordinary are that he inhabits the music to a visibly high level, and that he gets the fullest tone and urgent phrasing from every instrument.This was a love-in between players and conductor, and an exciting first for the London Symphony Orchestra. I remember former tuba-player Patrick Harrild saying of Read more ...
Gary Naylor
Mac is in prison for a long stretch. He is calm, contemplative almost, understands how to do his time and has only one rule – nobody, cellmate or guard, can touch the photo of his daughter, then three years old, attached to his wall. Though he is a man who gets through the days with few problems, he solves them through violence. On his release, his only wish is to find the daughter who will have forgotten him. Scratch (spiritual sister of Maxine in the playwright's 2022 monologue, Wolf Cub) is a wild child. With no mother (we soon guess why) and a father inside, she grows up in care Read more ...
Graham Fuller
There’s a jolt or a surprise in almost every shot in Andrea Arnold’s Bird – her most impacted and energised depiction of underclass life yet. Photographed by Robbie Ryan, it’s a visual tour de force, one of the most exhilarating British films of 2024, but the affecting story it tells is undermined by its fleeting embrace of magical realism and the climactic swoop of a deus ex machina.Despite these caveats, Arnold remains British cinema’s most trenchant and influential portrayer of neglected, endangered girls and young women living in brutal or inhospitable environments. Claire Oakley’s Make Read more ...