Reviews
aleks.sierz
In the same week that saw the arrival of Arinzé Kene’s Misty, a play that passionately questions the clichés of plays about black Britons (you know, gun crime, knife crime and domestic abuse), Black Men Walking opens at the Royal Court. Having already had a successful outing in Manchester, this play about a black men's walking group is a triumphant vindication of Kene’s point that most of the stories of black Britons have nothing to do with gangs or drugs. They are about ordinary folk doing ordinary things – like going for walks. And talking about themselves. And about what home means for Read more ...
Adam Sweeting
The mystery remains of why they keep tucking away The Good Fight on More4, as they did with its illustrious predecessor The Good Wife. No disrespect to 4’s ancillary channel – now seemingly the designated last resting place of Grand Designs – but it’s like hanging a sign on the door saying “niche viewing, please knock quietly before entering”.In fact The Good Fight, having hit the ground running in series one, has stormed into series two swinging like a champ. Its finely tuned blend of character and beautifully detailed milieu accompanies a feeling of seamless inevitability in the plotting, Read more ...
Laura de Lisle
Arinzé Kene is having a bit of a moment. He won an Evening Standard Film Award for The Pass opposite Russell Tovey in 2016, is about to appear in a BBC drama with Paddy Considine, and has just finished lending his lovely tenor to Conor McPherson’s Girl from the North Country in the West End. He’s somehow also had time to write Misty, directed by Omar Elerian at the Bush Theatre, at once a powerful meditation on how we tell stories and a raw, beautiful Odyssey through the heart of London. Clocking in at a tight two hours, Misty begins, true to its title, with a lot of fog. A thick green Read more ...
Marina Vaizey
There is a jaguar in the house. Aged five days, and having been rejected by her mother, Maya has arrived from the wildlife park where she was born for hand-rearing by Giles Clark at his home in Kent. The cub is going to spend her early days with his family, with round-the-clock care from Giles, obsessed as he is with the situation of big cats worldwide.For Maya, it will be an attempt to make sure of her survival, not least as an ambassador for endangered species at the Big Cat Sanctuary nearby, where Clark works as head of cats and conservation. A charity, it houses some 50 big cats from 15 Read more ...
Veronica Lee
Simon Evans, at 52, is far too young to be a grumpy old man, but he’s doing his best to prepare for the role, with this amusingly dyspeptic standup show at Soho Theatre about the ageing process, and how the evolutionary model appears to be moving backwards. According to his show Genius, things really aren’t getting better, at least in terms of human intellect and those who lead us.He starts by talking about the perils of ageing, about his thinning hair, senior moments and losing his spectacles. So far so predictable, but Evans has a breezy conversational style and a pleasingly original take Read more ...
Jasper Rees
Steven Soderbergh has always been capable of a big Hollywood moment – Magic Mike, Oceans etc. But much of his filmography consists of curious sideways glances. He’s particularly drawn to the shifting distribution of power between the genders. From sex, lies and videotape to Haywire, by way of Erin Brockovich and Out of Sight, he has rifled through the genres to find fresh and intriguing stories about men and women. It comes up again in Unsane, a sort of horror comedy satire that makes great use of Claire Foy’s vertical rise to bankability. It also, for the record, features a fun cameo from Read more ...
Jenny Gilbert
Sean Holmes is artistic director of the Lyric Theatre, Hammersmith, yet his revival of this seminal Irish play has taken two years to come home to him. The production was commissioned by the Abbey Theatre, Dublin, to mark the centenary of the Easter Rising, the miserably bloody six-day revolt that gave birth to the Republic of Ireland. It has since been seen by more than 50,000 people.Given that Holmes is English (he’s a Sean, not a Seàn as in O’Casey, the author of the play), it was remarkable to be asked to direct such a famous Irish text addressing the issue of national identity. It was Read more ...
Florence Hallett
Painted in ice-cream shades punctuated with vivid red, the series of portraits made by Picasso in the early weeks of 1932 are as dreamy as love letters. His mistress Marie-Thérèse Walther – we assume it is she – lies adrift in post-coital languor, her body spread before us as a delicious and endlessly fascinating confection. But the mood shifts from picture to picture, and she appears by turns as a wisp-like erotic reverie, an imposing, moon-faced goddess, and, in a flash of humour that teeters on the edge of cruelty, a cartoonish blob of a creature with a long, upturned snout (Pictured below Read more ...
Bernard Hughes
I left this concert a bit depressed, but not because of anything I heard: rather, by the conservatism of London concert-goers. As London orchestras focus on programming the usual wall-to-wall Brahms, Beethoven and Mahler, the LPO was rewarded for their excursion from the well-trodden path by the punters staying away in droves from this imaginative programme.As part of their Changing Faces: Stravinsky’s Journey year-long season, we heard two works from his 1920s output, paired with older pieces in the same vein of good humour and wit. Weber’s Konzertstück was a direct model for Stravinsky’s Read more ...
Matt Wolf
No, this isn't the large-scale Kander and Ebb musical, which opened in 1992 in London before transferring for a sizeable run on Broadway. Laurie Sansom's expert production instead both revisits and revises the lesser-known source of that song-and-dance adaptation: an intimate two-hander (with a prison guard thrown in for good measure) between a gay window-dresser and an ardent revolutionary who find themselves sharing a prison cell in 1975 Argentina. William Hurt won an Oscar for the showier of the two roles, but the Menier Chocolate Factory revival boasts two ideal interpreters in Samuel Read more ...
Matt Wolf
It's long been a theatrical given, especially in musicals, that characters need to be seen to change: a climactic duo in the eternally crowd-pulling Wicked makes that abundantly clear. ("Because I knew you," goes the lyric, "I have been changed for good.") But what happens when people can't or won't change, and are so ground down by circumstance and their own temperament that they retreat inwards until they implode?That's the situation at the provocative and ever-stirring heart of the Tony Kushner/Jeanine Tesori musical Caroline, or Change, whose revival at Hampstead Theatre boasts a central Read more ...
Sarah Kent
The American artist, Joan Jonas is one of the pioneers of performance art. Now 82, she is being honoured with a Tate Modern retrospective and Ten Days Six Nights, a festival of live art in which many of her performances are being recreated.Traditionally in art, women were allocated the roles of model and muse. Frustrated by such limited options, in the 1960s many courageous women began developing careers as artists in their own right. Many chose performance art because, unlike painting and sculpture, it wasn’t freighted with a history dominated by men. The genre allowed women Read more ...